quilting 4.123

Tips for Safe, Accurate Fabric Cutting

It’s very important, whether this is your first quilt or you’re a seasoned quilter, to follow a few safety guidelines. Using high quality, ergonomic equipment will not only improve your chances of accurate cuts but also will reduce strain on your body and minimize slips that could destroy your fabric or harm yourself. Use a rotary cutter with a corresponding mat and ruler. You’ll find using scissors to cut a quilt to be inaccurate, frustrating and time consuming. There are many great rotary cutters on the market. A simple Google search will show you there are endless brands from which to choose.

You have your rotary cutter of choice but now you must be sure of the following:

Tips for Safe, Accurate Fabric Cutting.

1. Hold your rotary cutter only as the manufacturer suggests. Generally, this means holding the handle so your index finger or thumb rests on the ridged area leading up to the blade.

2. Always cut away from your body, on a flat surface, while you are standing up. It is important to put adequate weight on your ruler so it will not slip during cutting. Along this topic, do not hold a ruler with your left hand and ‘cross-over’ your body to cut on the left side of that ruler. It’s best to leave the acrobatics to the professional circus performers.

3. Square your fabric to ensure you have a 90-degree angle at the horizontal and vertical edges. Utilize the fold in the fabric, as my horizontal compass, rather than ironing it away to use the salvage. You’ll have to use your best judgment if there is a particularly poor fold in your fabric, if there is a challenging horizontal pattern, or if you’ve chosen to pre-wash your fabric. You should now have just a quick cut to remove some excess material before you begin cutting strips.

4. Square again! After a few cuts, stop and check that your material is still square. Fabric and rulers can slip during the cutting process.

5. Safe storage is important. When you are finished cutting, ensure the safety shield is in place over the blade of your rotary cutter and store your equipment where young hands will not reach.

Don’t worry all you experienced quilters out there; it’s never too later to start implementing some better practices in your cutting routine. Remember, no matter how long you’ve been using a rotary cutter; be aware of your hands at all times and be safe.

How to Choose Quilt Fabric

One of the more daunting tasks involved in quilting can be picking the absolute perfect fabrics to ensure all the hours of effort you put into your quilt will create a masterpiece you will love forever. That’s a lot of pressure! There are so many schools of thought on how fabrics should and should not match and it really comes down to personal preference and the pattern you choose. This is your labor of love so you’re really the only opinion that matters when you choose your fabric. together and would be considered very safe choices. There is nothing wrong with colors that blend well together when you don’t want any one color to stand out above the rest.

There’s no perfect method, I’m simply going to share how to approach picking out fabrics, once you have chosen a pattern. Having a standard plan of attack certainly reduces time.

Search for a main fabric that you love. If you have a fabric you can’t live without, the rest of the process is so much easier. Try to be daring in your choice of the main fabric. It will often have variations in color and will have a bold texture or pattern throughout.

Then pull colors from that main fabric. This part is relatively easy as you will still be trying to match the colors. Select light and dark options that still have the same tone as the main fabric colors.

Finally, take these colors and purposely try to find colors that are complimentary, but don’t necessarily blend and match. For example, if you have chosen several yellow fabrics, some will have more red tones and some may have green tones. They’re all still yellow but they are different variations of yellow and definitely have different textures. Perhaps some are floral and some are polka dot or striped.

Once you’ve chosen fabrics that work well together, lay them all out on a table. Make sure you have lots of options so you can pick and choose what will make the final cut.

A couple of other tips that are helpful:

Do your best to choose a fabric shop that has a great selection of fabrics. It’s so much easier to choose your fabric all at once versus going from store to store to find enough fabric.

Choose high quality fabrics throughout your quilt. It may be tempting to look at discount fabric stores but you need to consider how your fabrics will age and wash together and choosing some fabrics that are higher end and mixing them with discount fabric will not be a good long-term choice.

Keep an eye on your fabric stash. Carry a few of your favorite pieces from your stash with you as you choose fabrics. You never know when you’ll be able to squeeze in some of that fabric you already own.

Remember there is no wrong approach to quilting if you’re following your passion. Don’t get too hung up on the fabrics you choose. You learn as you go certainly, but if you choose fabrics you like then chances are good you’ll like the end result.

Quilt Borders

The perfect border can often make the difference between an ordinary quilt and an extraordinary quilt. A border can surround the interior blocks of a quilt bringing them to an abrupt halt or it can gently encourage those blocks to fill out the quilt and finish it.

An exciting border can bring life to a plain quilt top, making the border the focal point of the quilt. Likewise, a very busy or heavily pieced quilt top can be calmed with a plain border. The choice you make will influence the final effect of the quilt.

Decide on the type of border you want to accent the central design. Remember that you can mix and match borders to create a design, emphasize a theme, or to increase the size of a quilt. Quilts with multiple borders look best if the smallest border is on the inside, but this isn’t a hard and fast rule. If you are adding applique to the border, consider doing it after the borders are sewn together as a dimensional element.

A straight border can be easily calculated and added to a quilt top to make it larger. A straight border is usually one piece of fabric which may be seamed to make it long enough to fit the quilt. If you have more than one straight border, make sure they are visually different in color or scale. Quilts with clipped or angled corners often have straight borders.

A floating border is a straight border made of the same fabric as the interior blocks, thus “floating” the interior quilt top away from the outer border.

A sashed border is a border which is made in the same style as the sashing. The dark squares at the intersections of the sashing strips are called cornerstones.

A scalloped border is applied the same way as a straight border but adds more interest to the edge of the quilt. Quilts with rounded corners often have scalloped borders.

A pieced border is made of blocks which compliment, the interior design. This border will look best if the size of these blocks is the same size or slightly smaller than the blocks of the interior quilt. The size of the pieced border blocks should be calculated to fit the size of the interior quilt top if possible. A coping strip of one of the other border styles can be added to make everything come out even or to separate the interior quilt top from the pieced border.

A mitered border can frame the center of a quilt top, much like a painting in a frame. Using a border print for a mitered border emphasizes the framing effect.

A dimensional border such as piping or a flange is usually inserted between two other borders and adds no additional size to the quilt.

There is no requirement that a quilt have a border! Your quilt may look best without one.

Memory Quilt Ideas

Thinking of creating a memory quilt but not sure where you start? You’ve come to the right place. Here are five ideas to get you started.

Album Quilt

The oldest type of memory quilt is the album quilt or signature quilt. These type of quilts marked special occasions or were given as a gift when someone moved away. The album is not of pictures but of signatures.

The only requirement is the center of the block is either white fabric of a muslin in order for someone to sign their name. Once completed, you’ll have a living memory of that snapshot in time.

These can be made from a rail fence pattern or crazy quilt pattern or really any block where there is a blank space.

Photo Memory Quilts

You can now put yourself in your quilt. Or your kids or your family. Photo memory quilts are excellent gifts for grandparents.

Print out the picture on photo transfer paper and then iron it on your chosen fabric. Once you do that, you can use it just as a regular block.

You could put the pictures of far-flung family members in an I-Spy quilt or use each picture as the center of a star block.

These type of quilts are very versatile because wherever you would use a square in a quilt pattern, you can substitute the picture for it.

Clothes Quilt

Use the clothes of someone who has passed away as material for a quilt. For men’s shirts, there are now quite a few quilt pattern that use plaids. For ladies, you can use their fabric from their favorite formal dress or silk blouse as material in a crazy quilt block.

Every time you look at the quilt, you can smile because it is from a piece of clothing that your loved one wore.

T-Shirt Quilts

These are popular for a reason. If you have an athlete, sorority girl or frat boy in your family, they have plenty of t-shirts. Take those t-shirts that would probably be thrown out and make a quilt out of them.

You just have to get over your fear of making a mistake. This is why I strongly recommend keeping ugly t-shirts around to experiment with as your first project. Get the interfacing and the dimensions right and then go to town.

If you are still unsure and you do not have a quilt design software, it is time to get out good ole graph paper and crayons to make sure you have the proper proportions.

Crayon Quilts

Want your gift to be a hit on Mother’s Day or Christmas? Have the little ones draw pictures as blocks with crayon quilts. Add Sashing. Present. Done. The receiver will have an original work of art that they will treasure.

So, there you have some ideas for creating your own memory quilt. Use one, two or all of the suggestions. The best thing about this type of quilt is that it is unique. And isn’t that a reason why we quilt, anyway? To create something unique.

Nine Patch Quilt Block – How to Make and How to Use

A nine patch quilt block is just about the easiest block you can make. It also has the benefit of being one of the most versatile. So, what is it and how can you use it to turn your scraps into something beautiful? Let’s find out.

What Is It?

It’s really very simple. A nine patch quilt block is made up of nine parts. These can be the same size or not. What makes the block is the contrast in values between the sections.

They will usually have light and dark value. Now, these nine sections can have all the same color like when you’re quilting a basic Irish Chain or they can have a variety of colors like the Puss in Boots block.

How to Make It

Strip Piecing is your best bet. For a standard 9 patch if you want a 6-inch block, you’ll need to cut out 3 – 2.5 inch strips of your dark or bright fabrics and 3 – 2.5 inch strips of your light fabric. Create 2 strip sets:

Dark-Light-Dark and Light-Dark-Light

Cut the strip sets 2.5-inches times the width of the fabric. Sew them in sets of the following ways to create your block:



Dark-Light –Dark

How to Use it:

Alternate with plain blocks

As mentioned above, you can create a basic Irish chain quilt. That is if you alternate it with a block of the background fabric. The main color pop and it looks like there’s a chain. Another option is just to alternate the block with a plain block of the same size.

Alternate with Half-Square Triangles

This is something really simple that can pack a punch. First, look in your stash to see what you have a lot of. It should be a dark color and a light color. Make half-square triangle blocks. Then make 9 patch quilt blocks that coordinate with these colors. It works best if they fall between the color ranges and are in the same color family. By the same family I mean brights, country colors, Civil War reproductions, that kind of thing.

You do not need the same fabric line, but you do need the same color family. You will notice that you gravitate toward a certain type of fabric and this will not be a problem.


Sashing is also an option. Don’t have a lot of time and need a quick charity quilt? It doesn’t get much easier than this. Instead of cutting 2.5 inch strips for your 9 patches, cut your strips 4.5 inches. That will finish as a 12inch block. Set 3 blocks x 4 blocks with sashing and you’ve got yourself a quilt top.

Setting on Point

You can also set this on point using setting triangles.

Tools in Your Toolbox

A nine patch quilt block is a good quilt block to have in your quilting toolbox. It’s easy, lends itself to strip-piecing and is versatile.

If you are a by-the-book quilter you can use this block. Simple doesn’t mean boring. The only limit really is your imagination.

Quilting Supplies – What you need to keep on hand

Here are some basic quilting supplies that you will need to keep in stock.

Quilting Fabric

Yep. That’s obvious.

Quilters refer to the quilting fabric they have on hand as their “stash.” Sometimes stashes can get quite high. There’s even a stash busters online yahoo group to help fabricholics.

The good thing is that you will probably gravitate toward a certain style. There are a ton of different quilt fabric lines. You can count on most to stay near their niche. Amy Butler is modern. Moda? You will probably get a traditional type of quilt. Michael Miller features more novelty fabric.

It’s good to be aware of the different types of fabric lines so that you can know where to go when you’re looking to make a specific kind of quilt. When it comes to quilting supplies, fabric is on the top of the list.


If you have a basic sewing machine, you can use good old Dual Duty. It’s what is in my machine. If you can, however, get your hands on some Gutermann thread. If you have a high end machine, it is a necessity.

As for colors, buy neutral thread for piecing. For my bright quilts, I use white thread. For my darker quilts, I like beige. Keeping your piecing thread neutral means that you can really take advantage of the big box fabric store sales on thread.

Quilt Batting

Batting can be the most confusing choice when it comes to quilting supplies. There are a couple of questions that you need to ask yourself before you choose the right batting for a project. What will this quilt be used for? You can get away with a different batting for a wall hanging than one that you are hoping will become a little one’s favorite blanket. Baby quilts will probably be washed and dried a lot. You will need a batting that will hold up to all of that abuse, uh, I mean loving. Is warmth important? Would the recipient of the quilt be happier with a quilt that is backed with fleece because it would be warmer? In that case, you may be able to forgo batting all together.

And this is may seem shallow but notice how far apart the batting needs to be quilted. Do you really want to quilt every four inches? Only use batting like this for a small wall hanging.

Then again, the quilts made are for everyday use and probably wouldn’t make it past a cursory glance of a quilt judge. If you aspire to hand quilt a masterpiece or to use a long arm machine, then quilting every four inches could be the perfect batting for you.

It’s all about intended use. Once you know what kind of quilt you want to produce, choosing the batting becomes easy.

Tip – Buy the largest piece of bagged batting you can when it is on sale. You can always cut it up for smaller projects.

Quilt Labels

You can make your own quilt label with a piece of muslin and a permanent fabric pen. Write your name, the date, the intended recipient and the name of the quilt on the scrap of fabric. Then, stitch this to the back of the quilt.

There are also some quilt labels that are produced by fabric companies. The first quilt label I used was from a Christmas fabric line. I used some Wonder Under to apply it to the back of the quilt so that it stuck. Although Wonder Under is supposed to be permanent, I really should have stitched it down.

Another alternative is to sign the back of the quilt, directly mark on the quilt with again, a permanent, fabric pen.

So, there you have it – fabric, thread batting and labels. You can never go wrong stocking up on these basic quilting supplies.

Basic Quilting Supplies You Will Need

As a new quilter, you probably aren’t sure which supplies you need to have to be successful at quilting. When you look at a quilting or fabric store or online, there are what seems like a million gadgets and gizmos, all important for the quilter to be successful. How can you tell which are really imperative? Or do all quilters have everything?

Before you go off and buy anything, think about what kind of quilting you want to do. Do you have a pattern yet? Maybe a picture of a quilt you like and want to make? The type of quilting you want to do will affect which quilting supplies you will need, for example, those who are machine quilting won’t need supplies like a quilting frame. But let’s discuss the supplies you need to just get that first quilt top made.

Basic Sewing Supplies for Quilting

There are some sewing and quilting supplies that you will need regardless of whether you’re quilting or sewing a dress for your little girl. They are important to have on hand. So be sure you have scissors, pins, a needle and thread, as well as a seam ripper.

Scissors that are sharp and pointed work best. If they aren’t sharp and you have to struggle with every cut, you’ll hate them. If they aren’t pointed enough, you won’t be able to get into tight little places to cut. Some quilters also use a rotary cutter and mat to do their cutting, but they aren’t necessary – traditional scissors will work fine when you’re just learning.

Pins are a simple thing that can be a real help. Think of them as an extra set of hands to help hold the pieces together while you sew. They can help those edges stay together, and they can mark where that seam should be, or where it needs to end. The cheapest pins are the steel ones with tiny heads. A step above that are the one with the colored ball heads. They are much easier to see! Want to go a step even better? Try the ones with the flowered heads; they are a little bit longer, too. They’re a bit more expensive, but oh, so nice to work with! That’s a sewing and quilting supply that can make quilting just a little bit closer to heaven.

If you will be hand sewing, have a few sewing needles. If you are sewing the pieces together by sewing machine, have extra sewing machine needles on hand. If your quilt is one basic color – like blue, or brown – use that color of thread. If it is many colors and fabrics, like a crazy quilt, choose either black or white thread, whichever blends the best with your fabrics.

Another sewing supply you should have available is a seam ripper. I know, none of us plan to make mistakes, but they somehow happen anyway, so it helps if we can minimize the frustration they can cause by having a good tool to fix our mistakes. As a new quilter, to whom all the techniques are new, you are very likely to need to do some “reverse sewing”, so keep that handy-dandy seam ripper within arm’s reach.

Crafting Your Handmade Patchwork Quilt

To begin your handmade patchwork quilt you will require cloth. Patches can make up a fashionable, yet old-style quilt that will last for a lengthy time to come. You simply cut the pieces of your material to develop patches as well as design, stitching in simple numerical lines. If you are producing the customary handmade patchwork quilt, you will need fabrics, incorporating lengthy stripes, squares, arched shapes, and rectangles. You are able to leave out the shapes that curve if you do not care to go all the way through the steps of creating an intricate handmade patchwork quilt.

At the time of designing a handmade patchwork quilt, quilters will use patches to construct a quilt with a lot of segments, such as the quilts that resemble the Picasso arts, or else the basic quilts. Once you gather your patches, you will need to form blocks of your cloth. The blocks in crafter language include the “corn and beans,” motifs, “turkey tracks, maple leaf, Robbing Peter to Pay Paul” and so on.

Prior to commencing your handmade patchwork quilt you will have to choose the block scheme. You have the selection of the 4-patch scheme, or else the 9-patch. The patch block schemes make up grids, that fill in a variety of simple lines in numbers along with shapes. The 4-patch is one of the customary patterns used to make customary quilts, furthermore is one of the simpler quilt patterns. The 9-patch is additionally used, yet other models are made up on other geometric grids. When you learn to quilt you may wish to start with the lower block inches, you will what’s more have to know how to make up borders to perfect your quilt. Quilting for beginners need not be complicated, sticking to simple quilt patterns is the key to making this process less complicated.

The 4-patch is 4-squares factored into a numerical grid. For example, you can picture a box, draw a cross inside, and count 1-4 to accomplish the 4-block scheme. To continue to the 4-patch scheme you would have to include squares, stripes, etc. The whole idea behind the 4-patch scheme is that you can make use of a selection of patches to create a colorful quilt.

Once you elect on the type of your handmade patchwork quilt you will want to think about your schemes. If you are working the 4-patch scheme on blocks, around 4 inches, then you will want to cut your patches 2 inches in squares. The higher the scheme, the more patch inch squares you would need. For example, if you were to produce a 12-block scheme, you would require twelve patches and cut in six-inch squares. On the other hand, if you were having the 9-patch idea, choosing the 12-inch blocks then you would need to cut your patches into 4-inch squares. Now you are able to make your templates. Templates in crafter vocabulary are patterns, which are cut from heavy-duty fabrics, or materials. You must have the templates to produce an easy squared quilt, or else prepare to battle. You’ll end up with a spectacular creation and a handmade patchwork quilt to be proud of on the proviso you abide by simple quilt patterns. Keeping things easy is the secret when you learn to quilt your handmade patchwork quilt.

Learn Hand Quilting

If you are starting to learn to quilt, or an advanced practitioner of quilting you can uncover a lot of books that can help expand your skill. Quilting publications fall more or less into a few categories, and many titles abound within each one. The different types of books are how-to, pattern encyclopedias, historical, books about the joy of quilting, as well as art books.

How-to books are in all probability the most popular, in addition to being the first stop for the individual who wants to learn to quilt. They range from publications which discuss the complete craft of quilting as well as offer step-by-step advice, to books that will capture one feature of quilting and clarify how to achieve it. The instructional publications start with such fundamentals as cloth selection in addition to which accessories you’ll need and proceed through instructions for assembling the blocks of your quilt top as well as the quilt itself, down to explanations of quilting, both hand and machine. Each quilter needs at least one of these publications within their library, and commonly will manage to accumulate a number of them. You’ll find it amazing how many times you need a ready reference when you are in the middle of a quilting task.

An extra sort of book that every quilter will need to have on hand is an encyclopedia of patterns which include simple quilt patterns – huge for the starter. These books collect various different quilt block patterns and also explain the fundamentals of their assemblies. Since their aim is to cover a lot of ground, these publications are significant starting points but will not go into intimate detail. For that you will want to turn to books which feature coaching on an individual pattern. With the extensive assortment of quilting block patterns and techniques, you are able to imagine that this group of quilting books is rather extensive and stocked with titles.

Because quilting has its roots in American history, quilts and the craft of quilting have been studied in detail, and a lot of historical quilting textbooks exist. Looking at these textbooks along with seeing what our ancestors accomplished having a fraction of the equipment and supplies on hand at the moment can be a terrific source of inspiration to current quilters. Along the same lines are books that discuss the enjoyment to be derived from quilting, both in its social form (such as quilting bees) or as a solitary pursuit. Finally, there is a complete segment of quilters who have advanced the craft into art. These quilters regularly show their work in galleries in addition to museums, for example the quilt wall hanging. They publish books not just about their quilts, but the thoughts and procedures that went into assembling them. Every now and then collectors of quilts will put out publications, too. These art quilt books are as inspiring in their way as the historical quilting books.

Part of the thrill of quilting is locating books on the topic, and fortunately for modern quilters, there is a massive array of titles to choose from. Regardless of whether you are choosing to put together a handmade patchwork quilt or a quilt wall hanging, even quilted clothing for that matter, you should make sure you have a book or 2 easy to hand to help you along the way.



Once you have created some quilts you may want to starting selling them. There are a variety of different ways to do this including going to arts and craft festivals in your city, flea markets on even setting up your website. You will need to have a good stock built up and that will take some time. You can look on the internet for the local arts and crafts festival, their cost, times and locations. The local flea market is a good place to set up a booth but then again you will need to contact the local vendors to find out their costs for a booth, times they are open and any special requirements they may have for bringing in your own tables and such. You want to have a way to display your quilts such as a rack as well as some bags to put them in, and change for cash payers. And you will probably need a way to take credit cards as well. I found a great website that talks about this subject at: http://www.creditcards.com/credit-card-news/how-accept-credit-cards-garage-sale-1273.php

If you don’t want to attend arts and crafts festivals or hang out a the flea market all weekend you might want to consider getting a website and selling your products online. You create your own website using one of the free services such as: http://www.ecrater.com/ is a free ecommerce website and community with unlimited products you can add, or http://www.freewebstore.org/ is a free ecommerce webstore builder that is based out of England and limits your products to 9 or less. Just remember you will need to sign up for a merchants account with either Google pay or Paypal to process credit cards. However, you will not get a website with your own domain name. ECrater will allow you to just use their shopping cart feature by using links from your own domain website. You can always start out with a free site and when you get going you can upgrade to your own domain with a shopping cart feature built in so that you can control all aspects of your business. Try http://websforyou.info and http://blogsforyou.info when you are ready. Remember you have to have a shipping cost module added to your cart as well as collect sales taxes. The rate of sales tax is determined by which state you live in.
Finally, you will need to consider how much you are going to charge for your quilting creations. There are a variety of different strategies to consider when you want to sell you items including the cost of materials, the time spent on the project and the size of the piece and of course, the uniqueness of it as well. You can check on out this article I found at: http://quiltingbusiness.com/quilt-pricing.htm..Good luck!
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Once you have created a couple or 10 quilts you might want to consider selling them. You can give them away to friends and family members and you can even sell them for FUN AND PROFIT. After all, you will need to recoup all that money and time you spent creating your fabulous creations and what better way than to sell a few. Of course, the more inventory you can create before you decide to sell the better. And the more the make the faster you will get at making them. There are various avenues for selling your quilts and Spring and Fall are probably the better times to try and sell them. You can pay the fees for a booth at a local quilting show or even pay the smaller fees at your local Flea and Farmers Market. But if you don’t want to schlep all your inventory to any of these places you can create a website.
If you go the traditional route you will have to pay for a domain, pay for website hosting fees and setup a shopping cart. And absolutely set up a PAYPAL account. PAYPAL is a secure credit card/electronic check processing website that keeps yours and your customers information safe and secure. Check out the GODADDY website for an inexpensive website solution that will give you complete control of how you website looks like, feels like and interacts. If you are not internet or web savvy then you can even try two websites that we use in conjunction with our own Jolene’s Books and More by going to Yardsellr and or ETSY.
Yardsellr is a FREE Listing website that you can upload pictures of your items, write a description, and have all your friends on Facebook, Twitter and Pinrest to view your listings and share them with their friends and family. There are no fees to the sellers but a small fee is added to each buyer. It is highly recommended that you have your PAYPAL account already set up before joining so you can get PAID. They also require that you get a tracking number after shipping. They have a Help section for you to read through to find out all the rules and how to’s on setting up your account and other things that you need to know. You will have to relist each item every 30 days but they don’t charge for that either. ****Yardsellr Closed Down their Selling Site March 2013******
Now, ETSY is another seller/buyer website that gives you a little more leeway in your shop. They do charge $0.20 per item that you list and a small percentage of the amount you sell. They help you get the word out and offer videos and instructions on how to list, take pictures, involve your friends, even pay a small fee to have your items featured quickly. You have to renew your items every 4 months and pay the $0.20 per item fee again. The fees are due by the 15th of the following month. That gives you a little time to list your items and hopefully make a sale or two before they are due. Read through the help sections of any site or service you decide to use. So far we have been happy with all the services we are recommending.
****Updated June 18, 2013****
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For those of us who are new to quilting we really like the YouTube quilting videos that people have uploaded and are willing to share with everyone. Some of these people even make money with these videos by participating in the Google Adsense program and linking their Youtube user account with the Adsense account. Every time that someone views their video with advertising and clicks on the “ad appropriate” content the video make gets a few pennies. Eventually they will add up to enough money to buy more materials for more quilts. Now you may not have the creative skills or equipment to make these kinds of movies but if you do you can go to our sister site and learn a little bit more about making videos: http://allaboutmakingvideos.info We have included one of the Quilting Channels with quilting tutorials you can view below. They are pretty good and a good example when making your own video.
Essential Quilting Skills & Techniques
by Missouri Star Quilt Company Quilting Tutorials
Has 12 videos in the series and are FREE to view over and over again. Great for the beginner or even as a refresher for the long-time quilter.
For those who would like to start their own business with their quilts we have found a business startup funding source that you might want to consider. It is a Flexible funding account that takes advantage of the campaigners social media followers and friends. If you don’t have a Facebook and Twitter account yet then now would be the time to start. They are a great way to find other quilters out there, show off your work and encourage others to buy from you once you decide to sell your stuff. Anyway, IndieGoGo.com is a crowdfunding website that helps business owners get funding for the business start-ups. They charge a small fee of what you collect and with the Flexible funding option you get to keep what you get as opposed to some of the other “All-or-Nothing” Crowdfunding sites. They have terrific tools for you to use and have some very quick and interesting tutorials on how to help your campaign be a success. Let’s face it we all need help finding funding for our projects and whether you are needing funds for a business or are sponsoring a special civic project this might be the place for you to get started. Please view our campaign below and read through their materials and share it with your friends and relatives. It may be the answer for a project that you are passionate about that needs a little help getting off the ground.

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Where Can You Sell Your Unique Quilts
Now that you have mastered the skill of making quilts and you have quite a few in inventory you might want to think about selling them. You have several options to selling your creations. You can attend Craft Shows, Quilting Fests, Flea Markets, Consignment Agreements with Quilting Shops but the best and possibly the least expensive way would be creating an online store and selling them directly to the public. You may have to use a combination of a few methods to get the word out on your store. We can help you with that if you like.
Attending Craft Shows and Quilting Fests
You will need to apply for a Vendor’s Space at the show, pay the fees, have your own table, chairs, be able to accept credit cards and have promotional materials ready to hand out such as business cards, flyers and perhaps some trifolds with information about your creations or even a Percentage Off Coupon that they can use on their next purchase. You will also have to have pictures of your products. Most Craft Shows require that you fill out an application before hand and include pictures of your products with the application. The fees can run anywhere from $200 to $600 per show. These are also two or three day events that you will have to be prepared to man your booth the entire time. So having a couple of partners to spell each other for bathroom breaks and food breaks will be essential.
These type of shows usually just give you a 10×10 space on the floor and you have to bring everything to display your products attractively as well as the selling stuff. The selling stuff might include shoppers bags, a small printer to print receipts or you can get one of the small carbon copy receipt books from an office supply store. Finally, you will more than likely have to pay for a Business Tax/Occupational License for the county you are selling your creations. The State of Florida requires you to collect Sales Tax on physical goods sold within the state. So, you will have to apply for a Sales Tax Number as well. These may have to be gotten before you submit your application with the shows. Check the requirements of the show on their websites very carefully to make sure you can meet the terms and are happy with them.
Showing your Quilts at these types of events should be thought of as a chance to show off what you can do. It is also a great time to meet other quilters, network, and get and share tips. If you have your promotional items ready to give out to anyone who shows interest in your work and with a website already up and running they may decide to buy from your website. You may not make any money at some of these events but it is a great place to garner interests in your work.
Flea Markets
Now selling anything at one of the local Flea Markets is about the same. You will have to pay for a booth which is probably just a couple of tables in a 10×10 space. You will have to bring your goods, your selling stuff such as customer bags, receipts and even the ability to take credit cards. Remember that these types of places generally attract bargain hunters and not so much those who would be willing to pay the price of handcrafted pieces of art. And you will have to pack up your goods every day and return in the morning to set back up again. Most flea markets are located outdoors with some spaces having a roof and the least expensive ones with no roof. However, an indoor flea market with lockable doors might be a way for you to start a small store. And the indoor Flea Markets have air conditioning for the summer and heating for the winter. You will have to pay a monthly fee for the booth but you can leave your stuff, use it as a store address, lock up when you are not there and it is less expensive than a regular commercial space. Flea Markets do generate a lot of foot traffic and that is a good thing when it comes to getting the word out about your quilts.
As with the Craft Shows if you elect a monthly booth at the Flea Markets you are going to have to get a Sales Tax Number, Collect Sales Tax from anything your sell and send them in monthly or quarterly as well as getting a Business Tax License from the County. Even if you just go on occasional weekends it is a good idea to go ahead and get the Business Tax License and Sales Tax Number. These are business expenses and are required for any business selling within the state.
To process Credit Cards for a very small fee and get a FREE sliding device you will need a smartphone, Iphone or IPad device by using SquareUp.
Selling Your Quilts Online
To sell your quilts all you need is a decent website, a social media account or two, a shopping cart and the ability to accept online credit cards. Signing up with Paypal then you can have both without any added cost. They do charge fees when you get a credit card payment. With a social media account such as Facebook and Twitter you can use one of the many online stores such as Etsy.com and Copius.com. Etsy charges $0.20 per item to list every 4 months as well as a small fee when you sell your items and Copius is free to list but charges a small fee when you sell your item.
Now we are offering small business quilters that want to sell their unique creations online a website off of our domain. Check out the Quilters Get Your Own Website for more details
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The New York Beauty block has many layout options and design possibilities. The look achieved, in a quilt made with New York Beauty blocks, will depend on fabric design and color, as well as fabric placement. Deciding on fabrics and fabric placement can be made easier by first choosing a layout…..which is a task in itself, they are all so beautiful!
So, to inspire my design process and help in choosing a layout and fabric, I started a pinterest board of
New York Beauty blocks and quilts
that I like. I find I’m drawn to layouts with bold design, circle and “s” type curves and layouts with sashing. As for color, I like NYB quilts with bright colorful fabrics, those with just two or three colors and the very scrappy looking quilts. I particularly like the use of black and white fabrics in New York Beauty quilts.
Many New York Beauty quilts are made with the same block design and fabric throughout to achieve the desired effect like this simple but stunning quilt.
While others use several block designs with fabrics in a limited color palette with very interesting results.
These quilts are great examples of the way different fabrics, colors and layouts can be used to give such unique results.
The New York Beauty Quilt Along is officially underway and I’m enjoying all the blocks being posted in the
NYB flickr pool
and eager to get started on my own. First I need to catch up on a few other project’s and that’s giving me time to spend pondering and planning my NYB blocks and layout rather than jumping in not knowing what I want my quilt to end up looking like!
Most of my fabric has arrived and again I have to wonder if I’m crazy…..but I’m loving the riot of color and the variety of print and scale they have. These are fabrics I would never have considered years ago….even if some of them had been available.
So, after spending some time with my fabric, I returned to studying my New York Beauty pinterest board to help me finish planning my layout. My fabrics include a wild range of colors, large and medium florals along with a variety of prints and scale similar to the blocks below. I love the way they look…..seeing them helps me envision how my fabrics will look.
I had already decided I wanted to include some black and white fabric in each block so they would have an element in common and provide some unity.
I think this simple New York Beauty quilt with nine circles floating on a solid background will be the ideal setting for my quilt.
The NYB Quilt Along features ten different block designs, so when I saw this simple New York Beauty quilt with nine circles floating on a solid background I thought it would be the perfect layout for a scrappy sampler style New York Beauty.
I’m going for a wild scrappy look achieved with fabric alone…..as I will use four NYB blocks of the same design for each circle rather than mixing block designs as was done in the quilt above. Block “0” will become part of the backing and blocks one through nine will make up the quilt top.
But wait……Fast Forward a few weeks…….
Since getting the fabric above(and playing with it) and finally getting around to publishing this post (that’s been in draft for a few weeks!) about my design thoughts for my New York Beauty blocks ….I bought some gorgeous batiks that I would love to use…..
The NYB QAL is well on it’s way and the blocks being posted in the flickr group are all so different and oh so gorgeous! I have yet to begin any blocks for a couple of reasons. First, I needed to finish my Sew Happy Quilt QAL top and a mini quilt for a swap, get caught up with the Bloggers BOM….and now need to finish my 3×6 bee blocks and cut charms for fabric swaps. Second, and the
main reason I believe I’ve delayed starting is that after seeing the fabulous NYB blocks being created I came to the conclusion…..I really can’t make up my mind exactly what I want do!
And I confess this isn’t the first time such indecisiveness has struck!
Welcome to A Touch of Class. My name is Jean McDonald and I will be your host at this website. I am a wife, a mother, and a quilter. My husband Matt and I have been married for 20 years and we have been stationed from Alabama to Virginia to California and back to Maryland. Currently the Coast Guard has us stationed in Topeka Kansas. We have 4 children ranging from middle school to college. In only 5 more years all of our children will be out of High School and moving on with their futures.
I began piecing 20 years ago after watching Eleanor Burns show how easily you could make a quilt in just a single day. My quilt tops turned out a little smaller than planned as I used 5/8th inch seams instead of the obligatory ¼ inch seams. My first “real” quilt was made 7 years later when I saw this beautiful quilt called “I love bears and bunnies.” Since I loved bears I was destined to make the quilt. Unfortunately, I had no idea how they got those cute bears onto the fabric. I was told that I could appliqué them on during my spare time, a commodity that I didn’t have with 4 children under the age of 5. I did finish that quilt and have since stayed as far away from hand appliqué as possible.
After moving back to the East Coast, I took some more piecing classes to meet some people and to get out of the house a little. I made a king sized quilt for my best friend and after struggling to stitch in the ditch on my Bernina, I swore that off as well as appliqué. I purchased my 1st Gammill machine in 2003 after my parents were killed in a car accident. I saw the machine as a gift from my parents. While quilting, I put into effect my parents’ life goals: my dad liked to solve puzzles and my mom liked to make things beautiful. I finish quilts by solving the puzzles presented to me by the piecers and I return a beautiful piece of art to them.
I have been quilting now for over 7 years. I use a Gammill Optimum Plus to finish custom quilts and a Statler Stitcher to complete overall quilts. I love working on custom quilts and that is why I purchased my second machine so that it would allow me the time to do what I love while being able to supply my customers with quick and reliable service.
I began my business, A Touch of Class, while we lived in Maryland and God blessed my business and allowed it to grow. Since beginning my business in 2003, I have completed over 1300 quilts for customers. It was a challenge being transferred this last time because I had to start my business over in Kansas. Just yesterday I mailed off 6 boxes of quilts to Maryland. I enjoy being able to keep up with my friends and clients through UPS. Since moving here a year ago, I have successfully shipped close to 250 quilts back to Maryland. My business has grown in Kansas as well and I find that I am making some more friends in this quilting world. It has been awesome to see how God continues to send quilts my way.
One of my goals with my business is to supply excellent service in a fairly short period of time. I have been able to turn overall quilts around in usually 2 weeks time and custom work within 6-8 weeks. I have not needed to sacrifice quality in order to finish the quilts as I am now a full-time quilter and I am no longer gainfully employed outside the home.
I have taken many classes from award winning teachers such as Linda Taylor, Cathy Franks, Marcia Stevens, Karen McTavish, and Pam Clarke. I strive to continue perfecting my skills by learning from those who have gone before me. Just like my father, I hope to continue learning more each day to become the best that I can be at what I do: quilting.
I keep Hobbs batting on hand as a service to my customers. I carry 80/20 in black and cream as well as 100% cotton. I use King Tut and So fine threads almost exclusively and I have hundreds of colors on hand. I currently carry some 108” wide backing fabrics and soon I will be carrying samples of Sew Batiks double wide backs as well that can be ordered through me for your quilt backs.
I would love to discuss your creations with you. May God bless you and your quilting endeavors. Quiltingly, Jean McDonald
I really need to get a grip on my recent obsession with 100% cotton premium quilting fabric and subsequent spending! But, I think that’s easier said than done…and I know I’m not alone in this…. which gives me a little bit of comfort! I’ve found myself arranging and rearranging piles of fabric more often than I actually want to admit to. This usually happens after spending some quality time perusing favorite etsy fabric sellers. Sometimes, on the way to bed, I glance into the sewing room and can’t resist stopping in to try out a few fabric combinations….and then ponder the possible projects and, of course, the additional fabric that would be needed.
A few days ago, in the very early hours of the morning(about 1:30am to be totally honest), while arranging fabric for another QAL starting soon, I finally admitted to myself what I had been suspecting for a couple of weeks…..I had become a fabricaholic. I struggle daily to resist buying the gorgeous fat quarter and half yard bundles I’ve been admiring online but can’t help adding them to my cart, knowing full well that I’m not really going to be able to purchase them. I guess the last thing I need to be doing is participate in a virtual Fabric Shop Hop…right?
While the urge to buy and acquire more fabric is there and relatively strong, I don’t feel that an intervention is needed at this point because finally, after over spending on fabric for a couple of months, I’m sticking to a monthly fabric budget and finding ways to trim a little money from the household budget in order to increase my monthly fabric budget. Oh…and, I’m going to make an effort to buy fabrics that are on sale at greatly reduced prices…UNLESS buying exact yardage needed for a specific project…..really. And, I’m avoiding the local quilt shop until I’ve used up the fabric purchased there the past few months. Also, in an effort to fill the void of not buying so much fabric, I began entering giveaways and now the
a Virtual Shop Hop complete with prizes. When I first started, most of the giveaways that I enter were for fabric but I soon began entering giveaways for many other items. I have actually won a couple of giveaways!
And, really……after seeing the humongous fabric stashes of so many others, through their blogs and flickr streams, I know that I am not so far gone… I am strong and have the power to resist buying piles of luscious fabrics before I need them or with out having a plan for their use…..have to keep telling myself I can do this……
What label do you go by to describe your fabric addiction?
Weather you refer to yourself as a fabricaholic, fabric junkie, material girl, textile junkie, fabric obsessed…..how do you cope? How do you curb your spending or say no to that next scrumptious bundle of fabric from one of your favorite designers or shops?
Sew and Tell – Sewing.com Newsletter – 07/01/2002
How about taking some time to air out and tidy up the ol’sewing room this coming week? While you’re doing that take a minute to think of ideas on making this special space of yours more sewer friendly, or just a little more comfortable. Jot your ideas down, and keep them close at hand. There is nothing more satisfying than having a personal workspace that is functional and welcoming.
You might be asking yourself “how can I make my sewing room more sewer friendly?” Here are some ideas for you to consider.
1) If you have a serger and a sewing machine take two tables and place them in an L-shape in the corner of your room. Place the serger on one table, and then the sewing machine on the other.
2) Get a comfortable office chair that turns and has wheels, it’s an easy way to turn from one machine to the other.
3) Make sure that the tables that your machines are on are raised to a comfortable height for you.
4) Set your ironing board up at a low height, so that when you turn on your chair from your machines, your iron is right there ready for pressing.
5) Have your cutting table set up in the same room. A large office table can be used as a cutting table. If needed, place blocks under the legs so that the table is at the right height for you.
6) Take a look to see how you could organize your sewing supplies so they are handy and easy to find.
When I mention having a “comfortable” workspace, I mean comfortable as in cozy.
Why not have a work space that is welcoming, and a place that you want to be?
I think it would be safe to say that a great many of us have a large fabric stash full of fabric we love. Why not take some of that adored fabric and dress up your work area with something like a pretty little curtain? How about a fabric skirt to go around the cutting table (creates more hiding space for the fabric stash!)? Splash your favorite color of paint on one of the walls. The ideas are limitless! Let’s take some time for ourselves, and make our sewing rooms extra special! Happy planning!
Visit us at our ‘Our Sewing Spaces’ community board
http://forums.sewing.com/[email protected]^[email protected]
and let us know what you have planned for your sewing room.
To show us what you have done with your sewing room, you can email a picture to me [email protected] for posting in the Member Talent Gallery. http://www.sewing.com/gallery/index.php
We at Sewing.com would like to thank Bernina for sponsoring this month’s newsletter. We’d appreciate the communities support by clicking on the URL below to see what is up and coming at Bernina.
Introducing a Bernina that’s Microsoft® Windows® Powered!
Click here and be the first to see it!
NEW CHAT NIGHT, MONDAYS (10-11pm E.T.) Grab a cup of tea, pull up to your computer, and chat with Lois. Lois is one of our long-time members here at Sewing.com, she’s wonderful company, and really knows her sewing. Come and meet Lois, starting Monday July 8th.
CAREER IN SEWING – Let’s welcome Kathy Embry, the owner of Sewingsupplies.com.
How many people are fortunate enough to work at their hobby? Until high school, I thought I wanted to be a veterinarian. Then, I found out that I could get a degree in Home Economics! Little did I know that, at age 39, I’d end up running my own website, “teaching the teachers” how to teach sewing, and teaching fashion classes at two local colleges!
At age 21, I jumped into retail with a vengeance, only to realize that I hated it! I returned to graduate school which gave me the opportunity to learn about desktop publishing, assist a fashion photographer and shoot a video. All of this experience led to my first job in the sewing industry, with Bernina of America, as a Marketing Assistant.
Four years later, I left Bernina, but continued to freelance in the sewing industry. In 1996, I was chosen by the Home Sewing Association to open Suddenly You’re Sewing, a sewing school specializing in teaching beginning sewing skills. From 1999-2002, I continued to teach home sewing skills at my own school, Kathy’s Sewing & Design Studio. In order to keep sewing alive, I once again teamed with the Home Sewing Association in 2001 to teach their “Trained Educator” program. We teach experienced sewers how to teach beginning sewing skills. We’ve certified over 150 individuals to teach sewing!
A long-time dream of mine was realized in January of 2000 when http://www.sewingsupplies.com , my on-line sewing supplies catalog, was launched. I wanted to develop a website that all sewers could go to for their basic sewing supply needs; a website that would keep the pricing reasonable and the selection current. As much merchandise as possible is offered in “bulk” (without packaging); I cut the interfacing and elastic, measure the trims, and count the pins – so my customers can save! I even carry items that the big chains don’t. Customers can call me for items that are “hard to find”. Sales tripled after the first year and are still going strong 2 ½ years later – I must be doing something right!
I don’t have one, two or even three jobs – I have a career in sewing that I love. Every day is different and challenging. I get to teach aspiring fashion design students, future home sewing instructors and help sewers purchase the sewing supplies they need. And, at the end of the day, sewing is still my hobby!
PROJECT – Get ready for the beach! We’re making a round bottom beach bag with a drawstring. What an easy project to make! It will delight all beach goers, young and old. Make it bright and bold, or just plain crazy using one of the many novelty prints that are available. My young daughter also uses her beach bag for sleepovers and for dance class. This bag is wide and roomy.
Here is a list of things you need to make a bag.
1) 7/8 yards of medium weight fabric with a fun print (or whatever you like).
2) 7/8 yards of 41” wide iron-on interfacing of medium weight.
3) 1.6 yards 1/4″ round cording
4) Thread to match fabric
1- Cut one piece of fabric 16 1/2” x 38”, this piece will make up the side walls of the bag. Mark and cut this piece so that the 16 1/2” length runs with the selvage, and the 38” length runs across the width of your fabric (selvage to selvage). Now cut one 16 1/2” x 38” piece of interfacing.
2- For the round base of the bag, cut one 12” diameter circle out of the fabric, and another out of the interfacing. **See below for making a circle.
3- Take both interfacing pieces; trim away 1/4″ of interfacing from each side of the rectangle, and from all the way around the circle. Center the round piece of interfacing onto the wrong side of the fabric circle and iron on. Center the rectangular piece of interfacing on to the wrong side of the fabric rectangle and iron on. Please follow the manufacturer’s directions for your iron-on interfacing.
4- Place the 16 1/2” x 38” panel of fabric right side down on your table, with the
16 1/2” measurement running vertical, and the 38” measurement running horizontal. The 16 1/2″ lengths will be sewn together to make up the side seam of the bag, mark these lengths with an “S”. Now choose one of the 38” lengths as the top of the bag, and mark it with a “T” and the other 38” length with a “B” for the bottom of the bag.
5-With the fabric rectangle still facing down on the table, fold the top edge of the panel down 1/4″ (to the wrong side of the fabric) and iron, then fold down another 1/4″ iron, pin , and then topstitch this double fold down.
6-With a long, wide, zigzag stitch, stitch around your fabric circle. Do the same on the fabric rectangle but just zigzag down one side, across the bottom, and then up the other side.
7- Fold the fabric rectangle in half, right side to right side, match up the sides, and pin. Now place a mark on the seam line 1 3/4″ down from the top edge, and another 2 1/2″ down from the top edge. Using a 1/2″ seam allowance, start sewing from the top of the bag (make a few stitches, backstitch) and sew down to the 1 3/4″ mark, stop, backstitch, and cut you threads. Start sewing again 1/4” below the 2 1/2″ mark, backstitch to the 2 1/2″ mark, and now continue sewing the seam all the way to the bottom edge.
8-Press the side seam allowance open. Your rectangular piece of fabric is now a tube.
9-Turn the tub inside out, and fold the top of the tube down 1 1/2” (towards the wrong side of the fabric), iron, pin, and topstitch 1 3/8” from the top edge. You now have a finished casing for the drawstring!
10-Place your fabric circle right side up on a table. Take the fabric tube, which is still turned inside out, and stand the tube up (bottom edge down) on top of the fabric circle. Match up the edges of the circle and tube, pin the circle to the bottom of the tube with right sides of fabric together. Sew with a 1/2″ seam allowance.
12- Turn your bag right side out. Thread your cording through the slit in the side seam near the outside top of the bag. When you are done, bring the ends of the cording together, and tie a knot close to the ends of the cord.
14 You are finished! You now have another wonderful project done for you or that special someone.
** To make a paper template for the circle, you’ll need at least a 14”x14” piece of paper, a 10” piece of string, and a pencil. Place a dot in the middle of the paper. Anchor one end of the piece of string to the dot with a thumbtack (don’t push thumbtack down all the way, the string has to be able to rotate around the thumb tack). Measure and place the pencil tip 6” away from the center of the thumbtack; tie the free end of the string around it. Now keeping the string taut, rotate the pencil all the way around the thumbtack while drawing a circle. The circle should measure 12” across.
1) Monsterpatterns.com
Recommended by one of our members! I’ve had quite a few members enquiring about old patterns, and there has been some luck in finding some of them at Monsterpatterns.com. So if you are looking for old/hard to find patterns be sure to give this site a try.
2) Priscilla’s crochet-free patterns index
Here is a wonderful site for all of you who love to crochet. Lot’s of fun free patterns from baby items, to home decorating. When you get to the page you’ll need to scroll down a bit to find the patterns. Wonderful stuff!
Have you found an exciting website lately that you would like to share? Please let [email protected] know.
1) Fit for Real People: Sew Great Clothes Using Any Pattern! by Patty Palmer, Marto Alto, Marta Alto, and Barbara Weiland
Learn the Palmer/Pletsch approach to pattern fitting. This type of pattern fitting doesn’t use the usual methods of pattern fitting like using body measurements, or fitting muslins. Doesn’t this sound interesting?
2)Couture Sewing Techniques by Claire B. Shaeffer
Have you ever wanted to know more about Couture sewing? This book explains the different techniques of couture sewing. The book has gotten a thumbs up from those who have bought it.
If you have a favorite book and would like to share it with us at Sew and Tell, please send the name of the book, a brief description and why you like it to
[email protected]
E-mail Sheryl for
Click Here To See Scans Of Blocks Swapped In Round One
Click Here To See Scan Of Blocks Swapped In Round Two
RULES…Please read carefully and print a copy for reference.
Due Date: Very important! The blocks must be in my hands by August 27, 2001. Blocks will be swapped and mailed back by September 4, 2001.
Fabric: Must be first quality, pre-washed and ironed 100% cotton batik, hand dyed, or Benartex Fossil Fern
No fabric look-alikes or other substitutions!

Butterfly Wings: Must be made entirely of batik or hand dyed….no other choices
Butterfly Body: Must be made entirely of batik or hand dyed…no other choices
Background: Can be either batik, hand dyed or Benartex Fossil Fern
There are NO color restrictions
You may use embroidery floss to embellish your butterflies, but no other fabrics, ribbons, etc. Please do not use markers for antennae or other embellishment.

Pattern: You may use any butterfly pattern you choose — appliqué, paper pieced, traditional pieced.

You may also add a flower or leaf to your block if you choose to do so (such as a butterfly perching on a flower or twig or leaf, etc). If you enlarge a paper piecing pattern, please enlarge it to only 8″ and add framing to make the block the correct size.
Appliqué may be either machine or hand appliqué. If you choose to do fusible appliqué, the edges *must* be secured with satin stitch or
buttonhole stitch that compliments your butterfly. Neat, close zig zag that well secures the edges will be accepted….ONLY if done with invisible thread. Otherwise….Zig-Zag will NOT be accepted.
No paint to secure the edges. Fussy-cut appliqué butterflies will not be accepted
Size of block: 10″ finished (10-1/2″ unfinished). Please measure your blocks carefully. We want everyone to love what they get in return.

Number of Blocks: We are swapping in sets of 5. Make 6 of each block,
keep one for yourself and send 5 to the swap. You may send 4 sets of blocks for a total of 20 butterflies. Each set must be different. In other words, in a group of 20 blocks, you must use at least 4 different butterfly fabrics and patterns. You may not use the same pattern for all your sets.

Packaging: Please put a label with each block (self stick is ok — NO pins!). Do not put the blocks in individual bags. They will be removed from the bag for swapping and the bags will be discarded.

The reason for this is so I can easily check block size and
construction details. Put all the blocks into ONE large Ziploc baggie with “to” and “from” information on the baggie in case there is a tear in the outer mailer. I prefer that you use the free Tyvek mailers at the post office for both sending them to me and for your return. Put the same postage in *stamps* on your return mailer as you used to mailto me. The post office will not accept metered postage on the return envelope. Please mark the outside of both envelopes with “# Butterfly”.
Please do NOT turn new, unused Priority mailers inside out to avoid paying the Priority fee. I will NOT use them to return your swapped blocks. You will have to send me a different mailer if you choose to do that. I do however encourage you to recycle used Priority mailers. I am not your conscience, but I am my own. I will not be a party to postal fraud.

Insufficient return postage will delay your swapped blocks
being returned to you

“If I Ever Open A Shop…”

First, let me
introduce myself as being a humble quilter. I took my first class from Joyce
Selin at the Village Quilt Shop [as many of you did] in 1994, and my first
completed quilt was donated in 1995 to the Georgia Quilt Project as a gift quilt
for the 1996 Olympics [my quilt went to the flagbearer of Nepal]. I was a
litigation paralegal and then a self-employed medical transcriptionist and never
had any interest whatsoever in opening a retail shop. That is, until I went on
my usual monthly shopping trip to VQS a couple of years ago and the thought
occurred to me when I walked in the door, “If I ever had any kind of shop, it
would have to be like this.” Little did I know that Joyce would announce her
retirement in 2002 and I would indeed open my very own shop. But, here I am!
And, thankfully, not alone. I am honored to be surrounded by a warm and
knowledgeable staff, five of whom formerly worked at the Village Quilt Shop.
Together, QE’s staff represent more than 100 years of quilting experience, with
each having a specialty and personal interest not like the others, and I am
blessed to have each and every one associated with the shop.

This has been a whirlwind experience, from learning of Joyce’s retirement in
April 2002, to signing the lease in July, to laying the nine-patch tile floor in
August, to opening the doors and hosting our Grand Opening in October 2002.

Creating QE’s inventory has been a challenge and represents an eclectic blend
of 19th and 20th Century reproduction fabrics, contemporary prints, homespuns,
children’s novelty prints, a large assortment of monochromatic hues, Hoffman
watercolor and hand-painted batiks, subdued and bright florals, Cleo’s hand-dyes
and holiday prints, to name a few. We stock a wide variety of books and
patterns, and we are happy to place special orders if you need something which
is not in stock. Don’t live near Stone Mountain? We’re happy to ship items, too.

Of particular personal interest to me is being involved in the local
community. If you are in a group that needs a meeting place, our classroom is
available to you, at no charge. If your guild is selling raffle tickets, please
send us a photo and tickets, and we will be happy to sell tickets at our
checkout counter. If your guild is having a show, please send us relevant
information. If your child’s school, church, or Scout group would like to take a
quilting class, we would love to have them learn at QE.

Thank you for visiting our web site. It is my hope that Quilting Essentials
will become a mainstay in the lives of both beginning and advanced quilters, as
well as your home away from home. I hope you will visit soon, and often.

Laurie Wragg – Owner



· Scant ¼ inch seam. Most patterns call for a scant ¼ inch seam.
Smaller seams, especially those not secured on the edge of the quilt, can pull
out when stretched on a long arm quilting machine. Secure exposed edges of

· Press seams flat. It is best to press as you go, but regardless, you
need to press the seams flat before sending the quilt to be quilted. Un-pressed
seams will result in imperfect quilting. We will press if we must but will
charge you our maximum hourly rate to do so.

· Clip loose threads. Loose threads will show through the light fabrics
in your quilt after the quilting is done.

· Square the quilt top. Quilt attaches to leaders that roll. A crooked
edge will result in a twisted quilt. We recommend scalloped edges be cut after
the quilt is quilted. Tell us if this is the plan and we will work

· Pin a note to mark top if quilt is directional. Marking the back if
it is directional is also important. This is not necessary if there is no

· Embellishments such as buttons, beads, ribbons etc. should be added
after the quilting is done.

· We cannot “quilt out†bulges from over large borders or blocks. Check
blocks before piecing together to make sure they match. Measure quilt in three
inner places before cutting border and average the measurements. Do not sew a
longer piece to the edge and then cut off the extra, or ease in a border that is
what the blocks should have added up to. The extra fabric will fold
over and bunch under the quilting machine.

Backing and batting:

· Busy fabrics on back tend to hide machine starts and stops. Custom
quilting always requires many seam ends. Edge to edge quilting is more
forgiving but will still show when the bobbin thread runs out.

· A ½ inch seam is recommended if your backing is seamed. Many people
now piece the back of their quilts. This is suitable as long as you realize we
cannot guarantee the back will be centered on the top.

· Remove selvedge edges from seam before sewing. Selvedge edge has a
different stretch than the rest of the fabric and will result in a pulled look
if left in the seam.

· Backing of quilt must also be squared.

· Batting labeled as appropriate for machine quilting is needed. Some
batting, especially polyester loose weave, will pull too much on the

· Backing and batting must be 4-6 (6 preferred) inches larger than quilt
front. Backing and batting attach to the leaders at top and bottom and to clips
on the side of the frame. Extra fabric is needed to do this.

· Do not use sheets as backing. Sheets do not stretch the way quilting
fabric does, and they are more closely woven which wears out the needles faster.

· Do not baste backing, batting and top together.


Take two talented people, one retirement, a late life marriage and a large house
near Pioneer Trail. Mix well, add enthusiasm, and what do you get? Quilts.

Penny Burroughs got hooked on quilts when she acquired an unfinished quilt in
the log cabin pattern made by her great grandmother. “I was intrigued,” she
said, and learned to add the batting and the backing. “Then I went into scrap
quilts and took lessons.” Soon she was skilled enough to begin teaching others.
She led classes in Maine, then in Arizona, and now at Tahoe, all the time
continuing to hone her skills by taking lessons as well.

Bill, a retired real estate broker and developer, got interested in quilting
soon after he got interested in Penny. His specialty soon became operating the
quilting machine. Now he and Penny own two of the 14 foot devices, each in its
own room. “If you want to do something creative, you can make a quilt top and
have someone else do the quilting,” Penny said. That’s where the machine comes

Quilts are made up of three layers: the decorative top fashioned from small
pieces of fabrics in a geometric or free form design, the middle layer of cotton
or synthetic batting to provide warmth; and the backing, usually a plain fabric
in a color that complements the top or in white.

In making quilts entirely by hand, crafts people often tie the layers
together with hundreds of bits of string or yarn. They may, instead, sew them
together by hand, often making the stitches into decorative patterns. The
quilting machine duplicates that tedious handwork, sewing the layers with
decorative stitching in any design desired, smoothly and evenly with no bunching
or lumping of the inner batting. Learning to run the new, improved second
machine has become Bill’s latest fun thing to do.

The demand for his work is strong and growing. Quilting is big, Penny says,
particularly with the proliferation of stores such as Sierra Tahoe Fabrics,
where Penny conducts classes. “People find out quilting is really relaxing.” she
said. She also teaches at a store in Placerville, and on Wednesdays at the South
Lake Tahoe Senior Center. Her students range in age from 10 years old to folks
in their 80’s.

“And people are becoming more productive” Bill adds. “They can see an end to
their project” when the final, difficult step is taken over by the machine.”

It may surprise some to learn that quilting is growing in popularity with
men, who the Buroughs say sometimes comprise half the classes. “We recently went
to a quilting conference in Duluth,” Bill said. “There were five thousand
quilters there. Quilting is huge.”

Penny likes to work with beginners. Many want to follow a standard design,
down to fabrics and colors. “As you progress, you tend to choose your own

Quilting is not just for making bedcovers. Penny and Bill’s living room has
quilted wall hangings and table runners. A quilted back pack lies on a coffee
table; Penny explains that all the materials to make it are available as a

“Every quilter has his or her UFO’s” Penny said. “That stands for UnFinished
Objects.” She has a few of her own, she said, stashed in closets and

The next venture for the quilting Burroughs is to offer “Quilting Camps.”
Penny says it will be a chance for a small group of women to get together” and
spend all weekend in our pajamas just quilting.” It’s a girl thing, she said ,
Bill said, chuckling, that he and the dogs would find someplace else to spend
that weekend.

And maybe Penny will get around to some of those UFO’s (He, He, He!)

E-mail Penny and Bill at [email protected]


So you’re ready to get started with your
first quilt but you have no idea where to start. Below is a list of some basic
quilting tools you will need to get started in your quilting

1) Sewing Machine

It goes without saying, but if you are
going to hand stitch your quilts you will not need a machine.

There are many brands of sewing machines
on the market. I personally love my Janome 4800 and Janome 6600. But to start
off, remember, you will need a machine that can sew straight stitches. You don’t
need tons of different stitches until maybe later, maybe never. It all depends
on the level you want to take your quilting. You will want to make sure of two
things. One: does your machine have either a 1/4″inch foot attachment or marking
for the 1/4″ inch? This is the most popular stitch in quilting. Two: does your
machine have a walking foot?The walking foot allows you feed bulky items through
or even machine quilt.

2) Rotary Cutter

Whoever invented a rotary cutter was
brilliant. When I took my first sewing lesson (back when the dinosaurs roamed),
there were only scissors. UGH! If you ever use scissors for long, you understand
how your thumb will hurt from the pressure of the finger holes. You don’t
experience that with a rotary cutter.

You will definitely want a
rotary cutter
, because it quickly lets you cut your strips, blocks,
etc. You will save a ton of time and energy than if you use scissors. Don’t
forget a rotary cutter sharpener. There are a few on the market for you to
choose from.

There are many sizes and varieties out
there in rotary cutters. You will soon find the ones that work best for you. For
me, I prefer the Olfa Rotary Cutter, 45mm. What I found when I used the smaller
(28mm) is that I didn’t have as much control. But when I used the 60mm, I found
it to be too big and bulky and still didn’t have as much control. I like the
Olfa because the blade retracts automatically, less chance of cutting

What I would suggest is that you go to
your local quilt shop and ask them to try their rotary cutters. You don’t need
to cut fabric, just feel it in your hand and practice on their cutting mats.

3) Rotary Mat

Rotary mats are great for cutting out
your projects. They protect the surface you cut on and they are made of
self-healing material, which means they don’t make grooves. They also
help keep your blades sharp, which means less time sharpening
your rotary cutter or replacing blades.

When I use my mat, I turn it over and
use the back side without the numbers. I do this because I have found some mats
don’t have straight lines. For convenience I use a large one at home, it is 36â€
x 24†. You probably will want a smaller mat for classes. Choose a size that fits
easily into your quilting tote if you will be taking classes (recommended).

4) Rotary Rulers

What can I say about rotary rulers?
Without them, you wouldn’t be able to cut and square your projects or create
special blocks and quilts. They are used to grip your fabric and a act as a
guide for your cutters, also a place for your hand to rest so you don’t cut your

At home I keep a 6†x 24†Ominigrid ruler
around for most projects. This ruler is great for cutting out your bigger pieces
of fabric. I use a 15†Omnigrid square for squaring up blocks up to 15†. I also
use this for squaring up my quilt after it has been quilted. A small 6 ½†square
ruler on my cutting area makes it easier to square up or cut smaller pieces.
With these three rulers, you will be able to cut most projects.
If you only buy one, I would strongly suggest the 15″inch square. You can do
most projects with this one ruler.

5) Iron & Ironing

Most of us already have an iron and
ironing board. Chances are what you already have will work just fine. Just
remember as you iron any of your pieces to press with an up and down
, instead of ironing back and forth. If you use steam, be very
careful you are dealing with raw edges of fabric and bias edges. Be gentle with
your strips, blocks, and fabric.

There is a brand new iron to hit the
market. It is a mini iron by Dritz. You can adjust the handle so you can get
into tiny spaces and press the smallest of areas. This iron is priced at $39.99,
but I have found Amazon has some for as low as $25.89. So if you are in the
market you can check it out here. This is a great deal. Petite Press Portable

If you do have to purchase an iron for
home, look for one that is fairly heavy. I use Rowenta and it has some heft,
which is great for helping with the pressing. There is also a specially designed
ironing board for quilters called a Big Board. This is square without the
narrower end and makes it easier to press fabrics and your quilt tops and even
has grid lines to make sure your strips and blocks are lined up correctly.

6) Fabric Scissors & Paper

I know it sounds crazy. But you really
will want to have two different scissors. If you cut your paper with your fabric
scissors, it makes them dull. So you will need one pair just for your
quilting projects and one pair for your paper cutting projects

I would advise marking these scissors,
either with a tag, or permanent marker on the handle or blade so you will know
that you use these for your paper projects ONLY. For quilting projects, I
recommend Gingher scissors. These stay sharp forever and are true

7) Pins &

When I started quilting I really didn’t
realize there was more than one type of pin available. But, wow, they have every
kind imaginable. You will want long straight pins. I like the
ones with the flower heads. They lay flat on your fabric and are easier to avoid
melting them with your iron. If you will be ironing your pins, you will want to
get glass head ones. They will not melt on to your work. Don’t forget the pin
cushion. There are millions of them out there or you could make your own.

When you are sewing with a machine,
there are many sizes of needles to get. Make sure to get the ones recommended by
your sewing manufacturer. I find Schmetz 75/11 Universal needles work great for
most of all the projects. If you are planning on sewing thick or bulky fabric
you will want to get a Jeans needle. For metallic threads you will want to use a
Metallica needle. So for whatever material you are sewing other than cotton,
make sure to use the right needle for the project. Follow your sewing machine
manufacturer’s directions.

More tools listed here:

After you get your quilting
, the next step will be to find an easy quilting pattern that
appeals to you.


quilting 4.012



What’s wrong with my sewing machine and how much would it cost to repair it? While I was sewing, I heard a loud pop and then the machine sounded like it was running low on power. I turned it off and realized the needle was bent. So, I replaced the needle. But when I pushed the foot pedal the needle did not move, but I could hear the motor running. When I turn the nob on the side, the needle moves. Do you think it’s a belt, or something, that broke? If you think you may know the problem, how much would it cost to fix it?
Best Answer Impossible to say from the information given. Broken needles are generally the result of trying to push or pull the fabric under the presser foot instead of letting the machine transport the fabric. Or trying to sew through fabric too dense for the machine, or with too light a needle. Start by taking out your manual, turning to the section on cleaning the machine, and start by taking all the thread out of/off of the machine. Remove the bobbin, bobbin case, needle plate and any and all lint, bits of thread and needle shards you see. Use a vacuum, not compressed air, and brush to get the machine clean. Oil only as directed by the manual, and use only sewing machine oil, not 3-in-1 types nor WD-40 types, both of which will freeze up a machine (for different reasons!). Reassemble correctly. Once you’re done cleaning, rethread the machine from scratch and try again. Does the needlebar move? Does it stitch? (If it doesn’t, is the needle in the right way around?) Do the feed dogs move properly? Does it sound right? Is the machine in time? (see http://preview.tinyurl.com/smtiming) What you’ve done (new needle, clean machine, rethreading correctly) may fix the problem. I’ve become the neighborhood “last stop before taking the machine in for professional service” person, and in my experience, about 90% of the dead machines I’m asked to look at are magically fixed by cleaning and rethreading and new needle. My guesses as to what might be going on that you can’t fix with the above treatment include timing, a broken gear or cam, a broken belt (though most machines now lack one), an electrical fault, a broken sewing hook, a popped fuse or circuit breaker…. could be a lot of things, and the cost to fix may range from nearly free to “not worth fixing this machine”.


Do you know how to fix my sewing machine? When I push down my foot pedal, my needle gets jammed. when I take the fabric away, it works fine, with nothing under it. I usually solve this problem by re-threading my needle, this time that didn’t work. I would really like to avoid going to the repair shop because they have lost my foot pedal on my previous machine. Its a Singer Tradition so if anybody can PLEASE help. :)
Best Answer Try a fresh, new needle of the right type and size for the fabric being sewn. If that doesn’t work, here’s a procedure that fixes almost all user-fixable things on a sewing machine: http://answers.yahoo.com/question/index?qid=20100207053658AAclWSs



How much money to repair sewing machine? timing might be up on my sewing machine, and if that is the true problem, i will have to take it to get repaired. Anyone know an estimate on how much it would cost to readjust timing on my sewing machine? I called a sewing machine repair place and told them my needle was running into the bobbin case, so they said i might need the timing readjusted.
Best Answer Typically a COA (clean/oil/adjust) aka tuneup around here is $50-90, usually a bit more if the machine is electronic. Why do you think the machine is out of time and not just a bad needle or misthreaded or in need of cleaning? http://answers.yahoo.com/question/index?qid=20090925205957AAq0xc4


Is there an online guide to sewing machine repair and problems? We have 2 Singer sewing machines that have bobbin problems and are quirky at times. I would like to diagnose the problems and fix them at home. Anyone have any ideas or links that might help? Thanks!
Best Answer My first suggestion is a good, thorough cleaning and oiling. Use a vacuum, not canned air, to get dust out, and pull the needleplate to get good access to the bobbin area. Oil per the manual’s recommendations using genuine sewing machine oil, not 3-in-1 type household oils nor WD-40 (it’s a solvent, not a lubricant.) If these machines are modern (last 10-20 years)non-mechanicals, and they have not had a COA (clean-oil-adjust), they’re probably more than overdue. If they’re mechanical machines, you can learn a lot about doing a basic COA by joining the yahoo group “wefixit”. Electronic and computerized machines probably need to go to the sewing machine mechanic for a COA. At any rate, first try the cleaning and oiling regimen found in the owners manual, and then put in a new needle and rethread with manual in hand. Make sure you’re using the right bobbin — visually, there’s not much difference between a class 15 and a class 66 bobbin, but the machine will pitch a fit with the wrong bobbin. Many user problems are directly traceable to misthreading, poor quality thread and worn or damaged needles. Give yourself a break when troubleshooting and start with good quality replaceables and the full instructions. Fault tracing: http://sewandserge.com/tshoot.asp http://sewing.about.com/od/sewingmachineindex/a/mtroubleshot.htm http://www.sewusa.com/Sewing_Machine_Repair/Sewing%20Machine%20Troubleshooting.htm http://cahe.nmsu.edu/pubs/_c/c-202.html http://www.singerco.com Most of the problems I talk people through are traceable to misthreading (especially threading with the presser foot down), bad needle, crummy thread and bobbin in backwards. Next most common problem is filthy machine that also needs oiling. Timing is almost never an issue unless you’ve broken a needle or had loud noises just before the machine quit. Suggested reading, probably available at your library: John Giordano’s Sewing Machine Book and Gale Grigg Hazen’s Owners Guide to Sewing Machines, Sergers and Knitting Machines. Hazen’s section on bad sewing habits is excellent, btw.



on-line sewing machine repair? my machine’s foot pedal isn’t triggering a response. if i wiggle my foot it will eventually make a connection but it starts and stops suddenly. sewing is next to impossible and i’m having withdrawal symptoms. can someone point me to an on-line DIY repair site so i DON’T have to take it in to a shop where they will charge more for repairs than the machine is worth?
Best Answer I have similar problems every few years with one of my old kenmore machines. Rather than trying to fix it, I’ve gone to partscentral.com and ordered a replacement for about 25 bucks. Mine seems to be not with the switch in the machine, as others have suggested, but with the cord, as I could get it to work if I kinked the cord just so, but it is such as hassle. No reasoning as to why it happens – my cat isn’t chewing on the cord or anything.


What’s wrong with my sewing machine and how much would it cost to repair it? While I was sewing, I heard a loud pop and then the machine sounded like it was running low on power. I turned it off and realized the needle was bent. So, I replaced the needle. But when I pushed the foot pedal the needle did not move, but I could hear the motor running. When I turn the nob on the side, the needle moves. Do you think it’s a belt, or something, that broke? If you think you may know the problem, how much would it cost to fix it?
Best Answer Impossible to say from the information given. Broken needles are generally the result of trying to push or pull the fabric under the presser foot instead of letting the machine transport the fabric. Or trying to sew through fabric too dense for the machine, or with too light a needle. Start by taking out your manual, turning to the section on cleaning the machine, and start by taking all the thread out of/off of the machine. Remove the bobbin, bobbin case, needle plate and any and all lint, bits of thread and needle shards you see. Use a vacuum, not compressed air, and brush to get the machine clean. Oil only as directed by the manual, and use only sewing machine oil, not 3-in-1 types nor WD-40 types, both of which will freeze up a machine (for different reasons!). Reassemble correctly. Once you’re done cleaning, rethread the machine from scratch and try again. Does the needlebar move? Does it stitch? (If it doesn’t, is the needle in the right way around?) Do the feed dogs move properly? Does it sound right? Is the machine in time? (see http://preview.tinyurl.com/smtiming) What you’ve done (new needle, clean machine, rethreading correctly) may fix the problem. I’ve become the neighborhood “last stop before taking the machine in for professional service” person, and in my experience, about 90% of the dead machines I’m asked to look at are magically fixed by cleaning and rethreading and new needle. My guesses as to what might be going on that you can’t fix with the above treatment include timing, a broken gear or cam, a broken belt (though most machines now lack one), an electrical fault, a broken sewing hook, a popped fuse or circuit breaker…. could be a lot of things, and the cost to fix may range from nearly free to “not worth fixing this machine”.


Quilter’s Profile

Dolores MacKinnon

I am thrilled to introduce you to the first quilter I ever knew: Dolores MacKinnon, my mother. Mom discovered the joys of quilting during its great revival period in the mid-seventies; but, how she was first introduced to the concept of quilting is a story worth sharing.

One day at work, Mom saw a fellow 3M co-worker, Barb Corriveau, going through the machinery rag bag. Mom asked Barb what she was doing and learned that Barb was looking for new cottons to give to her aunt for her patchwork quilting. Mom asked Barb to explain further and was absolutely fascinated by what she heard. While Mom’s own mother made tied woolen blankets from worn out trousers, it was done out of necessity and never was the word quilting mentioned.

Not long after this introduction, an ad appeared in the London Free Press announcing quilting lessons at Fanshawe College. The instructor was Anne Laroque, who would eventually become one the founding members of the Oxford Quilter’s Guild. Mom signed up for that 10 week course and never looked back.

It was from Anne that Mom learned the fundamentals of quilting: drawing on graph paper, cutting templates, layout, hand piecing and appliqué, English paper-piecing, hand quilting, colour and design. And from Anne, Mom acquired her strong belief in accuracy and her love of a good quilting library.

The greatest challenge for Mom and all quilters at this time was finding good cottons which were few and far between. Barb Corriveau soon had competition at the 3M rag bag. It wasn’t until two extraordinary women, Lou Farnell and Willi Powell opened Quilters’ Supply on the outskirts of London that quilters found a home away from home. The two women made an annual pilgrimage to the International Quilt Market in Houston, Texas and everyone waited for the new products to arrive just before Christmas.

Another difficulty for Mom was balancing a full-time job, looking after a household and trying to squeeze in time for her new passion. Her ability to get by on five hours of sleep a night was awe inspiring. Until she joined the Oxford Quilter’s Guild in the mid-80’s, Mom continued to learn on her own from her extensive library. With guild membership, came workshops and new friends with whom to share her love of quilting.

Mom finally retired from 3M in 1992 but within a year she lost her husband, my step-father Perc. Mom, who was living in Thamesford at the time, decided to fill the void by teaching quilting in her home. She continues to teach at her new home in London which she shares with her sister, Elizabeth Bruegger.

Mom is now in the process of finishing the many quilts constructed in the years before retiring. However, working with her hands has taken its toll and she will only hand quilt small projects. She has discovered a wonderful machine quilter near London and now sends the big projects out to be finished. The love and passion for quilting remains and she is passing those sentiments on to a new generation of quilters. Mom was delighted when I finally decided to take up quilting after years of encouraging me to do so. The exposure to her quilting has meant an easy learning process for me as I already knew the basics. A true quilter loves to share! Also, I am now the lucky recipient of Mom’s stash culling and overflow and have become extremely easy to buy for at Christmas.

Women who are taking up quilting today owe a great deal of gratitude to women of my Mom’s generation; it is because of them that the art of quilting flourishes. So, Mom, thank you for sharing, thank you for your passion, and thank you for being you. I love you
Anita Louise

Happy 25th Anniversary to the Oxford Quilter’s Guild

(I send a special thank you to guild members Karen MacKay, Dorothy Vaughan and Chloe Truman for answering my many questions.)
======================= Quilting can be fun and easy. Plus, your new skills can produce a beautiful, unique gift.
By using a few tricks and techniques, patchwork can be easier than you ever imagined. Really. It is also a hobby that fits into whatever time you have be that five minutes or five hours.

All you need is the desire to learn and the right information.

It’s all I had when I started out. I taught myself patchwork from a book after a life-long interest in the subject. In less than a month, I finished my first project I started a new one.

So, if you have the desire, here you’ll find the information, tips and encouragement to start your first project or finish that U.F.O. (unfinished object) lurking in your closet.


Here’s an overview of what’s here on the site:

Best Beginners Quilting Patterns Books
Beginners can make beautiful quilts. You just need the right information. Here you’ll find reviews of my favorite, can’t-go-wrong, beginners quilting patterns.
Quilting Tools for Easy Quilting
What quilting tools do you absolutely need on your easy quilting journey? Find the essentials here.
Easy Quilt Pattern – How to Find One
Everyone needs an easy quilt pattern in their pattern stash. Here’s how to spot one in a quilt shop or if you are looking at them on-line.
Fast and Easy Quilting Techniques
Today’s quilting techniques make beautiful quilts in half the time
Quilting Supplies – What you need to keep on hand
Do you know the basic quilting supplies you need to keep on hand at all times? We’ll walk you through what supplies to stock.
Quilting Tips – Tips to make quilts easier and faster
Having trouble finishing your first quilt or are you always on the look out for ways to finish quilts faster? Check out this page for quilting tips.
Quilt Book – Valuable Books for Your Quilting Library
The three quilt book types that you need in your library.


If you’re looking for a beginners guide to quilting, Alex Anderson’s Start Quilting book is a good choice.

Like a typical beginner quilting book, it starts off with a series of instructions. If you are like me, you may be tempted to bypass this section, to “get to the good stuff” like the quilt patterns.

Actually, the instructions are “the good stuff.” A quilting book at this level assumes you are an absolute beginner. So, while you may be anxious to start your first quilt, take time to read through the first part of the book.

Yes, it may be boring. But what you’ll learn is worth the time you take to read.

So, let’s go over what you’ll be getting.

This quilting book contains pages on tools, fabric, rotary cutting, pressing, basting, hand quilting (yeah!) and machine quilting.

Her supply list is on point. It is brief. It is thorough. And you can feel like you could easily purchase the items.

The keyword for this book is “fundamental.” If you read all the information and follow Alex Anderson’s advice, you will end up with great quilting fundamentals.

A couple of things make this beginners guide to quilting stand out.

First, there is a section on fabric. It is hard to find a beginners book that will give you through fabric selection tips.

Another good thing is the section on hand quilting. Like the rest of the book, you will get just enough information to get started. This is the only beginner quilting book this small that will even tackle hand quilting.

The book contains six projects. All are wall hangings. All include either squares, triangles or both. The book does not cover applique. A good suggestion would be to go through all the patterns from front to back.

The fabric selection for these quilts really makes the difference. These are not some practice projects that will sit in the back of a closet.

You will want to put these on display.

What could be improved on:

There is an easier method to attach binding than what is presented here. Every time I’ve used this method, it looks bulky on the edges.

Also, the author assumes you know how to slip stitch. I don’t. (Is this where I admit that I never took Home Ec?) It is why I machine stitch my bindings.

I only mention this because I am the type of person that one thing would stop me from buying the book. I would say in my mind – I can’t finish it so I’m not going to buy it.

There’s an easy fix for this, though. Just machine stitch your binding down. Use the invisible thread for the front of your quilt. Done.

All in all, this is a great book for your quilting library. It is also a great book to give to someone who is interested in starting to quilt. It is both thorough and encouraging which makes this quilting book a winner.

Return from Beginners Guide to Quilting to Beginners Quilting Patterns
Return from Beginners Guide to Quilting to Easy Quilting Central


How do you find an easy quilt pattern from all the patterns available? After all, you want to spend your time quilting, not struggling to finish a quilt top. First, I’ll go into how you can spot this elusive quarry. Then, I’ll give you some examples from my own pattern stash.

The first thing you want to do is read the pattern’s instructions. I’ve never had a problem at a quilt shop looking at the actual directions for a pattern. If someone did raise a question or request that I not look at them, I would ask the assistant questions about the pattern.

Actually. Can I be honest?

The folks at my local quilt shop know me. They know what I like. And the second sentence out of their mouths when describing a pattern is usually, “It’s so easy to make.”

So, if you can not get a look at the directions, ask for help. This could come from someone who works at the shop or another customer. Quilters are very giving people. I’ve just looked lost, in the past and folks have offered assistance.

Now, you need to do your part, too. Ask questions. Let folks know what tools you have at home. If you are not comfortable with triangles, let them know. On the other hand, if you have a triangle ruler and want to try it out, let them know that, too.

The great thing about local quilt shops is their expertise. That’s why you pay a little bit more than with on-line shops. I consider it a consultation fee.

But what if you don’t have a local shop? What if you’re happy just to have a Joann’s or Hancock’s with folks who are there strictly to cut fabric and ring you up?

Then you’re going to have to go on what you see. Here are some questions to ask when trying to find an easy quilt pattern:

Is this a Strip Piecing Quilt? – Strip piecing is always good. These patterns are mostly made of squares and rectangles. Go for it. If you are not familiar with curves, this is not the time to experiment. We’re talking about an easy quilt pattern, here.

Do the instructions have lots of pictures? – Are there lots of pictures? I like pictures. I like knowing how I’m going to make this pattern when I get home. Actually, I like knowing that I can make it when I get home.

Pictures and different layouts help me make that decision. Which brings me to another point.

Can I understand the directions? OK. I’m sure none of y’all reading this has fallen in love with a pattern, taken it home and realized you had no idea what you were doing? Right? And, uh, I haven’t either.

OK. I have.

Again, make sure you know you can make this thing at home when you get it.

If you can not look at the directions because the pattern is on line, see if you can find a free pattern by the same quilt pattern designer. If you can understand their directions for their free patterns, you will probably be good with a purchased pattern.

How large is the block size? – More blocks mean less piecing. Everyone needs this type of easy quilt pattern. You need a baby quilt in a weekend or you want just an easy project? You can take this one out and whip out an easy quilt.

Of course, if you are really in a hurry you could just purchase a quilt panel. But if you have to make a stash quilt, you do what you have to do.

What are examples of an easy quilt pattern?
Log Cabin Quilt Pattern

Y’all I have not found any book as detailed and picture-intense as this one. This was done by strip- piecing.

The finished block size measures a nice 14 inch. It meets all my easy quilt pattern requirements.

BQ – A favorite.

You want a big block?

How about 18-inch block?

Notice the squares and rectangle shapes?

Yep, this is another strip-piecing pattern.

The picture is of the mini size I made for my laundry room. That smaller size measures a respectable, finished 9-inch block.

Turning Twenty This is a pattern where you cut up twenty different fat quarters a certain way and then have fun mixing and matching.

My version is more like turning twelve because the largest size quilt I make is a lap size.

This is a great pattern if you just want to select a package of fat quarters and start quilting

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Make a Quilt in a Day Log Cabin Pattern by Eleanor Burns is a great book for absolute beginners and a good reference book for quilters in general. It oozes with step-by-step instructions and lots of pictures.

You may be thinking, yeah, but there’s one quilt pattern. But, you can work off this one pattern for years if you had to.

I’ve made lap quilts, baby quilts and mini quilts from this one pattern. The book contains the fabric requirements for different sizes from a wall hanging up to king size. Plus, there are layouts galore.

For the absolute beginner, you’ll get a list of supplies you’ll need for your very first strip quilting project. At first glance, the list may seem intimidating, but this supply list will last you a long time.

The actual strip quilting instructions are detailed with a picture to demonstrate every single step.

Most folks I know are fine when it comes to finishing a quilt top. They get scared, however, at the actual quilting and binding or finishing the quilt.

The Make a Quilt in a Day Log Cabin Pattern book details instructions on how to finish a quilt two different ways. You can either machine quilt or quick turn and tie. Both have step-by-step instructions.

The book does not cover hand stitching. But with a title called quilt in a day, you can kind of expect that.

Other projects included in the book are a pillow sham and a tote bag. Yeah! These are basic instructions that you can use for other quilt patterns. See why I love this book?

When it comes to machine quilting, most quilt books for beginners only mention stitching in the ditch (stitching in the seam of your blocks to give it an outline effect). This book suggests quilting lines. The difference in batting choices are also discussed.

I was able to move on to individual quilting patterns from this foundation because the book was short enough to not be overwhelmed, but detailed enough to tell you everything that you need.

Alas, all is not perfect.

There is not an emphasis on pressing your blocks as you are piecing. Pressing makes a difference. I was surprised to discover this after I came back to the book to make a mini-quilt. Another nitpick is that the binding strips are not cut on the bias.

And, uh, a first-time quilter would not care about either one of those things. I used this book to make my first quilt and even without bias-cut binding strips and blocks unpressed until the end, it turned out fine.

Bottom line – this book can get you help you finish your very first quilt totally on your own. It is a book you can not pry from my quilting library.

Note – I used a picture of my own copy for this one. I consider it to be well-loved.

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Looking for a quilt book to start or add to your quilting library? There are three types that you’ll need – reference, pattern and inspirational.

The Reference Book or How do I Do That Again?

Most quilting books of any kind will include basic instructions on how to quilt. But, unless they are a beginning quilting book, that is all that they will contain.

Even beginner quilting books will not contain a lot of information because they want to make things as simple as possible for the beginning quilter. You will usually only get one way to perform a quilting technique such as binding a quilt with a minimal amount of pictures.

So, what’s the solution? A reference quilt book. A reference book will give you options. Instead of one way to baste a quilt, for example, you may get three with step-by-step instructions.

Sometimes even a pattern book can be used as a reference book if the General Instructions section is good enough.

The thing to remember about reference books is that you pull them out when you want to know how to do something. That can be a quilting technique or even how to complete a quilt in 90 minutes. It’s a good quilt book to have in your arsenal.

The Pattern Book or The Good Stuff

This is what most folks think of when they think of a quilt book. A pattern book is just that – a book of patterns. When looking for this type of book, look at what techniques you are familiar with.

If you a strip quilting type of person, look for a book that contains strip quilting instructions . Do you love fat quarters? There are plenty of fat quarter specific books out there. Want to try scrap quilting? There’s a book for that. It’s also a good idea to have a pattern book that is just above your current level . This book should should stretch you and force you to try new techniques or develop the patience that it takes to make a beautiful quilt.

I usually have a rule of three when it comes to pattern books – I’ve got to be interested in making three quilts from the book. That makes the book cost effective when it comes to purchasing a book versus individual patterns.

The main piece of advice that I can give you to make sure that either you are comfortable with the techniques in the instructions of the pattern quilt book or you are ready to make the next leap in your quilting development.

Inspirational Book or Ooh and Aah

Some may call these coffee table books. They are usually huge and oversized. I like just looking at them and getting inspired to quilt and also for quilt designs.

Some books, like Quiltmaking by Hand by Jinny Beyer are supposed to be instructional/reference books, but I get inspired by flipping through them because of their intricate quilts.

I also have the book from the Gee’s Bend museum exhibit that traveled the country. That book reminds me that you can make art out of anything.

Those women used what they had, they broke the rules and in the process of making a functional quilt to keep them warm, they made art.

If that isn’t inspirational, I don’t know what is.

So, if you are looking to start or add to your quilting library, consider a good balance between reference, pattern and inspirational books. A good mix will allow you to get more quilts finished, while still pushing you to become a better quilter. And isn’t that what we all want?

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There are a lot of Gees Bend Quilts products out these days. There are quilt kits. There are books. There were even postage stamps.

But in this mass commercialization, have we forgotten what these quilts were really about? So, how can you can truly bring their spirit into your quilting? Here are three tips:

Tip 1 – They Used What They Had

There were no quilt shops where these ladies lived. When you look at their fabric choices, it is simply because these were scrap quilts in their most basic form – scraps.

The Gees Bend quilts used denim taken from worn clothes. They used corduroy scraps because their quilting bee had a contract to make corduroy shams for Sears.

They did not select material because they were interesting fabric choices. They selected material because it was free.

I mean, when’s the last time you saw a quilt pattern that used the corduroy fabric? I’ve never seen it.

How to put this into use for your life – Think of making a true scrap quilt. I’m not talking about a stash quilt. I’m talking about a quilt from fabric from clothes you are about to throw away or give to charity.

This can be an on-going project. One of mine is a denim quilt. Every time I wear out a pair of jeans, I cut it up and put it one of my gallon plastic bags for use in an upcoming rag quilt. It may take a while, but I’m sure I’ll appreciate the quilt even more.

Tip 2 – They Broke the Pattern

These women prided themselves on breaking patterns. They opened themselves up to experimentation and in that process, they made art.

It’s tempting to follow a pattern to the letter. I mean, I have a tendency to do it even with scrap quilts. I’ll want to make the quilt exactly like what’s on the cover because that’s what drew me to the quilt. I’m guessing that you may be the same way.

The Gee’s Bend Quilts ladies took a different approach – they intentionally took a pattern and made it so that it did not look like the pattern in the book or on the cover. They made their own twist on a traditional pattern.

How to put this into use for your life – Experiment with breaking a pattern. You could have a designated ugly quilt (one of my favorite techniques for getting through a quilt where you are just experimenting.)

You don’t have to copy something exactly. You don’t have to use the sizes given. If a quilt calls for 2 and a half inch strips, you can use 2 inch strips or 3 inch strips. The patterns are only a guide. Strive to make your quilts your own by breaking the pattern.

Tip 3 – They belonged to a network of quilters

For the most part, quilting was woven into the community of theses ladies’ lives. They had a community.

It is hard to be out here on your own. If you don’t have a quilt guild near you, check out some of the on line groups. Consider starting a blog and commenting on other quilting blogs.

I don’t belong to a guild, but I do have a quilting buddy who I visit for a monthly quilting trip. We set goals, hold each other accountable and get each other’s opinions on quilts. It is good to have someone you can bounce ideas off of.

So, you can use the spirit of the Gees Bend Quilts in your own projects. Consider using up what you have, breaking the pattern and expanding your quilting network. Be on your way to making your quilts works of art.

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http://www.quiltingfun.net/Novelty Quilting FabricPatchwork QuiltingLong Arm Quilting MachineLong Arm QuiltingQuiltingLandscape Quilting FabricsJapanese Quilting FabricPattern QuiltingQuilting Fabric CollectionHome Quilting MachineQuilting FabricHoop QuiltingBali Quilting FabricLong Arm QuiltingWhat to do When You’re Gangly: Long Arm QuiltingIf you’re the kind of person who loves ….. The Magic of Bali Quilting Fabric Bali quilting fabric is known for two main reasons: quality and exquisite design. Quilting has become a tradition with many of us who had the good fortune to try and venture into this fascinating world. The reason it is fascinating is because quilting gives us the possibility to create and be unique each time.Different Types of Bali Quilting FabricQuilting MachineThe Debate about Quilting Machines and Hand-QuiltingQuilt-making can be traced back to the 12th century …..There are two popular types of Bali quilting fabric and they are batik and polo. Batik is a fabric whose design is created through a unique process, which consists of applying wax to form different patterns. It is always recommended that you wash a batik Bali quilting fabric at least couple of times with hot water before you start stitching in order for the wax to completely wash away.The other Bali quilting fabric is called polo’ which also means in Balinese without a background.’ These are created through hand dying and no wax therefore, no design or pattern on it. All Bali quilting fabrics usually come pre-shrunk but you can always wash and dry it before you start the quilting process so you don’ t take any chances. Style, Elegance, and PersonalityQuilting Fabric PanelSquaring a Quilting Fabric PanelThe essence of a good quilt is the fabric panel. To fit the pattern of the quilt, the fabric …..Bali quilting fabrics don’ t just offer unique hand designs, quality, and durability. Through its sophisticated patterns you will get elegance and style in a very simple and colorful way. Bali fabrics are easily marked for their colorful, vivid and unique patterns; they come in a great variety of colors to match the most demanding requirements and decors. Bali fabrics are popular not only because they are made all individually by hand but also because of their unmatched quality.Cotton Quilting FabricCotton Quilting Fabric: The Basic Fabric of a QuiltWhen you say quilt,’ you might as well say cotton’ since these terms are almost …..Where You Can Find Bali Quilting FabricsThe best place to shop for Bali quilting fabrics is online. Here you will find a large number of virtual stores, which compete with one another on quality and prices. You can even contact these stores by phone if you have any urgent questions or requirements. Huge numbers of designs, patterns and ideas await you in the online stores.American Patchwork QuiltingThe Many Faces of American Patchwork QuiltingA long time ago, patchwork quilts were made out of scraps of left …..Try to shop around before deciding on a particular design or pattern of Bali quilting fabric so you can profit of the best bargains available. Be sure to ask all questions before you order and pay for the merchandise as sometimes online stores have bargains listed in different sections, which you may not see, or access on the home page. laser hair removal surgerycoach handbag(c) Quilting Fun 2006-2008 Author List – Sitemap Privacy – Terms – Contactmini dv camcorder


Quilting Tables

Quilting Tables for Your Sewing Machine
The simplest sewing machine can attach two …..

The Quilting Notions You Have Today

I was talking the other day with a friend who just started quilting as a hobby. If things work out, maybe she will even go in for a cottage micro-entrepreneurship online. In the meantime she was educating herself on the different quilting notions available in the market.

Her great grandmother was master quilter, quite famous in her time (it seems she was booked sometimes six months to one year in advance for quilt making by the then-aristocracy). However, other than a legacy of know-how and some splendid patterns and closely guarded trade secrets, she left no explanations about this art.

The Net Is The Best Teacher: Checking Out The Quilting Notions

Fabric Squares For Quilting

Create with fabric squares for quilting Any Desired Pattern
Quilting has become a …..

I have a great deal of confidence on the Internet. Hence, instead of looking here and there for advice and explanation, we run a search on the Net and came up with a carload of articles which gave in depth description of the many quilting notions available in the market today. I am not at liberty to elaborate too much in the present article, hence I will just touch the highlights of four most popular ones that we stumbled upon during our search.

Maybe these quilting notions are not the best; and maybe these are not the most popular either. However, these will be enough to give a surface idea of what we are talking about here. In case you need a more in-depth analysis you might also go the Net and seek your answers on whatever quilting notions you need elaboration on.

Basing spray is nicknamed as one of the most popular choices available, this is preferred because it is the easiest possible way to do it. Just spread your quilt on a straight surface and then pray. It is simple as 1-2-3. Be careful about the color bleeding, though.

Quilting Fabric For Babies

How to Choose the Right Quilting Fabric for Babies
Quilts are used for many different purposes from keeping warm to decorating the bed, sofa and …..

Quilter gloves are a must-have for the people who have a lot of quilts to make and have no time to waste in arranging it all the time while stitching it. These gloves move the quilt with extreme ease and expertise because they have tiny rubber tips on the fingers and palms region.

Sponge bottom hoops are meant to help you keep your fabric tight while you run it through the machine. Basting guns shoot a plastic tag through all the three layers of the quilt (something like a stapler) and it much more convenient that pinning. The downside is that sometimes, if the material is not compatible, it will leave holes in the quilt.

The bottom line is that you have to be diligent in finding the quilting notions that work the best. Proper quilting notions lead to beautiful quilting.


Looking For Simple Quilt Patterns for Projects?

Quilting is a skill that anyone can learn. It is smart to start with simple quilt patterns that are easy to understand and doesn’t take too much time to complete a project. These little quilting projects can be used as gifts for most all occasions because they are so beautiful.

if you are looking for some free patterns that are easy to make, you can do a straightforward search on google or any other search engine. Just type into the search bar something like’free quilt patterns’ and you’ll probably find something you can use. There are dozens of places to get free or cheap patterns that will be easy to start with.

Here are one or two ideas that little projects can be turned into something beautiful as well as helpful. Always use your imagination and you can come up with ideas of your own that you’ll be pleased with.

1. A Potholder is a helpful present

A potholder is a great gift when selecting a block from simple quilt patterns to use as the top. I love to use a 6 and a half in. to 7 and a half inch block for this project. You would just duvet and bind the potholder like a regular cover with one or two exceptions. Make efforts to use 100% cotton for your covering thread. If you use invisible thread, it’ll melt when handling hot pans. You may also want to use insulated batting.

two. Give a set of Place mats

I made a set of four place mats and 4 coasters for my parents last year and they loved them! You can use the easiest of simple quilt patterns for this one – a checkerboard. What is great about this idea is that you will get plenty of practice binding quilts.

3. Youngsters love Tote Bags

Make it a market tote and give it to folks who need to break themselves of using plastic bags at the corner store. A quilt block can be employed as decoration. If you make the bag out of novelty fabric such as Sponge Bob or Barbie, you can give it to your favourite pre-teen as a library bag.

once you start putting these ideas into projects using simple quilt patterns you will become a quilting pro in a brief short time with much pleasure and enjoyment.

four. A Cover for Recliner Headrests

I found out about this idea by mistake. I made my mom a mini duvet version of the larger quilt I had given her as a gift. She used it as a cover for her recliner’s headrest. It looks great. So much so that my dad wanted one for the next year. You will need to make a quilt approximately sixteen by nineteen inches. If the planned recipient has two recliners, be certain to make two.

five. A lovely table topper

Does anyone you know have those accent tables? Make them a table topper. Fab present. Just ensure that it matches the dcor of the room. You could also make a table runner with little cover blocks. Anyone would be proud to display such a nice table runner!

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now you have 5 great homemade present concepts where you can use your simple quilt patterns, why not start on your quilting project today?

For detailed information on simple quilt patterns and pre cut quilt kits visit our blog at: http://www.EasyQuiltPattern.org





Sewing Machines for Beginners


The process of choosing the best sewing machines for beginners is a daunting process. Most sewing machines boast features that can easily entice new users or beginners. There are machines that flaunt very ambitious elements that seemed so easy to undertake. As a beginner, you must always be equipped with proper information and knowledge about the machines. Furthermore, you also have to assess your personal requirements against those available in the market.

The variety of choices can make your head spin, so it is essential that you already have a list of what you need and your budget. And remember to stick to those two things.

Below are our top choices for sewing machines. Take note that these can also be used by more experienced users but are also user-friendly enough to be used by complete beginners.

The Janome sewing machine’s price may set you back a few steps but based on both the reviews and features this is actually a sewing machine that is surely a value for money. Whether you are a complete newbie or a pro, this machine can most certainly live up to your standards and skill. If you have the budget, we would suggest to just go with this one as it will prevent you from having to upgrade to a more advanced sewing machine in the near feature.

Before you start to use your sewing machine, make sure you gear up first with the essential beginner’s kit that you will need during the course of sewing. As a beginner, your sewing machine, will need to have the supporting cast to make first few experiences less challenging.

Perhaps the most important support that you can get while going through activities with a sewing machine will come from scissors and shears like the following: bent-handles shears for cutting fabrics only, sewing scissors for facings and trimming seams, pinking shears to create fray-resistant edges and thread clipper to cut through threads easily.

Aside from the scissors, you will need to prepare and buy materials like measuring tools, marking tools, pins, pin cushion, thread, seam ripper, sewing machine needles as you may need to replace them from time to time, buttons, sewing box as your storage and sewing guide books perhaps. Sewing machines usually have sewing manuals and kits with them.

Choosing Sewing Machines for Beginners

There are tons of sewing machines that boast a lot of features and ease of use for the beginner. You might be confused, because oftentimes the attributes you like are not in one machine.

When choosing sewing machines for beginners, you must be certain of the purpose it will serve you. Is it for clothing, crafts, repair and alterations or home decorating? Do not easily be tempted by multi-purpose machines that are available. It is advisable that when selecting sewing machines for beginners, start with something that will dole out the chief intention. This is because you will have the tendency to try out new things with a machine that does several things without having the mastery of one.

For clothing, crafts and repairs use, choose a sewing machine that has good stitch options, such as fast stitching and it will probably be an electrical sewing machine. If you just have started sewing, the basic electronic sewing machine will best suit your needs. The more creative or ambitious your activities will be, the more you need those complex ones. If you plan to sew on a regular basis, a computerized machine might be a good investment.

For home decorations like pillow cases and curtains, use a sewing machine that has programmed embroideries.

Other Important Things to Consider

Aside from the kit, your interest and the purpose, you also need to have answers for these questions: Where will you sew? In the kitchen, in your own room, living room or will you have a designated spot in the house for sewing? This way you can choose the size, arrange wirings and allot proper space for your sewing machine that you will purchase.

It is also recommended to visit local dealers and inspect their sewing machines at hand. With this, you can also bargain on the price and freebies.

4 Fabrics Beginner Sewers Should Avoid

As a beginner sewer the fabric and pattern choices out there can be overwhelming, but the worst thing you can do is choose the wrong fabric. As a beginner there are just certain fabrics you should avoid mostly because they’re difficult for even experienced seamstresses to work with and partly because they’re just too expensive to experiment with. Everyone wants to work with pretty silks and luscious leathers, but save these fabrics and others for when your sewing skills are more advanced and you’re sure of what you’re doing.

Silks, Satins and Delicate Fabrics

Delicate fabrics are often shiny and luxurious, but they’re also slippery and some of the most difficult fabrics to sew. From the fraying, to the ability to easily snag, sewing delicate fabrics like silk is just a pain in the behind. When you’re starting out as a sewer, your focus should be on learning how to sew straight lines and finish seams, not how to keep silk from slipping as you try to sew it. Additionally, delicate fabrics are expensive. Some silks go for hundreds of dollars per yard. Sewing silk and other delicate fabrics also may require special presser feet, pins, needles, and other tools that can quickly make a dent in your wallet.

Chiffon, Organza and Sheer Fabrics

Similar to delicate fabrics, sheer fabrics like chiffon and organza are slippery and tricky to sew. The transparent nature of sheer fabrics makes even the smallest flaw visible from any angle, so you really need top-notch skills to sew sheer fabrics. The most challenging thing about sheer fabrics is stabilizing and cutting them. You have to hold these fabrics extremely tight as you cut them, and it’s not uncommon to only cut through one layer at time for some sheer fabrics. For example, if you’re sewing chiffon and the project would require you to make a cut in the fold, you have to make two of the pattern pieces, tape them together, and then cut them out so you don’t have to put a fold in the fabric. If that just confused you, then yea, you’re not ready to sew sheer fabrics.


Denim is one of the world’s most popular fabrics, perhaps the most popular in America, but don’t let the popularity of denim fool you– it’s challenging to sew. When you sew denim, you want to use the right thread, needles, and presser foot, because the material’s thickness will do a number on your sewing machine if you fail to use the proper tools and accessories. Denim is notorious for breaking needles, even when you use the right type. The trouble with sewing denim is that the thick material can cause the presser foot to tilt, which puts undue stress on the needle, so if you don’t know how to keep the presser foot level, expect to go through tons of needles and experience lots of frustration. Additionally, believe it or not, denim is well-known for fraying, so if you haven’t gotten your seam finishes down perfectly, denim should never be your first fabric choice as a beginner sewer.

Stretchy Knits

The great thing about sewing stretchy knits is that the fabric doesn’t have to fit as perfectly as other types of materials, and that’s thanks to the stretch. However, stretchy knits can be a bit challenging to sew if you’re a beginner. Stretchy knit fabrics pose two problems if you don’t know what you’re doing. Pulling or tugging the fabric can cause stretchy knits to pucker, and on the other hand, the fabric can gather and become quite lumpy in areas where you want it to lay flat, such as the shoulder area of a top or dress. It is also recommended sewing stretchy knits with a twin needle to give the seams some extra stretch, so if you don’t have a sewing machine that has that capability, it’s best to stick to simpler fabrics that only require basic tools and accessories.

Two Things Sewers Should Always Splurge On

The two sewing accessories than can make or break your sewing are needles and thread. These basic tools are the things that sewing disasters and/or sewing successes are made of. Don’t be lulled by a “deal” on cheap needles or thread, because low-quality thread and needles could end up costing you more money than you bargained for. Most of the common sewing machine problems, such as skipped stitches and tension problems, can be attributed to cheap thread and needles. Quality threads and needles not only produce better looking results, they’ll allow your machine to perform much more efficiently.


If you think there is no difference between the 3 for $1 spools of thread and the more expensive spools of thread, think again. Cheaper threads tend to be made from cheap fibers which are far more likely to fray. Those loose fibers, although unseen to the naked eye, will impact your sewing machine and cause undue wear and tear. If you want to dampen your sewing machines performance, possibly damage it’s tension disks, and ultimately shorten its lifespan, go right ahead and sew with the cheapest thread you can find. If you want your sewing machine to perform at optimal levels, sew stitches evenly, and ultimately last for decades, invest in high-quality thread.

Lucky Strike 100% Cotton Thread and Excell threads should be avoided at all costs due to their loose fibers and tendency to fray. If you want to cause guaranteed damage to your sewing machine, use those two threads. Some of the best threads are Mettler Metrosene Plus 100% polyester, Gutterman polyester thread, and Molnlycke polyester thread, all of which have very few or no visible stray fibers. Many sewers also like Coats & Clark cotton threads, but it varies from person to person.

Sewing Needles

When you have problems with your sewing machine, the first thing any good sewer or sewing machine repair person will ask you is, “what kind of needle are you using?” Cheap, low-quality needles are the number one culprit behind malfunctioning sewing machines. Cheap, blunt sewing needles can cause severe damage to your machine, and make sewing an absolute pain. Many people erroneously believe that sewing was much more difficult than it actually is because they used cheap needles that caused their machine to lag or improperly stitch their projects. Don’t let something as simple as a cheap needle ruin your sewing technique. Choose the highest-quality sewing needles you can afford.

So what makes a good needle? First, a good needle has a nice, smooth eye. A smooth eye is important because you don’t want the needle to cause the thread to fray or create loose fibers. You should also opt for needles that are chrome plated with a smooth tip. These needles tend to last longer and they’re strong enough to penetrate thicker fabrics and multiple layers of fabric. Lastly, you want a needle that is elastic. It sounds counterintuitive, but elasticity is important when it comes to needles because you need a needle that won’t bend or break when sewing heavy fabrics. Bent needles can damage your fabric, sewing machine, and possibly you.

The second question any good sewer or sewing machine repair service will ask you when you’re experiencing problems with your sewing machine is, “how often are you changing your needles?” Sewing needles aren’t made to last for long periods of time; in fact, the average needle is only good for eight hours. Sewing with a dull needle causes your sewing machine’s motor to work twice as hard, so that means your sewing machine’s output and performance is automatically cut in half. Changing your needle after you’ve used two-three full or pre-wound bobbins is another good rule of thumb. Additionally, if you’re sewing fabrics that are known to dull needles at a fast rate, such as leather or fleece, you should change your needle before moving on to the next project.

So there you have it; never skimp on these two sewing tools, and cut the probability of experiencing sewing problems down drastically.

Comprehensive Guide to the Best Sewing Machine for Beginners


Shopping for the best sewing machine for beginners is no easy task. Since their invention during the Industrial Revolution, those machines have gone through continuous improvements to make sewing easier for artisans who make a living out of it and people who just do it for leisure. Modern machines now have more sophisticated parts, threading technology and bobbin placement. Which means that, with these new features, it can get quite confusing to choose a machine to start out with. Also, there are more types of sewing machines now than ever, and this may just add to the confusion.

This is a simplified and comprehensive guide for anyone interested in starting out a sewing business or hobby, but has no idea where to begin.

Types of Sewing Machines

The first step to buying a machine is familiarizing yourself with the different types that exist. This is so that you’d know which one you want to work with and that you aren’t buying something that would turn out to be too complicated for your current level of skill and knowledge.

1. Manual Sewing Machine-These old heritage models require you to turn a hand wheel with one hand and guide the fabric under a needle with the other. For obvious reasons, manual sewing machines are no longer in production. There aren’t very much of these around anymore, unless you’re in a dusty attic, museum, antique shop or a collector’s room.

2. Mechanical Sewing Machine-A basic mechanical sewing machine has a foot pedal which drives the motor at different speeds depending on how hard you put your foot down. The idea is that the harder you step on the pedal, the faster the motor drives the needle. In the lower part, it has a bobbin and feed dogs that automatically place the material into the machine right under the needle plate. An electric model works faster and is more accurate than manual machines. It also has a dial that allows you to choose from a range of stitch sizes and types.

3. Computerized Sewing Machine-A computerized machine offers everything an electric model does, plus several other new features. It has built-in computer chips that program the machine to work on an exact length, width, and tension for each stitch style. Most models have touch pads and computer monitors. There are some downloadable programs that can be transferred from your PC to the machine for added features. Some applications memorize past works and hundreds of stitches that you can use without you having to study them anymore. It can also let you do embroidery.

4. Electronic Sewing Machine-This is a sort of hybrid between the mechanical and computerized models. It also typically has an LCD screen that helps you make precise adjustments to your stitches. It allows you to do utility and decorative stitches, buttonholes and alphabets. The only thing it probably lacks is the option to do embroidery.

5. Overlock Machine-This machine can be bought as a sort of added accessory to your sewing machine. It is used to stop fraying, to give a professional finish to most garments’ seams. The machine basically trims while sewing the seams to make it neater. Although you can simply cut the fabric yourself and neaten its edges, this takes more time and usually creates slight ridges in the seams. Overlocks can also have attachments that can be used in stitching rolled hems and in attaching or gathering bindings.

As a beginner, it is definitely more preferable to go for the ease of use that computerized and electronic models offer. The LED screen could show you instructions and generally does all the adjustments automatically. It may also have warning indicators for when you’re running out of thread or when the thread has broken.

However, if you are still unsure as to whether or not you will be using it frequently, you might as well opt for a mechanical machine, which is a lot cheaper than the other two options. Although the down side is that there is more risk of human error and you won’t be able to do fancy stitches unless you study them, it still pays to know how to do things manually.

All in all, choosing the best sewing machine for newcomers to the craft boils down to how often and for how long you will be using the machine, how much you are willing to spend for its purchase and maintenance, and whether you prefer ease of use or complex sewing techniques.

Three Most Recommended Models for Beginners

The SINGER 9960 Quantum Stylist is a top choice for beginner machines under this brand. It has an electronic autopilot for an easy and controlled stitching pace. It offers 600 stitches, 13 buttonhole styles, and 5 alphabet fonts. It also has a stitch editing feature to take care of possible mistakes that you might commit as a newcomer.

The Brother XL2610 is an inexpensive machine that is perfect for beginners who are still unsure of how far they wish to go into sewing. It has directions that are easy to understand, a stitch chart, and other convenient features to guide the user.

The Janome 3128 is a good choice for children. It is a lightweight and portable model that has 8 basic stitches to choose from.

As a final advice, you should note that there isn’t a single machine of any brand or type that can be said to be the best sewing machine for beginners. To be sure that you are investing in the right model, it would do you good to research on the features of each model and see if they are suited for your skill level and for the kind of sewing projects you want to do.



For some of us, working intuitively is a difficult task; however giving yourself permission to “play without a plan” is a great creative exercise. Sometimes some of the most interesting creative results will simply come from out of nowhere with little forethought or preparation.
Setting boundaries by limiting yourself to a set time period is an excellent way to approach this. It allows you a controlled sense of freedom in which to explore and experiment without feeling a relentless pressure to perform and produce results.
Give your creativity a real workout and take the 15 Minute Challenge.
If you have participated in any of the online classes, then you are familiar with the Creative Challenges that are issued throughout the course of the workshop. One of the most popular Challenges is the 15 Minute Challenge.
Learning to work intuitively and without planning or preparation, helps to build self-confidence in your decision making process. The ultimate result of these type of challenges is not that you create a great sample or project, but it’s the process of “letting go” that’s important. Letting go of the need to control; the need to plan; the need to be perfect.
The best way to begin is to gather your supplies: a coordinating range of fabrics; threads, yarns and embellishments; whatever you think you might need to complete a small project.
Then simply sit down at your machine and begin. This can be difficult – a little like staring at a blank page, but just try it. The first step is always the hardest, but try to relax and allow the process to guide you.
Again, these small pieces don’t need to be a work of art, they simply need to demonstrate a willingness to open your mind to possibilities and allow your creativity to take over.
No-one ever has to see these pieces and they can be thrown out or recycled for other purposes, but you just may be surprised at your results.
There is no win or lose, no success or failure with this exercise – what’s important is your awareness of the process and your ability to let the intuitive side of your creativity guide the process.
Tags: Articles
Creative Challenge
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Photo courtesyXavier Fargas
Creativity, whether in art, business, or life, is the act of making new things or finding unique solutions to difficult problems. Creativity, just like writing, public speaking, or goat herding, is a skill that can be developed and improved with effort over time.
Besides being a skill anyone can learn and improve, creativity is also variable and fluid; depending on our mental energy, motivation, and circumstances, it can come and go like the ocean tide. However, by taking a few simple steps, you can develop a little more control over those tides.
1. Change Your Perspective. Imagine you were somebody else. How would they approach your task? Would a person of a different social background, gender, race, or nationality approach what you’re doing in the same manner? When you change your perspective and question your assumptions about the ‘right’ and ‘wrong’ way to do a thing, you’ll begin to see multiple solutions to the same problems.
2. Free associate. On unlined copy paper, write down everything that comes into your head. If possible, fill an entire sheet with ideas. Don’t edit yourself or censor what you think are bad ideas. You will only have good ideas after you have a lot of bad ideas. If you like, you can use mind maps.
3. Keep an Idea File. You can’t always create on demand. Sitting down and staring at a blank screen is hard, but when you have a pile of undeveloped ideas, you always have something to draw from. Keep blank paper and pens handy, and carry a notebook with you wherever you go.
4. Keep Your Life Rich. Whenever you can, attend concerts, go to art galleries and museums, meet friends, and read great books. Alter your routines and the routes you take. Try new foods. Give yourself a little unstructured free time.
5. Imagine Your Outcome. When you start thinking about the final destination, you’ll begin to see the different paths you can take to get there. What do you want as the final result of your project? Personal satisfaction? A marketable product? A world-changing work of art?
6. Put In the Hours. The more often you do something, the more likely you’ll find inspiration on a regular basis. The more time you spend actively seeking and developing new ideas, the more new ideas you’ll have. Look at the most creative people in any field, and you’ll see they have put in thousands of hours.
7. Listen to Classical Music. Studies have shown that listening to some types of classical music gave temporary increases in problem-solving abilities and cognitive functions to college students. Putting on Mozart, Bach, or Vivaldi on the stereo is like an on-demand creativity boost.
Seth M. Baker is a freelance writer, musician, and teacher. He and his wife currently live and work in South Korea. He is the founder of Happenchance, a resource for creative people who want to make amazing things.
Article Source: http://EzineArticles.com/?expert=Seth_Baker
Get Shareaholic
by Benjamin Pearce

Photos courtesy www.morguefile.com
First of all, we need to examine how much time we spend procrastinating. Think of all the things in your life that you do, that is really just wasting time. Things like, wasting time in front of the television, playing video games, surfing aimlessly on the Internet etc. These things and more can be the cause of major procrastination in your life. You need to examine the effect that this could have on your life. If you don’t stop these bad habits the chances are you will live a frustrated life.
Step one: Start Setting Goals
Go buy an exercise book dedicated to writing down all your goals. Choose one day a week where you can sit down and think about the week ahead and the things that you would like to achieve in that week. Each day review what you have written that week and try to achieve at least one of those tasks in that day. You can also write down long-term goals such as what you would like to achieve in three months, or six months or one year, or five years or 10 years. Setting goals is a great way to stop the mindset of procrastination because if you focus on your goals you have something to work towards and once you’ve achieved each goal you will feel a sense of accomplishment.
Step two: Create a New Habit
Sometimes there are things that you may not want to do right now, but you need to start thinking of how you can become more efficient in doing these things so you can complete the task and get on with something else. Set time periods where you can do the things that you like doing. If you enjoy watching TV set yourself a time limit. Watch television for half an hour- One hour and then start initiating the tasks that need to be achieved from your goals.
Step three: Approaching Tasks in Small Intervals
Dedicating time to these goals may seem daunting i know, especially when you’re just getting started, so set half an hour to one hour time periods to concentrate on tackling your task. If you start dedicating all your time to the goals/tasks and not give yourself the time you need to enjoy yourself, ie watching television, you will burn yourself out and get caught in your old procrastinating mindset again. So divide the task/goal over a week or a month or several hours, depending on how big it is.
Step four: Give Yourself a Reward
just by completing your set out goals should be reward enough, but you should also reward yourself along the way, take a short break, watch a movie or something that will relax your mind. But make sure it doesn’t take your focus off to set out goals and set out tasks, remember, set time period for these rewards.
Step five: Keep Focused
You need to start building your confidence and your ability to make choices, start saying no to those things that distract you, say “no”, to picking up and playing that guitar, say “no”, to playing that DVD or texting those friends. These things can be achieved once you’ve completed your goal for that day.
Step six: Perfection is Not Achievable
You’ve heard it before, but the truth is, no one is perfect, so that means you probably will make mistakes along the way, you probably will start slipping occasionally into your old habits, but the important thing is, is to jolt that old mindset and replace it with your new goal orientated mind. So when you start slipping back into those old habits pick up that textbook that you bought and read through those goals that you made. If you set those goals correctly this should jumpstart your mind again and get you back on track to achieving them.
Step seven: Get Started Now
If you don’t get started now after reading this, your procrastinating mind will tell you to “do it later”, But don’t let your procrastinating mind prevent you from getting this done. Just going from doing nothing to doing something is definitely the hardest part. But just imagine how good you will feel when everything is put in place and your goals are achieved.
Final Tips:
It is always good to ask for help along the way, remember you don’t have to do this alone. Why not do a course in time management. Try to avoid saying yes don’t take too many tasks on a once, make sure you actually have enough time if you say yes to something.
Buy a motivational CD and make your mind work. There are new mind power techniques that can improve your memory and help you with procrastination and more.
The final thought that I want to leave you with is this, TAKE ACTION NOW! Start planning your future don’t let your future plan you, don’t live your life day by day with no goal. Life is a game so play it and don’t get played!
If you would like one on one coaching to help you achieve your financial Goals visit: http://www.MaverickMoneyMate.com It will show you How to Make money Online and Work in the Comfort of Your Home. Take Action Now!
Article Source: http://EzineArticles.com/?expert=Benjamin_Pearce
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Tags: Articles

Guest Bloggers
photo transfer
By Valery Satterwhite

Photos courtesy Auntie P
I’ve been giving a lot of thought to the various messages we’ve received over the years and generally highly regard. Many success and self-help experts have told us that we need to “Seize the Day”. “Carpe diem” they tell us.
Well, what the heck does that mean? How does one “seize the day”?
“Men for the sake of getting a living forget to live.” ~Margaret Fuller
The dictionary defines the word seize as:
– take hold of; grab
– take or capture by force
– assume, seize and take control without authority and possibly with force
What are we supposed to do? How does one seize a day? Do we wake up in the morning ready and willing to force the desired events and goals of the day to happen? Do we push ourselves and other people to get things done when and in the way we want them done? Do we stay attached to how our day must unfold?
If that’s what “seize the day” means then I’ll pass, thank you very much. No seizing of days for me! Too exhausting! And I’ve learned that whenever I force anything to happen I usually don’t get a good result over the long term.
“Gratitude bestows reverence, allowing us to encounter everyday epiphanies, those transcendent moments of awe that change forever how we experience life and the world.” – John Milton
I have learned to “allow the day”. Allowing your day is to be open to all possibilities. It is showing up present, and in the moment, ready and willing for whatever comes next. When I detach from how a day must happen I permit the events of my day to unfold in ways I might not have thought of.
Allowing my day doesn’t mean that I have no goals, objectives or intentions for my day. I wake up each and every morning with a clear vision of what I intend to create for that day. I just let go of how it has to happen and allow intuition and inspiration to guide my thoughts, choices and actions that will deliver the desired outcomes I have intended for the day.
“Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.” – Scott Adams
Have you ever wanted something and had no idea how you were going to get it? And soon there came the day when you got it? You had a clear vision of what you wanted and focused upon that thing or event that you desired. Intuition and inspiration gave you ideas that you took action upon and before you knew it, you got what you wanted. Or, the thing or experience you desired came to you as an “out of the blue” opportunity.
“Out of the blue” coincidences are not random coincidences. Without getting too metaphysical, I call them meaningful coincidences because they are the seemingly miraculous fortunate events that deliver what we desire. We could not have planned for that event to happen in the way it did. When you detach from how, you open up to the possibility of a meaningful coincidence.
Instead of using a lot of energy running around trying to seize the day try setting a clear intention and then just allow your day to unfold. Allow your intuitive messages your inner wisdom, what I playfully call the Inner Wizard, to orchestrate the how of what you intend to become reality. It is important to take action on this inner guidance because intention without action is only a dream.
“The art of living does not consist in preserving and clinging to a particular mode of happiness, but in allowing happiness to change its form without being disappointed by the change; happiness, like a child, must be allowed to grow up.” – Charles Morgan
Valery Satterwhite is the Founder of the International Association for Inner Wizards. She teaches artists of all kinds how to get out of their own way, eliminate personal and professional roadblocks, stress and anxiety so they can fully express their artistic vision and succeed in the business of art. Empower the Wizard Within, tame the Inner Critic, unleash and Inspire the Muse. Everything you need to be, do and have is already within you. Your Inner Wizard is the best coach, guide, guru, teacher and shaman you could ever hope to have. We simply return to you that which is your birthright. Get Free Empower the Wizard Within Tips and “Artist Resource Directory” – 55 pages; 30 categories – today at “a href=”http://www.innerwizard.com/” target=”blank”>http://www.InnerWizard.com
Article Source: http://EzineArticles.com/?expert=Valery_Satterwhite
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Tags: Articles
An inspirational article by my guest blogger – Dawn Goldsmith
If you enjoyed Dawn’s article, please leave a comment and let her know!
I’m a quilt and fabric arts lover, a writer about the topic, and dabble a bit. For several years I’ve enjoyed sharing this interest through my blog: Subversive Stitchers: Women Armed with Needles. And this past year several guest bloggers have joined me in sharing their experiences, tips, trials, and loves, too. I was pleased to support and give a little shout out for Virginia Spiegel and her efforts to raise funds for the American Cancer Society. Her success inspired me.
When it came time to find a way to raise funds for the ALS Association, my thoughts immediately turned to quilts. There is nothing more comforting than a quilt and it just seemed the most appropriate medium for a fund raiser. Particularly a fund raiser for a novice at such things as I am.
Trish Bowman of Jersey Girl Quilts took on the challenge and created a charming and vibrant double tulip quilt, using an Eleanor Burns pattern and Hoffman batik fabrics. She machine quilted it in a design that gave the quilt a sense of movement and carries the eye from one block to the next. And a special bonus of this pieced design – it includes my favorite – the humble four patch.
Trish blew me away with her ability to move this project forward. We were on a short time deadline and she worked long hours to reach the goal of a beautifully crafted quilt. She outdid anything I expected. And she added some advice on raffles from what she learned as president of the Cabin Fever Quilt Guild of Orlando (Florida).
For anyone attempting a fundraiser, there obviously are more things to consider than the product. Thankfully the ALS Association administration has jumped in to help me and have offered their website as the place to go to purchase tickets for this quilt raffle. Tickets are $5 each or three for $10.
You may ask why I chose this disease to support or this organization. Glad you asked. For you see, my husband, Derrol, is dying of Amyotrophic Lateral Sclerosis (ALS) or Lou Gehrig’s Disease. He’s one of those rare birds who has a rare inherited form of the disease so not only Derrol is fighting for his life, but he has a dozen or so family members who have already lost the battle. His brother died at the age of 18. His aunt died at 70. His cousins at 17, 39, 60, 43, 80…. There’s no explanation as to why the disease attacks voluntary muscles, usually beginning at the extremities weakening hands and feet and moving inward toward diaphragm, throat muscles, and face and voice muscles. So far scientists have found nothing to stop it.
The ALS Association offers patient support, information and supports for an extensive and impressive array of researchers and their research around the world. Yet the dollars spent on administration costs is 1 percent. I’ve met these people personally and every one of them works for the association because they have lost a loved one or known someone who had died of the disease. They are devoted to finding a cure and caring for each ALS patient and caregiver – but that takes funding.
Derrol and I were utterly lost when he was diagnosed and we both still wonder what we would have done without the ALS Association. The quilt community is full of comfort and love – just like the ALS Association. It just seemed a natural fit to offer a quilt in exchange for funding to cure this horrible disease that strikes anyone at anytime, anywhere in the whole world – for no reason.
To purchase raffle tickets for this beautiful quilt and to learn more about ALS, visit the ALS Association website.
Posted by LindaM on November 28th, 2007
Some art quilts were just not meant to be! And it’s usually the ones you’ve spent hours and hours on, and used up all your most beautiful coveted fabric (sigh!!!).
Our vision can sometimes be lacking. Even though we can see a design clearly in our head and transfer it successfully to paper, doesn’t necessarily mean that it will turn out the way we planned.
Picture this: a trapunto peacock, with long flowing tail feathers outlined in thread and maybe bobbin work for effect, surrounded by a beautiful free motion quilted background in delicious threads.
The concept is simple, easy to visualize and put on paper. Then hours spent:
deciding which fabrics to use – there’s only three fabrics mind you, but they must work together of course
deciding what thread to use
transferring the design from paper to fabric
sewing the trapunto design
decorative stitching
decorative quilting
deciding on borders
The peacock looks good!
The background free motion quilting is beautiful (even if I do say so myself).
And so is the border quilting.
The tailfeathers look good also.
But wait! Something doesn’t look right. How did I miss that? Oh my goodness, how the heck can I fix that! A little paint on the tailfeathers perhaps. Maybe a little more paint and some more stitching.
Oh rats, I give up !! That is one legless bird!!
If anyone has suggestions on how to give this bird it’s legs, please feel free to post a comment with a hint or two.
At the moment, he sits abandoned in a crumpled heap in the corner (he has no legs to stand on remember), and I am ready to slice out the good bits to use on another more worthy project.
I like the design so I’m going to do him again, but I have no more beautiful watercolored yellow cotton lame (boo hoo!) However I did find some white cotton lame online which I’m going to dye when my dye room is done (a couple more weeks, woo hoo!!)
Stay tuned for the follow up!
It’s taken much longer than expected, but finally the Creative Textile & Quilting Arts Online eLearning Center is open for business.
We are offering a complementary demonstration workshop: Machine Wrapped Cording. The first few sessions have filled quickly, but this will be an ongoing workshop, so no-one will miss out.
Our online workshops are structured a little differently from the normal quilting class. We believe that the process of learning and the results of that experience are just as important.
As creative people, we are constantly challenged, not just by the technical issues of our hobby or work, but by our response to it also, so our workshops are designed to help you explore all these aspects.
Creative Textile & Quilting Arts workshops are a combination of:
standard learning modules
where the student will learn a technique, or combination of techniques
self-motivated exploration
where the student will be encouraged to explore and experiment further with the subject of the learning module
creativity coaching
where the student will be provided with creativity tools and exercises to help them deal with the issues and challenges that become evident, usually during the self-exploration cycle.
As time goes on we hope to grow these workshops and shape them to the needs of the art quilter, so if you are looking for something a little out of the ordinary in the way of elearning, then we hope to see you in one of our workshops.
Finding time to be creative is sometimes a balancing act. Family, jobs and a busy lifestyle can suck up our time without us even realizing it. Or maybe you feel that taking time for yourself is selfish; that this time could be better spent tending to our families.
We all need personal time – time to reflect and to recharge our batteries, and for art quilters this usually means finding time to create our art!
When we are separated from our source of creativity for long periods, even though we might not consciously be aware of it, our bodies react in subtle, and not so subtle, ways. We can feel anxious, a little off-color, sometimes it’s just a feeling of being out of balance. Stop and listen to what your body is telling you – become aware of the little signals that your body is trying to send you.
Finding time for yourself, even if it’s only an hour or half an hour a day, benefits not just yourself, but your whole family. When you feel balanced and empowered, you have more positive energy to give back to them.
“Time Management for Creative People” is a thoughtful little 32-page free ebook by writer and creativity coach Mark McGuinness. In it he lists a number of things that creative people can do to manage their time better.
If you have been neglecting yourself, take the first step – spend half an hour with this short book, implement some of the strategies and make some time for yourself. Your whole family will thank you.
I love to do handwork when I can find the time. French knots in particular hold a fascination – they can blend and twist and turn at will. Rayon threads and metallic threads look amazing done in french knots.
Free-form embroidery, for me, is relaxing, creative and meditative. Just to let your hand go where it wants, stitch what it wants and how it wants, is a very freeing creativity exercise.
Stitch Magazine is a UK based magazine for lovers of hand-stitching and embroidery. Their website has a number of small, innovative embroidery projects, a gallery of embroidered textiles, and a stitch directory.
Even if you don’t subscribe to the magazine, the projects alone are worth a look.
Having tension trouble doesn’t always have to be a bad thing – sometimes you end up with very interesting results.
This piece was stitched using free motion, with heavyweight cotton in the bobbin and monofilament on top with a very tight tension. This results in the bobbin thread being pulled to the top of the fabric and causing “eyelashes” to appear.
This will make a great background for something.
For textile and quilt artists, that’s a scary thought!
The ColorLovers blog has an interesting article about this very thing and even lists the phobias associated with each color.
“For most people, color is basic element of our daily lives that we use for comfort, inspiration, practicality, etc. According to the National Institute of Mental Health, phobias and irrational fears affect approximately 10% of adults. Some of those phobias relate to colors being the most terrifying thing imaginable… for those poor people, this color loving website would probably be hell-incarnate. Here are several color phobias and some of color associations with common and strange phobias.”
Read the full article: ColorLoversBlog
The December edition of “From The Sewing Room” ezine is now available. Great articles and information.
Download now
Some art quilts were just not meant to be! And it’s usually the ones you’ve spent hours and hours on, and used up all your most beautiful coveted fabric (sigh!!!).
Our vision can sometimes be lacking. Even though we can see a design clearly in our head and transfer it successfully to paper, doesn’t necessarily mean that it will turn out the way we planned.
Picture this: a trapunto peacock, with long flowing tail feathers outlined in thread and maybe bobbin work for effect, surrounded by a beautiful free motion quilted background in delicious threads.
The concept is simple, easy to visualize and put on paper. Then hours spent:
deciding which fabrics to use – there’s only three fabrics mind you, but they must work together of course
deciding what thread to use
transferring the design from paper to fabric
sewing the trapunto design
decorative stitching
decorative quilting
deciding on borders
The peacock looks good!
The background free motion quilting is beautiful (even if I do say so myself).
And so is the border quilting.
The tailfeathers look good also.
But wait! Something doesn’t look right. How did I miss that? Oh my goodness, how the heck can I fix that! A little paint on the tailfeathers perhaps. Maybe a little more paint and some more stitching.
Oh rats, I give up !! That is one legless bird!!
If anyone has suggestions on how to give this bird it’s legs, please feel free to post a comment with a hint or two.
At the moment, he sits abandoned in a crumpled heap in the corner (he has no legs to stand on remember), and I am ready to slice out the good bits to use on another more worthy project.
I like the design so I’m going to do him again, but I have no more beautiful watercolored yellow cotton lame (boo hoo!) However I did find some white cotton lame online which I’m going to dye when my dye room is done (a couple more weeks, woo hoo!!)
Stay tuned for the follow up!
Just a reminder that a demo online workshop will be available for sign-up very shortly.
Why am I taking sign-ups for a demo workshop?
My aim is to provide online workshops that are fun, informative and offer the art quilter a quality experience. So I asked myself – how are students to experience this with just the standard “free-for-all” demo course. These “free-for-all” introductory workshops don’t usually impress me much, and don’t really offer a very good overview of an online class situation.
So in order for you to make an assessment of my workshops, a free demo workshop will be offered on a weekly basis, to run for a full week, with the number of students being limited. These workshops will be fully interactive and offer exactly the same experience as a “paid for” workshop, and will also include teacher participation.
Details will be posted here as they become available, so check back here for frequently updated information, subscribe to our RSS feed, or visit the website where you will also find information.
Needle felting, or needle punching, can produce surprising results even when used with cotton fabrics.
The challenge: to create a realistic looking tree trunk.
Laying out the fabric strips
Punching the fabric – oops, watch that pin!

Looking a little frayed around the edges

Punched and stitched

Taking shape

“A Spot of Earth” – the completed quilt.
New Article Posted:
Art quilters have never had it so good with the variety of machine quilting thread that is available to them these days.
The full article can be found at the Creative Textile & Quilting Arts website.
New Article Posted:
Selecting fabric for your quilting projects is one of the best things about being a quilter. With such a variety in colors, textures, patterns and finishes, the quilter has an enormous fabric palette to choose from.
The full article can be found at the Creative Textile & Quilting Arts website.
New Article Posted:
A new article has been posted in our “How To” Article Section – How to Hang a Quilt.
“Hanging a quilt is most commonly done by attaching a quilt sleeve. A quilt sleeve will ensure that your quilt is well supported, particularly if the quilt is large, and will also ensure that no damage is done to the quilt by attaching clips in order to hang it.”
Read more and download instructions at the Creative Textile & Quilting Arts website.
New Article Posted:
Binding a quilt is usually one of the last things you do before the quilt is considered finished. There are a number of ways to bind a quilt …
Read the full article and download instructions at the Creative Textile & Quilting Arts Website.
The November edition of “From The Sewing Room” ezine is now available. Great articles and information.
Download now
Photo courtesy of PugnoM
The issue of copyright is always a hot topic amongst artists and the rules are confusing and difficult to understand.
I recently came across the Free Culture website which offers up some very interesting information, video and audio articles, including a link to the Creative Commons website. The Creative Commons website provides information on how to go about creating your own copyright policy as well as information on how to police it. In other words, you can now apply your copyright in language that anyone can understand. This copyright can be applied to work published on the internet as well as off the internet.
I am beginning to see more and more around the internet, that people are using a Creative Commons copyright. Images in particular, like the one in this article, are freely available under a Creative Commons copyright.
As textile and quilt artists, most of us live in fear of our copyright being abuser, a fear that is like a double edged sword. On one hand we fear having our work copied and ripped off, and on the flip side we fear having to deal with the repercussions because we simply are not sure of what they are.
I, for one, have decided to embrace the “Creative Commons” license and will in fact be revising all my online works to be covered under one of these licenses. A great idea in a world gone mad!
It’s amazing what you can do with scraps and leftovers. This little quilt (approx 18×12) was put together from samples and scraps leftover from a surface design workshop I recently taught.
Included in this sample is
tyvek (green squares in middle)
color washed brown paper (prairie points and leaves)
paper fabric with some cheesecloth attached (main pink square)
The color washed brown paper was fused onto some peltex and cut to shape. Then I added some machine wrapped cording around the edge of the prairie points to define them against the background.
Since the paper fabric looked very organic, I quilted organic type lines that look like flowing water and pebbles.
The tyvek was also fused to some peltex and cut to shape. I then handstitched the edges to finish them off.
Everything was layered onto a machine quilted background and the end result is very three dimensional. I have yet to add a few more embellishments (it’s not finished till it’s embellished!) and then it will be done.
All in all – a cute little art quilt.
The January 2008 edition of “From The Sewing Room” ezine is now available. Great articles and information.
Download now
It’s always nice to get something for free, so in this section you will find some free machine quilting patterns.
We intend to offer a series of free machine quilting patterns suitable for all levels of experience, and we are starting off with some easy designs suitable for beginners. We will be adding more intricate and decorative designs as time progresses.
The first in the series is called “The Little Book of ~Easy~ Machine Quilting Designs”. These designs are continuous line drawings, simple in shape, and are suitable for beginners.
The patterns are compiled in an ebook in pdf format for convenience, so you will need Adobe Reader to view it.
If you need to update your Adobe Reader, click on the “Get Adobe Reader” logo. This is a free update.
Special Feature
A special feature of the ebook is the supplemental animated “stitching sequence” videos. The videos feature the designs that are included in the ebook and show a special animated stitching sequence which represents the best way to stitch out these designs.
The videos are in flash format and are designed to be viewed online.We hope you find this a useful feature, particularly for the more intricate designs which will be offered in the future.
Tips for Free Motion Designs for Beginners
Free motion quilting designs are generally stitched without transferring the design to the fabric, in other words they are stitched freehand. This can be tricky when you are first starting out, however the following tips should help.
The best way to start with free motion designs is with pencil and paper. Just like writing your name, free motion designs can be learned in a similar manner.
Using the designs in the ebook, lay a sheet of transparent paper over the top and trace the outline without lifting your pencil from the paper. Do this a number of times until you are comfortable with the movements. Then take a piece of copy paper and practice freehand.
Once your brain has comprehended the flow of the line, you will find it an easy transition from paper and pencil, to machine and thread.
And of course, the only way you will ever get good at anything is with – practice, practice, practice !
Other Sources for Designs
Other great free machine quilting designs can be found at Patsy Thompson Designs. She has a great website with beautiful photos of her machine quilting.
Quiltmaker also offers some free patterns.
Machine Quilting threads, and threads in general, are usually labeled with two numbers. The first number refers to the size thread (denier), and the second refers to the ply, or how many strands are twisted together. The lower the thread size number, the thicker the thread.
Generally, man made fibers are stronger than natural ones. Therefore, threads with polyester, acrylic or nylon content will be less apt to fray and break than a cotton thread.
When selecting threads, compare color, sheen, texture of thread to determine the effect that you desire, e.g. metallics are shiny and sparkling, rayon produces a high sheen, silk a subtle sheen, and cotton provides matte luster.
For additional information about machine quilting threads, check out our Machine Quilting Thread article.
Cotton is easy to use, readily available and comes in a multitude of colors including variegated. Most cotton threads are colorfast and have little to no stretch. Not all cotton thread is made equal though: a poor quality cotton thread will have a fuzzy finish, whereas a good quality thread will have a smooth finish. Polyester wrapped cotton is stronger than cotton, but the wrapping process also produces a more abrasive thread with a rougher texture.
Rayon thread has a high sheen, but is not as strong as cotton. It is neither colorfast nor shrink resistant and it should be used only for decorative purposes.
Polyester thread comes in a wide range of colors including variegated, and is strong, durable and colorfast. It can be used for construction or for decorative purposes.
Metallic thread can add sparkle to your project. These threads are generally more fragile and difficult to use than other threads, however with the proper machine needle and tensioning, are well worth the effort.
Silk threads have a wonderful luster and are strong and easy to use, although expensive.
Monofilament, or invisible, thread is available in clear, black and smoke colors. It is available in both polyester and nylon, and is made to “disappear” against the quilt surface. It does have a slight sheen which can produce an undesirable visual effect, and has a tendency to stretch. If using in the bobbin, it should be wound on by hand or very slowly using the machine winder.
has a higher heat resistance, does not go brittle or yellow over time, and is softer than nylon.
has a tendency to go brittle and turn yellow over time, and has a low melting temperature.

Monofilament Comparison Chart
Sulky: poly
Superior: poly
Coats: nylon
YLI nylon
Madeira: Polyamide (nylon)

Using the correct type of sewing machine needle for your project will go a long way to determining your project’s success or failure.
Selecting a sewing machine needle is not difficult. The “Types Chart” details the different types of needles available as well as their unique applications.
Use this chart as a guideline only when selecting your needle. Just because one type of needle is recommended for a specific purpose, such as metallic needles for metallic thread, does not mean that another needle will not produce as good or better results.
If you find that one needle does not produce good stitching quality, swap it out for another type of needle.
Remember too, that the eye of the machine needle should be just large enough to accommodate the weight of thread you are using. Too large an eye will result in holes in your project; too small an eye will result in possible shredding of your thread.
And always remember, machine needles do dull over time. Make sure your needle is sharp and this will go a long way towards producing good stitching.
Parts Chart
The upper part of the needle is called the shank. It is usually round on one side and flat on the other.
The shaft is the lower part of the needle that extends from the base of the shank to the point.
This part is located on the shaft on the same side as the rounded part of the shank. The groove, or indentation, acts as a thread guide and provides a channel for the thread to lie in as the needle passes through the fabric.
The scarf is visible on the flat side of the shaft. It is a short indentation located just above the eye of the needle. The purpose of the scarf is to allow the bobbin case hook to get close to the needle eye and catch the thread to form a stitch.
This is the hole above the needle point through which the needle thread passes. The size of the eye varies with the needle type and size. A needle should be selected with an eye that is large enough to accommodate the weight of the thread that is being used.
The point is the tip of the needle that pierces through the fabric. Each needle type has a different point which is specifically designed for different types of fabric.
Sizing Chart
Sewing machine needles are sized according to two systems – European and American – and both numbers are usually marked on the package.
Needle sizes range from the finest which is 60/8, to the thickest which is 120/19.

European American
60 8
65 9
70 10
75 11
80 12
90 14
100 16
110 18
120 19
Types Chart
Sewing machine needles come in a variety of types. You should always make your needle selection based on the type of fabric, and the weight and type of thread you are using.
Ball Point Needle
Made especially for sewing on knits, its unique point does not damage or break knitted fibers.
Denim Needle
For jeans and similar densely woven materials.
Double Needle
Two needles mounted on a crossbar with a single shaft. Can be used with zig zag sewing machines that thread front to back. Sews two rows of stitching at the same time.
Hemstitch Needle
Sometimes called a Wing Needle, it is used to create decorative openwork or cut-work on tightly woven fabrics. The needle is very sharp and is made to cut the fabric.
Leather Needle
Has a slightly sharp cutting point suitable for leather and heavy non-woven synthetics.
Machine Embroidery Needle
For use with rayon and other specialty machine embroidery threads. The needle has a special scarf, long smooth groove, and large eye which helps to protect these more fragile type threads and guards against excess friction.
Metallica Needle
For use with metallic threads. It has a double sized, polished, and Teflon coated eye to assist with smooth flow of thread. The large eye helps to make threading easier, and also helps to prevent shredding and breaking when using metallic threads.
Quilting Needle
Made especially for piecing and machine quilting. The thin tapered design of these needles allows them to pass through many layers smoothly, which helps to eliminate skipped stitches.
Sharp Needle
A very slim needle with a thin shaft that helps make very straight stitches. The point is very sharp and because of this, is more fragile and needs to be changed regularly. Good for piecing high thread count fabrics like batiks, silks, and microfibers. It is also used for beautiful topstitching or edge stitching.
Stretch Needle
Made especially for synthetic suede or highly elastic synthetic knit wear. This needle has a medium ball point to help prevent skipped stitches.
Topstitch Needle
Has an extra large eye and large grooves to accommodate topstitch thread. This needle helps stitch perfectly straight lines and even stitches.
Universal Needle
A general purpose needle that can be used on knit or woven fabrics. It has a long scarf so it does not damage knits. It has a slight ball point which makes it unsuitable for stitching multiple layers or for use with high thread count fabrics.
During the last half of 2007, That’s My Story! (art quilting stories by art quilters) has been a feature article in our ezine From The Sewing Room. It has been such a popular feature that we have decided to make the articles available to all our visitors, including those who do not subscribe to the ezine, by giving the articles their very own webspace on the Creative Textile & Quilting Arts website.
As a result, That’s My Story! Webspace has now become an ideal place to promote yourself, your business and your services or products at no cost to you.
You can go directly to view our current submissions here.
Benefits to Readers
Many new art quilters are intimidated by the success of more experienced art quilters, and stories like these help to reinforce the understanding that most of us start from humble beginnings; that with an idea, some drive and personal expectations of fulfilling our passion to create art with fabric, we can achieve our dreams.
Benefits to You
This is a quality directory of art quilters “with a twist”.
Instead of the same old links page that you see everywhere all over the internet, we want to do it a little differently by offering you the opportunity for self-promotion.
Publishing your story is a great way to increase your public profile by promoting yourself, your business, your products or services, and we offer this at no cost to you. These articles provide visitors to this website with the ideal opportunity to get to know you, and then in turn visit your websites and view your work.
Do you have an upcoming book release or some workshops happening around the place? This is a great opportunity for promotion.
Requirements are simple. Using the submission form below:
Write your story about how you got started as an art quilter, (500 words minimum).
Supply one photo.
As part of the story you are welcome to include any sort of promotion for yourself, your website, your business and/or products, although this should be secondary to the main story.
Include one link to your website and/or one link to a product or service you specifically want to promote.
We would appreciate a link back to this site, however it is not necessary.
What You Can Expect In Return
A full page dedicated to promoting you, your products and/or services.
A link back to your website.
A link to your article will be included in our art quilting ezine the month following your article submission, and a link to this section of the website will be included in every publication of the ezine.
I reserve the right to edit typos and grammatical errors, or ask you to edit any content that does not meet the submission requirements.
You are free to update your article at any time by simply contacting me.
Need More Information?
If you have any questions, please contact me.

That’s My Story!
Self-promote yourself, your business, website, products or services – this is a link directory “with a twist”.
Submit your story (500 words min) about how you became an art quilter. Did you give up your day job to pursue your dream? How did it all start?
A picture is worth a thousand words (optional) [ ? ]

Close Help
Do you have a picture of one of your art quilts? Great! Click the button and find it on your computer. Then select it.
Add Picture Caption (optional)
Author Information (optional)
To receive credit as the author, enter your information below.
Submit Your Contribution
Check box to agree to these submission guidelines.

(You can preview and edit on the next page)
Read what others think about your story
Click below to see what other visitors to this page have said…
Cyndi Souder – That’s My Story
Visit my website at www.MoonlightingQuilts.com
All my life, people have asked me if I’m an artist. And all my life, I’ve said, “No, I just make stuff….
Dena Crain – That’s My Story
Visit my website at www.DenaCrain.com
At age 19, I read Robert Ruark’s Uhuru, the story of the Emergency (MauMau) in Kenya. I finished the book, knowing …
Return to the top of
That’s My Story!
Return to
Art Quilting Stories
Everyone Loves A Good Story
Everyone loves a good story and art quilting stories are sometimes the best.
Storytelling is not only a way to entertain, but it can also be used as a learning tool which provides useful information for other people, and in this case “other people” is us – art quilters!
Everyone benefits in storytelling:
the story teller – by sharing useful or entertaining information
and the reader – by learning something new or just enjoying a chuckle over a cup of coffee.
That’s My Story
During the last half of 2007, That’s My Story! has been a feature article in our ezine From The Sewing Room. It has been such a popular feature that we have decided to make the articles available to all our visitors, including those who do not subscribe to the ezine, by giving the articles their very own webspace on the Creative Textile & Quilting Arts website, as well as open up the webspace for additional submissions.
As a resultThat’s My Story! Webspace has now become an ideal place for art quilters like you to promote yourself, your business and your services or products, or to simply tell us your story, all at no cost to you. Please visit here for full details or click here to read the current submissions.
As an added benefit, this now leaves us with extra space to fill in our art quilting ezine, so as of January 2008, From The Sewing Room Ezine will now include more art quilt related content by way of projects, information, hints and tips. If you are not already subscribed, now’s the time to do it … and it’s free!!
What’s Your Story
Plus we have added a fun new feature to the website called What’s Your Story?
Every month we will feature a different art quilting topic and readers will be asked to submit their favorite story. You can click here to read their stories.
and just to make it more interesting
During the month following, we will run a public poll and the story that is voted the best will receive a 10% discount voucher which you will be able to redeem at the Creative Textile & Quilting Arts website.
You might wonder what good is a discount voucher since we don’t have a store…
but wait for it …
early in 2008 we begin our online art quilting workshops, to be followed by our art quilting education store, which will include eBooks, eWorkbooks, and much more – all relating to … of course – art quilting! How much fun can an art quilter have !! (sounds like a good topic for one of our story sessions.)
So go ahead and share your story … What’s Your Story?
Return to the top of
Art Quilting Stories
or visit

That’s My Story!

What’s Your Story?
what has embroidery to do with quilting?
Our friend Joan would like an embroidery machine comparison.
She has been busy looking at quilting machines and has visited several dealers and has done her homework. She was introduced to embroidery machines along the way and before making a final decision she would like a comparison of the different types of embroidery machines that would be suitable for a quilter.
J: Linda, I’ve been to a couple of dealers’ stores looking at quilting machines, and while I was there they showed me some home embroidery machines.

I’ve never seen a home embroidery machine and I can’t imagine that it would be useful for quilting although I was told they were quite popular. What do you think? Can you give me a comparison of machines that would be suitable for a quilter?
let’s get creative
L: Joan, lots of women are discovering creative ways to use embroidery machine designs on their quilts, both traditional quilts and art quilts. Machine embroidery is also used a lot on garments, particularly jeans, jackets and dresses, as well as children’s clothing.
J: The machine I saw looked a little different from a normal sewing machine and somewhat complicated.
L: Joan, a home embroidery machine is really not all that complicated. It does have a learning curve but if you have a little knowledge of computers and their filing system, then it is a fairly simple transition to understand and embroidery machine.
Also when you buy an embroidery machine from your local dealer, they normally offer lessons so that you understand how to use the machine. So if you are thinking of buying an embroidery machine, here are some things to consider.
consider this
There are two main types of home embroidery machines and I’ve listed a comparison of the main pros and cons for you:
Because embroidery is all it does, this allows you to sew on your quilting machine at the same time you are using the embroidery machine.
Space – having two machines, one for quilting and one for embroidery, takes up more space than a single machine.
If space is an issue, then a combo embroidery and sewing machine would be the way to go.
A combo embroidery/sewing machine will not offer the special features of a quilting machine unless you are prepared to spend a lot of money.
So now you have a comparison to work with, you need to make a decision about what’s important in an embroidery machine:
space saving with a combo embroidery and sewing machine
or the benefits of having two machines – a quilting machine and an embroidery machine
Also the more expensive machines tend to have many great additional features and some top-of-the-line machines have features of a quilting machine as well as offering larger hoop sizes. So if money is not an issue, you could research embroidery machines further and look into it.
J: Thanks Linda, that explains a lot however I don’t think I’m quite ready to go in that direction. Maybe later.
I do have another question though about small sewing machines. I’ve heard that they are a great machine for a quilter. Can you elaborate on that.
Art quilters have never had it so good with the variety of machine quilting thread that is available to them these days.
Basic Cotton
Cotton thread, originally the quilters’ choice of thread, is now available in a wide variety of colors and weights, with Egyptian cotton particularly, making a huge statement.
And for machine quilters, whilst cotton thread is still a favorite, it now gets to compete alongside other beautiful and tantalizing quilting threads made of polyester, rayon and metallic.
Price and Quality
Machine quilting thread can be expensive, but cheaper threads will add little to the end result of your project, can sometimes contribute to poor sewing machine performance, and if your project is to be functional such as a lap or bed quilt, it will certainly shorten its lifespan.
Poor quality threads will also produce poor results:
Short staple cotton threads tend to throw off a lot of lint which not only clogs your bobbin area, but can get caught up in the thread itself and result in “bumps” in the stitching line.
Polyester, rayon and metallic threads can also suffer from poor quality and result in weak thread that breaks and shreds easily. Sometimes it is not the fault of your machine or needle, sometimes it is just simply “bad” thread.
Remember also, thread deteriorates over time and becomes brittle and loses strength. So your mother’s collection of old thread, whilst maybe having some sentimental value, is not going to guarantee you a beautiful finish or trouble-free sewing.
Personality Clashes
Learning to work with your threads is important, and when you work with threads long enough particlarly when machine quilting, you begin to notice that each brand and type of thread has its own little personality.
Some threads like a vertical spool and some threads prefer a horizontal spool. Monofilament thread sometimes prefers rolling around in a cup and metallic thread can often act kinky and needs taming with a net.
Understanding that your sewing machine is often not to blame when thread issues occur will go a long way toward a better relationship between you and your machine, and taking time to do a stitch and tension test before you begin on your project will alleviate a lot of anxiety.
Don’t throw it out
Old, finicky or poor quality thread can still be put to use, so never throw it out.
It may be quite suitable for the back of a project
Consider using it in your bobbin for bobbin work
Snip it up, sandwich it between two layers of sheer fabric and use it to make “thread fabric”
Hand quilting thread – a word of warning
Some hand quilting threads have a wax coating which allows the hand quilter to easily work with the thread. These types of threads however, are not good for your sewing machine as it is possible for the wax coating to create slippage through the tension discs causing tension problems with your stitching. Normally the thread label will state if the thread is coated, so make sure you read the label if using hand quilting thread in your machine.
Machine wrapped cording is a simple technique that produces cording that will color coordinate with your projects.
It’s a great way to use up old yarn, “what was I thinking” fabric and difficult or brittle thread.
It has many applications, both decorative and functional and can be made in any thickness. It can be used on garments, art quilts or even three dimensional fabric art.
By including optional variations you can add interest, texture and uniqueness.
Supply List
Sewing machine
Machine Feet
You can use a standard sewing machine foot, however a foot with a “tunnel” underneath, such as a beading foot or cording foot is ideal.
Base Cording
Anything that is flexible and thin enough to fit under the foot of your sewing machine will work for this type of cording.
yarn – a great way to use up old, ugly yarn
strips of fabric – a great way to use up that “what was I thinking” fabric
embroidery thread
twisted cording
You will need a variety of threads in cotton, rayon, polyester and metallic. This is a great technique for using up any old thread that you have lying around
Things To Know
Things To Know
Keep the yarn taut as it passes under the needle
Use the same color or a coordinating color thread in the bobbin
Use up your old thread for the first and/or second layer of stitching as this will become invisible or barely visible by the time you’re done
If your thread breaks or you run out of thread, simply rethread and pull the broken threads towards you alongside the cording, stitching over them as you go
Don’t plan on completely covering the base cord with only one layer of stitching. Depending on the type of base cord, it may take two or three layers of stitching to completely cover it
For soft, flexible cording use yarn or a soft fabric as your base and stitch a minimal number layers on top
For a firmer cording, use a stiffer base such as string, or add more layers of stitching
When cutting the cording, use a little fray check to stop the stitching from unraveling
Sewing Machine Setup
Machine Feet
The best foot to use is a braiding foot or a foot with a “tunnel” underneath such as a beading foot. These types of feet are the easiest to use as they will allow you to easily guide the cording.
You could also use a standard foot with feed dogs up, or a darning foot with feed dogs down and manually guide the cording under the foot.
At normal tension, the top thread will wrap halfway around the cording and you will need to use the same thread in the bobbin as on the top.
If you use a slightly loose top tension, the top thread will wrap all the way around the cording and you can use either the same thread in the bobbin or a coordinating color.
The Basics
This photo demonstration will show you how to machine wrap three strands of 8 ply yarn with a standard foot and feed dogs up.
Cut your base cording to the desired length. Three strands of 8ply yarn will produce approx 1/8” diameter cording.
Set your machine for zigzag stitch wide enough for the needle to swing entirely over the yarn on either side. Length should be about 1.5 – 2.0.
Allow about 2-3 inches of cording to extend out the back of your machine, and holding the tail of the cord with your left hand and twisting the front section with your right hand, guide the cording under the foot. You may need to pull slightly in order for it to feed through smoothly. Zigzag along the length of cording.
Shorten the length of your stitch to about .5, or shorter if you are using fine thread and holding the cording in the same manner, satin stitch the length of the cording.
Using the same stitch length, change your top thread and bobbin thread, and satin stitch the length of the cording.
Lengthen your stitch to 1.5 – 2.0, change to a metallic thread in the top and bobbin and zigzag the length of the cording.
There are many options you can use to add surface texture, color and design to your cording that will make it unique and interesting.
Following are just a few ideas:
1. Stitch a length of fine craft wire into the first or second layers of stitching. This will allow you to manipulate the cording so that it will retain shape.
2. To add texture, you can make bumps in the cording by moving backwards and forwards a number of times whilst stitching. Do this on your final layer of stitching, or before you add a final metallic layer.
3. Wrap strands of fiber around the cording and stitch in place at intervals, or cut short pieces of decorative yarn or fiber and stitch into the cording.
4. Cover your base cord with white thread – cotton or polyester – and hand paint. If you want a bit of sparkle, use a glitter topcoat, or use a metallic paint. If you are adding metallic thread, stitch it after you have dyed the cording.
5. Use bobbinwork thread. Wrap the base cord with your main color. Change to a contrasting or blending color bobbin work thread, then stitch over the top. You can play with the tension in both your top tension and your bobbin tension to achieve different effects. This sample is Ricky Timms Razzle Dazzle, one of my favorite bobbinwork threads.
This should give you a starting point to work with, but what else can you do; how far can you take this?
Now that we know how to make the cording and add variety and interest, what can we do with it? Let’s explore some applications.
The cording on “Circles” has been couched down around the outer edge of the main circles to add definition. The thread used on the cording is the same as was used for the free motion quilting. This offers a sense of unity.
Using cording is a great way to join paneled quilts. On “Scrapbook” and “Morocco”, the cording was used to join the panels together.
Small buttonholes were sewn close to the edges of the panels and the cording was threaded through, cut to length, and then the ends were tied in a knot to prevent them from slipping through the holes.
This is a good application for irregular shaped panels such as “Scrapbook” since the cording can be cut at varying lengths to provide overall balance and alignment.
Decorative beads were threaded to the cording on “Scrapbook” to provide interest.
The cording can be used for decorative purposes. A wrought iron gate on “What Lies Beyond” was designed by using cording with fine craft wire stitched into. The wire enables the cording to be easily shaped. Once the design was complete, the pieces of cording were handstitched together, and then the completed unit was handstitched to the background of the quilt.
The cording on “Puddles” was shaped without using wire, and handstitched to the background of the quilt.
Additional Ideas
Frogs and Chinese Knot Buttons
Decorative Cording for Jewelry/Purse Straps
By Alyson Stanfield
An artist statement is a necessary component of any professional artists’ portfolio or promotional packet.
When writing your artist statement, DO:
*Write in the first person. It is a statement, after all.
*Be brief, 2-3 paragraphs at most. Always err on the side of brevity. You can write more, but why would you want to? People have short attention spans these days. Load as much punch into the delivery as you can. Combine sentences and delete ones that aren’t vital. As Henri Matisse said in his treatise on painting, “All that is not useful to the picture is detrimental.” The same could be said of your statement.
*Describe the current direction of your work and your approach, particularly what is unique about your methods and materials.
*Sit on it for a few days and come back to it with a fresh mindset. Most artists, in my opinion, hate their statements because they rushed them in preparation for an exhibit and didn’t care to spend any more time on them. How do you expect it to be any good if you don’t work at it?
*Consider more than one statement if you are trying to discuss more than one body of work. If you try to get too much into a single statement, you run the risk of saying nothing and trying to be everything to all people. This is bad marketing/bad promotions.
*Allow your artist statement to grow, change, and mature along with your work. Don’t let it sit on a shelf and collect dust. It should be organic and you shouldn’t be afraid to change it and make it better.
*Make sure your statement passes the litmus test. Above all, viewers should be compelled to put the statement away and look back at the work. Your statement isn’t successful if people read the words on the page, and then put them down and go on to the next artist.
When writing your artist statement, DO NOT:
*Use too many personal pronouns. Yes, I said to write in first person, but try to severely limit the number of “I”s, “me”s and “my”s that are used. You’ll be amazed at how many other ways there are to phrase things. You want people to relate to your words and to your art. Too many personal pronouns will put up an unnecessary a barrier.
*Tell your life story. You can keep that for your bio (as long as it’s interesting). Your artist statement is only about the current direction of your work.
*Quote or refer to anyone else by name. Keep the focus on you and your art. Mentioning another name shifts the readers’ attention from your art to the other person.
*Forget to use spell check and ask someone else to read it over for you.
View the time to write your artist statement as an opportunity to clarify your thoughts. A well-written statement, approached deliberately and thoughtfully, can be a boon to your self-promotion efforts. You’ll use the language on your Web site and in grant applications, press releases, brochures, and much more.
Copyright 2008 Alyson Stanfield, All rights reserved.
Alyson B. Stanfield is an art-marketing consultant, artist advocate, and author of I’d Rather Be in the Studio! The Artist’s No-Excuse Guide to Self-Promotion.
Article Source: http://EzineArticles.com/?expert=Alyson_Stanfield
Photo courtesty www.morguefile.com

Photo courtesywoodleywonderworks
By GK Eckert
No matter what walk of life you may find yourself in, creativity is an asset. I’ve seen people be creative in career endeavors and others be creative in putting together dinner parties. It adds spice and zip to life, not only to your own life but to the lives of those around you. Here are my five tips for stimulating your creativity.
1. Turn off auto-pilot. Ever drive somewhere and suddenly realize that you didn’t recall making a turn, only to discover you’d been on “auto pilot?” When we repeatedly perform the same tasks over and over, there’s a natural tendency to find ourselves giving little awareness to what we are doing.
To stimulate your creative juices try going a different way to work, turning down a different street. When you comb your hair, put the part on the other side. Stir your coffee with the other hand. Brush your teeth with the other hand. It will feel a bit peculiar, but you’ll be very much in the moment.
2. Variations of a theme. Just as Mozart or Beethoven may have written a theme, and then variations, be creative. Practice this same approach in your day to day life.There are many things that we do without much thought or enthusiasm. Find a way to make them more fun and more interesting. Find ways to stimulate your creativity in every little task you do.
Anything that must be done more than once is an opportunity to use your creativity. It’s a way of creating a slight variation each time; not just once but every time. Dare to be creative. Make it a game to come up with a slightly new twist. Just changing the time or location can make a difference. Try eating with the fine china, or with real cloth napkins, adding candle light or simply eating in the dining room if you seldom do. You will create an experience that feels totally new. Change your writing style, vary what you normally say or how you say it; write more or less than you usually do. All these things can get your creative juices going.
3. Try some new food. Try some new food that you’ve never had before. Consider something that maybe you’ve always avoided but never really tried. So, how do you know that you don’t like it? Personally, for many years I would just not try sour cream. The name turned me off. When I finally tried it I discovered, of course, something delicious and wonderful that I’d been missing out on.
Be creative, visit a new restaurant. Be bold and daring if you’ve always been conservative. Try a different sauce, maybe some foods that don’t normally go together. You might just come up with something totally new; maybe even start a new trend.
4. Take on a new hobby or course. Taking on something new makes us stretch. It creates new pathways in the brain. It stimulates brain activity and causes us to feel a greater sense of wellness and being alive.
So, if you’ve never taken yoga or martial arts, or a belly dance class, try it. Be creative. Perhaps try painting or take up playing an instrument. Try something you’ve never done before, maybe something you’ve even secretly thought that you didn’t have the ability for. Stretch and try something new. Guaranteed to get the creative juices flowing. And you might just discover a talent you didn’t know you had!
5. The “Mozart Effect”. Don Campbell’s book explains how Mozart’s music, played in schools affected the minds of the young students hearing it. They were more creative and they performed better. He broke the music down into three categories, producing cd’s for each. One, of course, was for “stimulating creativity”. On that cd were very simple themes with variation after variation. It didn’t take me long to see how it did indeed stimulate creativity; how it opened the mind up to new possibilities. I often found that I felt like painting when I heard that music.
I don’t say that it has to be Mozart, but I do recommend listening to some music that is a theme with variations, to stimulate your creativity and get those creative juices flowing. You hear the same thing presented many different ways. It is particularly helpful if you are a musician. And you certainly can’t go wrong by choosing Mozart either.
If you try these five tips to stimulating your creativity, you’ll find yourself paying more attention to your day. You’ll find yourself more creative. You’ll find yourself more involved in your day and I dare say that you’ll find it more interesting too! By constantly thinking and making conscious choices, you are stimulating, using and practicing your creativity. And then when called upon to perform, it is honed and ready to go to work for you.
Gail Karen (G.K.) Eckert is a vocalist, musician, songwriter and teacher. She founded Musikhaus Studio of Creativity in Kitchener, Ontario, Canada in 1987 and continues to guide students through the crucial steps of learning to sing. She believes that anyone can learn to sing, given the proper guidance and encouragement. She also believes that singing your music your way is not only a fun past time but is also crucial to self expression and well being.
For more tips on creativity and self expression, visit her site http://www.YourMusicYourWay.com [email protected]
Article Source: http://EzineArticles.com/?expert=GK_Eckert
Get Shareaholic
By William Larson, Ph.D.

Photos courtesy www.morguefile.com
“My alphabet starts with this letter called yuzz. It’s the letter I use to spell yuzz-a-ma-tuzz. You’ll be sort of surprised what there is to be found once you go beyond ‘Z’ and start poking around!” ~ Dr. Seuss
Creativity gets better and better with practice. The more you “poke around” beyond z, the more fascinating and successful your life will become.
Here are some simple techniques that will help you improve your creativity skills:
1) Be open to new ideas. Creativity requires that you be open to ideas and concepts that are new even if they seem impossible. Do not simply dismiss what you do not understand. There is no better way to open your mind to new ideas than to try a new task, learn a new skill, or begin a new hobby. You will be amazed at how doing something new will open your mind to new ideas. Suddenly new worlds will open for you.
2) Be inquisitive. Extremely successful people are always asking questions and seeking answers about better ways of doing things. Curiosity is a way of life for them; it is the hallmark of their success. They are never convinced that anything is as good as it gets. They always believe there is a better, faster, safer, smarter, and more efficient ways of doing things. Never stop being inquisitive.
Revive your childhood curiosity. Never be afraid of asking questions.
Next time you think one of your questions is “silly,” remember the questions asked by these creative geniuses:
Leonardo DaVinci once asked, “Why does the thunder last a longer time than that which causes it?” and “Why is the sky blue?”
Socrates asked, “What is beauty?”
Albert Einstein in his youth asked himself, “What would it be like to run beside a beam of light at the speed of light?”
Just think of the inventions that have benefited humanity in countless ways. Most of them came into being because someone answered the simple question, “What if . . . ”
3) Learn to think illogically. Thinking things through logically is something each of us has learned to do. This is how we “process” information in order to make sound, rational decisions.
It is a process however, that excludes creativity. Choose any idea (whether it is yours or someone else’s), no matter how illogical it may seem, and begin to think of ways that the impossible might actually happen. Connect ideas and see where it takes you.
4) Spend time with creative people. You will soon discover that the most consistently creative are children, especially the ones who have been given a box of crayons but have not yet been told to color within the lines. Their imaginations run wild. They can teach you a priceless lesson: how to think “out-of-the-box.”
5) Quit trying to be perfect. You will never achieve perfection on the earth anyway. There is nothing as inhibiting to creativity as perfectionism. Imperfection is human. Learn to become uninhibited by concern for doing something that is correct. Creativity flourishes in an atmosphere of unconditional acceptance.
6) Be open. Do not judge creative ideas that come your way no matter how “silly” or “obvious” they may initially seem. Creativity thrives in people with nonjudgmental attitudes. Creative people are tolerant of ambiguity, do not impose boundaries on ideas, and take risks in order to achieve great results.
7) Sleep improves creativity. In a recent sleep deprivation study conducted by the Sleep Research Laboratory or Loughborough University in Loughborough, UK, scientists using clinically oriented neuropsychological tests found that lack of sleep has a significant impact on creativity. As little as one night of sleep loss has a major affect on innovative thinking and flexible decision-making. Remember what your mother taught you and get a good night’s sleep.
Never stop thinking of yourself as creative. Think positively about the fact that you are creative, and that you are becoming even more creative every day. Remember, creativity is learned. The more you learn about it, the more you practice it, the more creative you will become.
Never forget that you have the right to be creative because you were made in the image of God, the Creator of heaven and earth.
Do you think you have an idea for a best-selling book? Do you need help making your idea become a reality? I ghostwrite books for the famous, and the unknown.
For a free evaluation of your idea, contact me at: http://TheWordDoc.net
Article Source: http://EzineArticles.com/?expert=William_Larson,_Ph.D.
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Let’s meet Joan – a beginner at quilting
… and an art quilter wanna be
Hi, my name’s Joan and I’m a beginner at quilting. I’ve only been quilting for a very short time and I really don’t know all that much about it yet, probably even less than a beginner would know.
I’ve recently done a few small quilts for my family and they turned out ok, but what I really want to try is art quilting – that just sounds like so much fun!
Well, now that I’ve been quilting for a short while, I’ve got lots of questions. It can get very confusing trying to sort out all the stuff you need to know about quilting, and I’m not even going to start with art quilting just quite yet.
These are just some of things I’m having trouble understanding:
I overheard someone say that not all fabrics were the same quality – I didn’t know that, I thought they were all the same.
and I seem to have trouble with some of my threads breaking – I don’t understand what I’m doing wrong.
and sometimes my machine quilting is not so good – what can I do to make that better?
I am a true beginner. A virgin quilter even. Speaking of virgins, I must tell you the one about …
Ooops, I can hear Linda rummaging around in her sewing room.
Stick with me as I pick her brain and you might learn something as well. This could take quite some time so we might have to do this in installments. I don’t know about you, but my head can only hold so much information at a time.
never say never
Linda is a very nice person, but I find it really strange that she seems to spend so much time and money buying fabric and thread and quilty things. Talk about stuff !! Beads and paints and things I can’t even imagine using. It’s almost like an obsession with her ! I’m quite sure that’ll never happen to me, although I did see some nice fabric at that quilt shop the other day, and she had some beads there that were winking at me … hmmmm.
And you know, lately I’ve been thinking … my sewing machine is a little old and cranky and maybe I’d like to get a new one, but where to start with that, I’m a little confused about it all.
let’s get started
J: Hey Linda! Pull your head out of that fabric stash. I need some advice.
L: Hey there Joan, what can I help you with today ?
(Thinking: She sure does need help .. I should live to see the day she can sew a straight seam.
J: Linda, I think it’s time for a new sewing machine, but I don’t know where to start.
(Thinking: Hmmm, maybe I will live to see the day…)
L: A new machine? I think I can help you with that.
Beginner Quilting
Part 1
Part 2
Part 3
Part 4
Part 5
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Beginning Quilting

quilting 3.21

Learning to Quilt

I’ll admit it. I was a little intimidated, thinking that I was probably going to be the youngest and only inexperienced member of the beginning quilting class. What would the other ladies think? Did I even have a chance at keeping up? And was the instructor going to be patient enough for a true beginner? Let’s just say I was nervous walking into Kaleidoscope Quilting and Home Decor for my first Learning to Quilt class.
As it turns out, I had no reason to worry. The experience was wonderful, and so were my classmates.
Our instructor was Shelly Corder, a very personable woman who obviously loves to quilt. Shelly began the five-session course by confronting our fears. She wanted to know what aspect of quilting worried us the most. Our class decided unanimously that it was the necessary precision. The evening class had been more concerned with how to choose complimentary fabrics for their projects. Armed with this information, Shelly gave us solid information on how to overcome both of these obstacles.
Other practical information offered in the course included using the rotary cutter and mat, measuring the fabric (measure twice, cut once) and even the best type of thread to use. As we occasionally botched a seam or (in my case) scorched our fabric, the class members became very supportive of one another. Often everyone would gather around to see a classmate’s newest block and to remark on the great color choices or the lovely, straight seams.
Another great aspect of the course was the venue. By attending class right in the store, we had access to any tools we might have overlooked needing, as well as staff members occasionally interjecting really useful bits of advice. I found it encouraging to have shop customers occasionally wander through the classroom to view quilts displayed on the walls. Something about all of those people enjoying the craft would renew my energy.
Aside from my personal distaste for being awake before 11 a.m., the only real complaint I had with the class was that I thought it probably should have been a week longer. Unfortunately, the final class was only an overview of finishing your quilt top, and I would like to have had a little more time with Shelly for those steps. So, since the only problem I found with the class is that it ended, I feel confident in urging others to consider signing up.
I really recommend this class for anyone who wants to learn to quilt but just hasn’t had the chance or has been scared to take the first step. The teacher is patient but knowledgeable, and the shop’s staff is cheerful and supportive. In fact, I enjoyed it so much that I have already signed up for this month’s Triple Irish Chain class and have a couple of others in mind. Not bad for someone who was clueless about quilting a month ago, wouldn’t you say?
How to prepare your quilt top for quilting.
   The time spent preparing your quilt top is well worth it to achieve the best result.
   Wavy borders and uneven edges will not magically quilt out and I could be forced to pleat the edges+/- you may end up with puckers.
Prepare your Quilt Top
    • Press all of the seams well during the piecing process, ensuring that they lay flat to one side.
  • Trim all loose threads from the top as they can get caught in the machine foot and tear the quilt.
  • Clip all loose threads from the back, dark threads on light fabrics will be seen through the quilt.
  • Remove any added accessories, such as buttons or trinkets as these will catch in the machine foot
  • Ensure your borders lay flat. See my article on attaching borders. 
  • Fullness that is pieced into the quilt may not necessarily be quilted out.
  • Stay stitch 1/4 ” from the edge of the quilt if the outer edges are on the bias or have lots of seams in them Your Backing
  • Your choice of backing is very important to the finished look of the quilt and should not be an after thought.
  • Please use a weight similar to the top and 100% cotton where possible.
  • If you have washed the fabric for the top then also wash the backing to allow for equal shrinkage.
  • Size – The backing should be at least 6 inches wider and 6 inches longer than the quilt top. This is to allow for the backing to be               attached to the rollers, to allow for take up of the fabric and to give some space to support the fabric at the sides during quilting.
  • Colour – Keep in mind the thread colour for the top will be the same for the back.
  • Pattern – small busy prints will `hide’ the quilting on the back of the quilt. All over patterns can look great on a plainer fabric making a       reversible’ effect on the quilt.
  • Joins please remove selvedge from the seams and sew a seam at least 5/8” wide. If at all possible have the seam running across the     quilt as opposed to down the centre. Please note that pieced backs cannot be centred.
  • Square – the backing piece needs to be square or it will not attach correctly to the rollers and it will not run squarely during                         quilting. Please see article on how to square a quilt.
  • If you supply your own wadding/batting it should be a minimum of 6 inches wider and longer than your quilt top.
     Please do not attach the batting to the quilt.
Where to Sell Your Quilts
Once you have created a couple or 10 quilts you might want to consider selling them. You can give them away to friends and family members and you can even sell them for FUN AND PROFIT. After all, you will need to recoup all that money and time you spent creating your fabulous creations and what better way than to sell a few. Of course, the more inventory you can create before you decide to sell the better. And the more the make the faster you will get at making them. There are various avenues for selling your quilts and Spring and Fall are probably the better times to try and sell them. You can pay the fees for a booth at a local quilting show or even pay the smaller fees at your local Flea and Farmers Market. But if you don’t want to schlep all your inventory to any of these places you can create a website.

If you go the traditional route you will have to pay for a domain, pay for website hosting fees and setup a shopping cart. And absolutely set up a PAYPAL account. PAYPAL is a secure credit card/electronic check processing website that keeps yours and your customers information safe and secure. Check out the GODADDY website for an inexpensive website solution that will give you complete control of how you website looks like, feels like and interacts. If you are not internet or web savvy then you can even try two websites that we use in conjunction with our own Jolene’s Books and More by going to Yardsellr and or ETSY.

Yardsellr is a FREE Listing website that you can upload pictures of your items, write a description, and have all your friends on Facebook, Twitter and Pinrest to view your listings and share them with their friends and family. There are no fees to the sellers but a small fee is added to each buyer. It is highly recommended that you have your PAYPAL account already set up before joining so you can get PAID. They also require that you get a tracking number after shipping. They have a Help section for you to read through to find out all the rules and how to’s on setting up your account and other things that you need to know. You will have to relist each item every 30 days but they don’t charge for that either. ****Yardsellr Closed Down their Selling Site March 2013******

Now, ETSY is another seller/buyer website that gives you a little more leeway in your shop. They do charge $0.20 per item that you list and a small percentage of the amount you sell. They help you get the word out and offer videos and instructions on how to list, take pictures, involve your friends, even pay a small fee to have your items featured quickly. You have to renew your items every 4 months and pay the $0.20 per item fee again. The fees are due by the 15th of the following month. That gives you a little time to list your items and hopefully make a sale or two before they are due. Read through the help sections of any site or service you decide to use. So far we have been happy with all the services we are recommending.


Sashing and setting the blocks
Well congratulations!!! All 20 of your sampler blocks are made and ready to be set into a quilt top.
The next step is setting the blocks together. We will be putting sashing strips between the blocks as a frame to set each block off from the other. Blocks can also be set without the setting strips. This is often done when all the blocks in a quilt are the same and a secondary design is created where the blocks join.
Sashing strips are simply strips that are sewn between the blocks. We will be doing simple sashing of just one fabric. You can also put corner squares at the corners of each block to add another design element.
Traditionally sashing was made with short strips going in one direction between the blocks and long strips the other way, i.e. all the vertical strips short and the horizontal long. This leads to difficulty in keeping all the columns in a straight line since the long narrow strips stretch some.
Instead we will use short strips for both the horizontal and vertical strips. Two sides of most of the blocks will be sashed and then the blocks sewn together. This is where you will use the large segment cuts. Review this technique in the basic lessons.
1. The sashing strips will finish to 2″ and so will be cut 2 1/2″ wide. The strips will be cut as a large segment cut the length of the strip needed and then the 2 1/2″ strips will be cut from the large segment cut. These will be cut at 12 1/2″ large cuts and 14 1/2″ large cuts.
Cut 1 large cut 12 1/2″ wide and 2 large cuts 14 1/2″ wide. You should get 16 (or more) 12 1/2″ strips and 32 (or more) 14 1/2″ strips from these large segment cuts.
2. Now cut the strips into the 2 1/2″ wide sashing strips. You should get 16 strips from each large cut.
3. Cut from 4 of the 14 1/2″ strips 2″ so that they measure 12 1/2″. You will need 20 this 12 1/2″ X 2 1/2″ size.
4. Sew the 12 1/2″ sashing strip to the top edge of each of the sampler blocks. They don’t have a up or down so whichever side you choose is the top. Press toward the sashing strip. Lay them in a pile right side up with the sashing strip to the top.
5. Sew 14 1/2″ sashing strips to the right side of the blocks. Press to the sashing strip. All the blocks now have 2 sashing strips, 1 on the top and one on the right.
6. Now lay out your blocks on a table, floor or bed and arrange them in the way you like. I do it on the floor so I can stand back and look at them from a distance. Below is the arrangement that I did but don’t feel that this is the only or “right” way to arrange them.
Your blocks should be all laid out in the arrangement you want. It you need to put the blocks away before sewing them just start on the top left block, pick it up and set it on top of the block to the right. Pick both up and set them on the next block to the right. Pick them all up and set them on the last block. Pin them together with a piece of paper labeled “ROW 1″ onto the pile of blocks. Continue in the same manner with the remaining blocks labeling correctly until the rows all are pinned together. This will keep your arrangement in the proper order.
7. Onto the bottom of the bottom row sew 14 1/2″ sashing strips. Press to the strip. These 4 blocks now have 3 side sashing strips.
8. Onto the left edge of the left most column blocks 1, 2, 3, and 4 sew a 14 1/2″ sashing strip and press to the strip. These 4 blocks now have 3 side sashing strips.
9. The bottom left corner block now has 3 sides on it. It will need one more. Cut a 2 1/2″ strip of the sashing fabric. From this cut a 16 1/2” segment. Sew this to the remaining side of the block. Press to the sashing.
All the blocks now have the right number of sashing strips.
Sewing the blocks together
There are different ways of sewing blocks together to form the quilt top. I will explain 2 different ways, Rows & Columns and Square Sets. Choose one way on this quilt and then try the other way out on another quilt and see which way you like best.
Rows & Columns
1. As the name indicates the quilt is sewn together in rows and columns. Lay out the top in the arrangement you want. Check with the diagram to be sure your sashings on the blocks are on the proper sides of the block.

2. Starting at the top right (row 1), flip the block over onto the block to the left. Pin the blocks together. Now do the same with row 2, row 3, row 4, and row 5.
3. Sew the blocks together chain stitching them. (Don’t cut the blocks apart).
4. Press the seam of row 1 to the left, row 2 to the right, row 3 to the left, row 4 to the right, and row 5 to the left. This will make the block seams “marry” easier when you get to that point. Remember odd is left and even is right.
5. Now do the same with the next 2 columns of blocks. In this quilt this will get all the blocks combined. If in another quilt you have more blocks just continue in the same way. If you have an odd number of rows, after you sew the next to the last rows together pin and sew the last row blocks onto the left side of the previously sewn column.

6. Now sew the 2 sets of blocks together down the center. Again chain stitch and don’t cut the rows apart. Press as before, the odd rows left and the even rows to the right.
7. Sew the rows together marrying the seams that should all go in opposite directions since you pressed them so well. Press the seams down. The next lesson will put on the borders.


quiltung 3.20

(For every block you enter into the drawing, you get one chance in the drawing.)

General directions for quick half and quarter square triangle blocks.

To make quarter square triangles units: Place two squares right side together. On the back of the lighter of the fabrics, draw a line diagonally from corner to corner. Then another line diagonally from corner to corner making an X. These will be cutting lines. Then 1/4″ on either side of one of the lines, draw 2 stitching lines on either side of the diagonal line. With two squares, right sides together, sew on the two outside stitching lines. Then cut into 2 halves on the line between the two stitching lines. Then divide those two parts on the other line. Press out and you will have 4, 1/4 square triangles. (Diagram)

To make half square triangle blocks: On the back of the lighter of the fabrics, draw a line diagonally from corner to corner. Then 1/4″ on either side of one of the line, draw 2 stitching lines. (Diagram)

With two squares, right sides together, sew on the two outside stitching lines. Then cut into 2 halves on the line between the two stitching lines. Press out and you will have 2, half square triangle blocks.

Directions for September QAF BOM, Chained Star

Center square:

Fabric B: Cut 1 strip 2 1/2″ by 5″

Fabric C: Cut 1 strip 2 1/2″ by 5″

Sew strips together, matching long sides. Cut across in 2 1/2″ segments and sew together to make a 4 patch.

Corner Squares

Fabric B: Cut 1 strip 2 1/2″ by 10″

Fabric C: Cut 1 strip 2 1/2″ by 10″

Fabric D: Cut 2 strips 2 1/2″ by 10″

Sew a B strip to a D strip, long sides together. Sew a C strip to a D strip, long sides together. Cut both pairs across in 2 1/2″ segments. Sew segments together in 4 patches so you have 2 B/D 4 patches and 2 C/D 4 patches.

Side Squares:

Fabric A: Cut 2 Squares, 5 1/4″

Fabric D: Cut 2 Squares, 5 1/4″Layer each fabric A square right sides together with a fabric D square. Follow the included directions for quick quarter square triangle blocks. Sew together in squares, matching long sides of the triangles.

Square all sections up to 4 1/2″ and assemble as a 9-patch using color photo for placement of 4 patches.
Greens this month…. you will need 3 darks (Green), 3 lights (Beige on Beige) and a bright contrast (Yellow).

You will cut 2 logs from each dark and each light according to the following measurements.


Center:: 1 square each of Bright & Dark 3, 4 7/8″


Dark 1 1 Strip 4 1/2″ x 1 7/8″ and 1 Strip 7 1/4″ x 1 7/8″

Dark 2 1 Strip 7 1/4″ x 1 7/8″ and 1 Strip 9 7/8″ x 1 7/8″

Dark 3 1 Strip 9 7/8″ x 1/7/8″ and 1 Strip 12 1/2″ x 1 7/8″


Light 1 1 Strip 4 1/2″ x 1 7/8″ and 1 Strip 7 1/4″ x 1 7/8″

Light 2 1 Strip 7 1/4″ x 1 7/8″ and 1 Strip 9 7/8″ x 1 7/8″

Light 3 “1 Strip 9 7/8″ x 1/7/8″ and 1 Strip 12 1/2″ x 1 7/8″


Layer the Bright & Dark squares right sides together and make half square triangle blocks.

To make half square triangle blocks: On the back of the lighter of the fabrics, draw a line diagonally from corner to corner. This will be your cutting line. Then 1/4″ on either side of this cutting line, draw 2 stitching lines.

With two squares, right sides together, sew on the two outside stitching lines. Then cut into 2 halves on the line between the two stitching lines. Press out and you will have 2 half square triangle blocks. You will use one for the center of the log cabin and have the other left over.

To add the logs:

Sew the 4 1/2″ Light 1 strip to the bottom of the center and the 4 1/2″ Dark 1 strip to the top of the center.

Sew the 7 1/4″ Light 1 strip to the right side of the center and the 7 1/4″ Dark 1 strip to the left side of the center. Square up to 7 1/4″.

Sew the 7 1/4″ Light 1 strip to the bottom of the center and the 7 1/4″ Dark 1 strip to the top of the center.

Sew the 9 7/8″ Light 1 strip to the right side of the center and the 9 7/8″ Dark 1 strip to the left side of the center. Square up to 9 7/8″.

Sew the 9 7/8″ Light 1 strip to the bottom of the center and the 9 7/8″ Dark 1 strip to the top of the center.

Sew the 12 1/2″ Light 1 strip to the right side of the center and the 12 1/2″ Dark 1 strip to the left side of the center. Square up to 12 1/2”.

Press seams outward after adding each pair of strips.
Quilting Is For My Generation And Your Generation
by: Mike Yeager

Many people think of quilting as something a group of older women do by sitting in a circle and sewing until their fingers bled. Surely this still happens today, yet there are new and improved methods of quilting. And, believe it or not, this hobby is coming back. It has become easy to find and purchase quilting supplies such as quilting fabrics, quilting patterns, and even quilting machines. And just about anyone with a small amount of talent can turn out a beautiful work of art.

Quilting is an art form to say the least. While it is possible to purchase patterns in department stores, fabric and craft stores, and even online, creating a new design is greatly satisfying. And, the market for handmade quilts is huge. Just take a look on ebay. They have many quilts available and the buyer can even have one made by a crafter in the colors and style they prefer. A great way to find a new pattern or design is to look for quilting groups. These people will design their own square or group of squares and swap them with someone else\’s. Say they choose a color pattern of red, white, and blue, with an obvious patriotic theme. Each person within the group designs their version and they then trade. Together the squares make a beautiful display of artwork.

How to begin. First, plan to spend some time, and finances, to learn the trade. It is not something to jump into with the ideas of having a finished quilt in no time. Techniques need to be learned. Venture into a craft or fabric store and look at what is available. Ensure that the cost of the equipment will fit the budget. There are many choices of quality whether it is in the quilting fabrics or the threads purchased. Taking a few quilting classes may be a great option. For these, look into community colleges or recreation centers. They often offer beginner classes for next to no investment. Another great tool for learning this trade is the Internet. It is easy to find scores of people willing to help teach a beginner. There are many websites and many forums with just about every question answered. To find one, just search for quilting in a major search engine.

Yet another option available today to quilters is quilting machines. Yes, the average person can purchase and use one to enhance and quicken the process of quilting. But, they are expensive and unless there is a serious quilter about, they are unnecessary. If need does seem big, quilting squares can be sent out to companies who will use the machines and huge frames to build the quilt for a fee. To find these companies, again, do a simple search on the Internet for quilting machines.

Whether a beginner or an advance quilter, quilting is a wonderful hobby to learn and love. It does take some talent and an immense amount of patience, but the satisfaction of a completed quilt will surely out weigh the cons. Begin slowly and learn slowly. Experience is the best teacher in this field.

Mike YeagerPublisherhttp://www.a1-fabric-4u.com/[email protected]

Preparing your Quilt Top

The Quilt Top: Please press your top carefully. Press all seams as flat as possible. Clip all loose threads from the back of the quilt top. These threads can show through the top in the lighter color areas and cause unsightly lines and will take away from the beauty of your finished quilt. Please identify the top of the quilt if you have a preference by placing a safety pin along the top edge.


– Your quilt top should be completely pressed with all excess threads and borders trimmed neatly.

– DO NOT baste or pin your quilt. If I hit a needle that is left in your quilt, my machine will be out for costly repairs for weeks.

– Please try to measure your borders when piecing your quilt. Excess fabric in the borders will make your quilt misshapen, and makes it more difficult to quilt without pleating. If you have questions on how to get your borders to come out squared up, I am more than happy to teach you.

Here is an example of a “flared” border, or a border with excess fabric.

Quilt Top

– Clip all threads on the top and back.

– Square the pieced top.

– Press the top, (pressing all seams flat), fold carefully, and place into a pillowcase or proper mailing container(be sure to adequately insure your top).

– Do not baste, pin, or tack the quilt together.

– Indicate the head of the quilt with a safety pin.

– Indicate the pattern direction – lengthwise or crosswise on the quilt. (Note this on the instruction sheet.)

Be aware that fullness and puckers, which have been pieced in, cannot be quilted out. (I will ease them in as well as I can.)

– Please take the time to snip loose threads from the back of your quilt top. These may show through the lighter colors of your quilt.

– Make sure quilt top has been ironed with all the seams pressed properly. Iron back as well. NOTE: On those tops with photo transfers DO NOT iron directly on the transfer as they will become shiny. Iron them with a pressing sheet or towel in between.

– If you have a pieced border, for best results, stay stitch 1/4″ around the edge of your quilt top. This helps keep the borders from stretching while being quilted.

Lesson on Borders

It is very important that you take care when applying borders to your quilt. If they are not applied properly, you can expect to end up with wavy border or wrinkles and pleats in the border fabric when it is quilted.

When I receive your quilt, I will measure it and analyze any problems I might have quilting it. If your quilt has flared borders, I will contact you. You may decide to have me correct the borders at my $10.00 per hour rate. I will give you an estimate of the charge before I begin.

Applying Borders

Many of our quilt customers have asked for information on borders. The following lesson should help you get your borders on and your quilt flat before quilting.

After the body of the quilt has been pieced, gently press before adding borders. The logical place to measure the finished top is along its outside edges, and this is a useful measurement. However, measurements should be taken across the center in two or three places for both the width and length. If these measurements are different from that of the outer edge, accidental stretching has occurred. To keep the finished quilt as straight and square as possible, you must measure the centers.

To make a border with straight-cut corners:

Determine the length of the quilt border by averaging the distance of two or three center measurements (see Fig. 1). Cut two borders that length and pin them to opposite sides of the quilt matching ends and centers and easing in the fullness. Sew and press.

Determine the width of the quilt border by averaging the distance of the two or three center measurements (see Fig. 2) Cut these borders that length and pin – easing in the fullness. Sew and Press.

To make a border with mitered corners:

To determine length of top and borders, measure across middle width of the center. To this, add width of border twice plus 1/2 inch (seam allowance). For side borders measure across middle length of center. To this, also add twice the width of border plus 1/2 inch (seam allowance).

Cut borders to length. Fold and press ends at 45 degree angle – this marks miter seam.Fold border in half lengthwise to find center. Find center of top and pin together. Pin each end of border through the mitered crease and center of top (last square etc.), then pin together remainder — distributing fullness throughout.

Sew with border on the bottom. Begin and end sewing at pin that is through center and miter crease. Now just align creases and pin and sew. Sew from outside toward the top. Clip and press
In October of 2002, I decided to make an art quilt. This was a new venture for me. Even though I have been quilting since the 70’s, I have never tried making an art quilt, but I wanted to stretch myself and try something outside of my comfort zone.

My inspiration was a photograph I had taken of my daughter who was 6 years old at the time.. Both of my children are adopted and are of Indian heritage being born in Calcutta. Among the mothers in my adoptive parent support group, we have observed that many of our children have similar large, sparkling brown eyes that we have coined “Calcutta Eyes”. In the photograph of my daughter, her “Calcutta Eyes” are the dominant feature. I have tried to capture her beautiful eyes in my quilt.

I ended up painting her face in the quilt since I couldn’t get the right look from fabric. The face, hair and shirt are all hand appliqued. The other appliques are applied with fusible web and machine stitched with a pin-stitch. I used some of my daughters favorite things in this quilt — flowers and butterflies. The peacocks were added as a symbol of India because the peacock is India’s national bird. I used a piece of clipart from my computer as the pattern for the peacocks. The butterflies and flowers are patterns from various quilt magazines and books that I own. The leaves are cut freehand.

The fabrics in the quilt are mainly Moda marbles and batiks with homespun used for the hair and the base of the peacocks as well as some of my own hand-dyed fabrics used for the leaves.

The thread used in the machine applique is rayon and the quilting is done with Signature 100% cotton solids and variegated threads as well as Gutermann metallic threads. I used a trapunto technique on the face and neck because I didn’t want to heavily quilt these areas. Unfortunately, I didn’t get the results I wanted and ended up quilting the face anyway.

To make a pattern from the photograph, I scanned the photo and printed it out in an 8 x 10″ size. I then taped the copy to my dinning room window and taped another sheet of paper over the print and traced the outline and the details of the face as well as the details of the shirt.

Next, I scanned the penciled drawing and exported it to my “Paint” program on my computer, enlarged it to the size I wanted, and printed it out. The picture printed out on 15 sheets of paper. I had to tape these sheets of paper together to make my master pattern. From this master, I made the pattern pieces by tracing the pieces onto freezer paper then ironing the freezer paper onto the fabric and cutting out the pieces.

I hand appliqued the face, hair, and shirt first. Then I painted the face with acrylic paints and a fabric medium. After the face had dried for 24 hours, I ironed the painted areas to make them permanent. I then applied the borders.

The stems are bias cut and machine appliqued. The flowers, peacocks, and butterflies are applied with a fusible web and machine appliqued. Once all the applique was completed, I loaded the quilt onto my Gammill Classic quilting machine. Using a batik fabric for the backing and Warm and Natural batting, I machine quilted the entire piece.

This project took 6 months from beginning to end to complete.

Click on the pictures of the quilt to see larger images.
By 1860 sewing machines appeared in many homes in the U.S. to assist women in the home production of clothing, bed clothes, etc. From the beginning some adventurous sewers used their human powered treadle machines to quilt their unfinished quilt tops. However, in general, hand quilting was the favored means of quilting the quilts to be especially valued. It took more than 150 years for machine quilting to be readily accepted by many quilters for their heirloom quilts.

When hand quilting, most of the quilting thread ends up in the batting between all three layers. With the continuous flat line created by the sewing machine’s locking stitch most of the thread remains on the surfaces. The graceful curves and feathers of hand quilting were hard to duplicate on the sewing machine. Until, that is, the later part of the 20th century when more elaborate sewing machines with more functions became available.

In 1989 Caryl Bryer Fallert won the Best of Show at the American Quilter’s Society quilt show in Paducah, Kentucky with her quilt, Corona II, the Solar Eclipse. This was the first major award for a machine quilted quilt!

Most quilters agree the it was Harriet Hargrave’s 1985 book Heirloom Machine Quilting (Burden Design Studios, 1987) that began the revolution. The Hargrave book was subtitled A Comprehensive Guide to Hand-Quilted Effects Using Your Sewing Machine. In recent years Diane Gaudinsky has won awards at both the Houston Festival and the AQS show for her exquisite machine quilting.

Gaudynski in her 2002 book, Guide to Machine Quilting, includes these words in the introduction, “The arrival of Harriet Hargrave’s machine quilting book sent me into a world of discovery, of joy, of completion. Finally, I could make quilts with the simplicity of my grandmother’s everyday one’s but with extensive machine quilting.”

As announced in the fall issue of American Quilter magazine, Harriet and Diane have joined together to organize a machine quilting celebration in Estes Park Colorado in June of 2004.

The two indicate that they plan to have “well known machine quilting teachers lined up, many classes, and, of course, special classes on stipling and design”. They conclude by saying, “Our hope is to encourage those just beginning this journey into this wonderful skill, and to inspire today’s machine quilters to expand their design ideas and to improve their skills, to keep the art of machine quilting growing and improving, but never forgetting its roots in tradition.”

Some of the tools helpful for doing quality machine quilting on your home sewing machine are included here. The walking foot, also called an even feed foot, will quilt straight lines and gentle curves. This is a good place for those new to machine quilting to start developing their skills. A basic, inexpensive book with a series of exercises designed to help you build your machine quilting skills is Maurine Noble’s book, Machine Quilting Made Easy (1994). Some home sewing machines have a built in walking foot or have one available as an optional attachment. To purchase a walking foot for your machine you need to know whether you have a low shank or a high shank or an exception (like a Bernina).

To create stippling curves and feathers you need a foot that has various names: free motion foot, darning foot, open-toed embroidery foot. This foot allows you to move not just forward and backward, but in all directions which is the point of free motion quilting. Selecting a foot that allows you maximum visibility in all directions is important.

Another must for creating well done machine quilting is a smooth, flat surface surrounding the needle. Your goal is to create a flat surface so that the weight of the quilt does not pull on the needle in any direction.

Some people find quilting gloves with many small grips useful in moving all three layers under the needle. Using quality needles and thread of appropriate weight for your project is vitally important.
QAF Presents


2004 Mystery Quilt

concept by Kathy Altman

Part 3 – Taffy

It is time to get out your Nougat (Cream) fabric, and your lighter pink fabric. You will need (1) 4″ strip of each fabric. Crosscut each of these strips into (15) 4″ squares of Nougat and (15) 4″ squares of pink. Cut each square diagonally, corner to corner, on a small cutting mat. Do not pick up the pieces, but carefully turn your cutting mat and cut the squares diagonally in the other direction. You will have 4 triangles from each square; the long edges will be on the straight of grain.

Make one stack of (60) pink triangles and another stack of (60) cream triangles with all right sides of the fabric facing UP; arrange them so that the straight grain (long edge)is to the outside, with the pink triangles on the right and the cream triangles on the left, so that together the stacks make an upside down pyramid. (That is, the straight edge of the pyramid is at the top and the point is at the bottom.)

When sewing these triangles together, you will be sewing on the bias, so handle them carefully, don’t stretch, etc. Pick up one pink triangle and place it on top of a cream triangle, RST (just pick it up and turn it upside down on the cream one) and stitch from the 90 degree angle down to the point. Sew all the sets at once, chain feeding them through your machine. Scant 1/4″ seam is important on these. Press them all to the pink fabric. To press, lay all sets with the pink on the top and the seam away from you. ‘Set’ the seam, then pick up the edge of the pink fabric and open the set up to press the seam line from the right. Do not stretch or move the iron around. You simply want to press the triangle unit open so that it is flat at the seamline. You will have 60 triangle units.

Sew one triangle unit to either end of your candy bar from last week. Match the seam of the triangle unit to the center seam of the candy bar (on the 4 1/4″ ends). If you made your 4-patches with the lighter fabric at the top right of each little 4 patch unit, then match the pink end of the triangle to the light at each end of your candy bar. That way, the pink triangles are on opposite sides of the candy bar at each end. Place a pin to keep it the way you intended until it is sewn. Your triangles will have little bunny ears sticking out on either side. Sew with the triangles on the bottom because this seam edge is on the bias. Press the seam toward the candy bar. Do not trim anything yet. Repeat for all blocks.

You now have candy bars with triangle units at each end. Handle carefully, don’t want to stretch them while they wait for the next step.

It is definitely time for a ‘real’ candy break!

back to QAF 2004 Mystery Quilt

© 2004 Mary Evans
9’s Alive Swap

January-December 2006


The quilts you will make from the blocks you send and receive in this swap are meant to be VERY SCRAPPY! Each month you will use different fabric combos and you will NEVER use the same fabric in any other set! You MIGHT receive a block from another quilter who by chance used the same fabrics you did in one of your sets, & that is OK! But do not duplicate any fabrics in the blocks that you make!

Small prints work best, although some medium prints will work. Remember these are teeny tiny cute little blocks!

We will be using a wide variety of the following types of fabrics:

Traditional prints such as calicos, repros of all kinds, checks, stripes, plaids and Contemporary prints such as bright & fun, dots, geometrics, and checks, stripes, plaids, etc.

NO SOLIDS, NO WOW’s & NO COC’s for the LIGHT fabrics! AND NO 30’s! Prints should have only a MINIMAL amount of white or cream in them. Please access the links given on the previous page to see what the blocks look like in the quilts done by other quilters who’ve done this kind of swap. Notice that usually the LIGHTER of the 2 fabrics in each block can be a TOT or a PRINT and does NOT have to be a pastel…it just has to be LIGHTER than the DARKER of the 2 fabrics.

And VERY IMPORTANT: Use ONLY 100% quilters quality cotton fabrics, prewashed and pressed before you cut!

In the 9-patch formation there are 5 darker patches and 4 lighter patches. The DARKER of your 2 fabrics ALWAYS goes in the 5 position. The LIGHTER of your 2 fabrics ALWAYS goes in the 4 position.


Now that we’ve discussed FABRICS, here are the instructions for making your blocks.

For one set of blocks:

Sew one of the dark strips to one of the light strips. Watch your 1/4″ seams, sew nice straight seams. Press to the dark. Then sew a dark strip to the other side of the light strip and press again to the dark. Repeat this two times. You now have 3 strip sets with dark on the outside and light in the middle.

Repeat this procedure, using two light strips on either side of a dark strip. Make two of this set.

At this point you should have 5 strip sets, three that are D,L,D and two that are L,D,L and each of them should measure 3 1/2″ wide.

A note on pressing:

When you are pressing these strips, it is good to ‘set’ your seam first, that is, lay the strip down with the side you are going to press TO up, lay your iron down on the seam you have sewn, and lift and press all along the seam – lift, press, lift, press, etc. Then pick up the raw edge of the dark (top) fabric and fold it back to reveal the right side of the fabrics and the seamline and press carefully so that the strip lays down with the fold right at the seamline. (You are pressing on the right side of the fabrics at this point). This should give you nice crisp seams and your strip set at the first pressing should measure 2 1/2″ wide. After the final strip is attached and pressed they will measure 3 1/2″ wide.

Now to the actual blockmaking. First you will crosscut each of your strip sets by cutting them up into 1 1/2″ pieces. These will measure 1 1/2″ by 3 1/2″. You should be able to cut about 13 or 14 of them from each strip set if all your fabrics were 21″ or more to start with. You will need (2) of the D,L,D and (1) of the L,D,L cuts for each block you are making.

First, trim off the first end, taking off just enough to get rid of the selvages there, lining up marks on your ruler with one or both of the seamlines so you get a nice clean cut on that first end. Turn your strip around and start lining up your ruler at the 1 1/2″ mark, and at the same time, line up the marks on the ruler with your seamlines. This will ensure all your pieces are cut nice and straight and your blocks will go together and measure up to be 3 1/2″ square when you are finished. As you go along you may have to stop and re-trim your leading end to ensure you continue with those nice 90 degree cuts.

Once you have all your crosscutting done, line up your little strips in stacks, so they look like the blocks above. I usually sew vertical seams on these, goes really fast. Sew the first two stacks together, then take to the ironing board and press all to the strip with the dark at top and bottom. Then sew the remaining strips to these sets. If you have pressed as suggested throughout, you are still nestling those seams and you will notice instantly if you are starting to sew to the wrong side. As shown above, the darker squares are to be in the ‘X’ position in your blocks.

Press these last seams and you are DONE!!! Wasn’t that fun?! Now get out your square up ruler, measure your blocks and they are ready to mail! Best of all you will soon be receiving some from your friends that are swapping with you in this 9’s Alive swap!

The Secret’s Out !!!!!!!!

Prairie Queen Quilting & Antiques has expanded! As of May 1st,we can now offer you yardage off-the bolt along with our usual assortment of fat quarters and one-yard cuts that you have found in our booth before. The decision to move from a single antique mall booth space into a full service quilt shop was not an easy one! We pondered & discussed & measured & tossed around many ideas until finally all heads were nodding in the same direction. Thank you Gary & Doris, owners of The St Joe Antiques Mall, for being so open minded! This is a leap of faith for all involved! After all, a quilt shop in an antique mall is not your routine business venture! But the combination of reproduction fabrics, antique furniture, & assorted vintage or antique “stuff” is very fitting. It produces a very comfortable mix that we hope everyone will enjoy. So, much moving & shuffeling was done & we were all glad we were only moving into the next room & not clear across town! We are still in Booth #30, but now you will find us in the big side room just down from our old spot.

Our main objective continues to be to bring you quality reproduction fabrics. Our fabrics have expanded now to 10 of the major producers of reproduction fabrics. That is very exciting to us to be able to offer that variety to you!

We will also offer you other quilt-related items to help you reproduce a favorite piece or preserve a family heirloom. We’ll offer Hobb’s Heirloom Cotton Batting to give your quilt that feel “just like Grandma’s”. Products to help you care for your vintage textiles such as Treasure Wash & Vintage Textile Soak. And books that deal with antique textiles & patterns such as:
*** Antique Quilt Designs by Roberta Benvin
*** Lewis & Clark Volumes 1 & 2 by Terry Clothier Thompson
*** Pennsylvania Plain & Fancy by Anita Shackelford
*** America”s Printed Fabric 1770 – 1890
by Barbara Brackman *** the leading authority on fabric history & dating and everyone’s favorite resource person!
Her Latest lesson on fabric education includes:
** 8 repoduction quilt projects
** historic notes & photos
** dating your quilts
And as always, we’ll carry a full line of stencils from the 1800’s & Kansas City Star.

We’ve expanded our “guy stuff” section with newly reconditioned bamboo fly rods for summer fishing season. There are camping antiques, miscellaneous sports paraphenilia & as always,plaids & flannels for the man of the house.

For the month of June, to celebrate our new expansion, we’ll offer 10% off all in-store fabric sales or free postage on all internet fabric orders over $50.00.

Come visit us — on the web or in person — to see what’s new in our world! You’re sure to find something good to treat yourself or a perfect gift for someone else!

Gift Ideas for Quilters on Your List

If you have a quilter on your holiday gift giving list this year, consider yourself lucky. Christmas gifts for quilters are abundant and fit in any budget.

Give a gift card or certificate to the quilter’s favorite craft, hobby, or fabric store. The gift recipeitn can use the gift for whatever quilting supplies he or she needs.

For those who believe giving a gift card is taking the easy way out, there are plenty of other Christmas gifts for quilters.

How about a nice pair of scissors? Good scissors are a tool that every quilter needs. When you shop for scissors as your Christmas gift for the quilter on your list, you will see just how many kinds of scissors there are on the market. Take time to read the packaging carefully. You wouldn’t want to give your quilter a pair of embroidery thread snips instead of a sturdy pair of fabric cutting scissors!

Books and magazines about quilting styles and techniques make great Christmas gifts for quilters. It does not matter how many your quilting friend already has, books and magazines that show new techniques or trends are always a welcomed gift. Quilters often find inspiration for new color choices, quilting patterns and project ideas in books and magazines.

Give the gift of an Internet quilting club membership. Many online quilting clubs give their subscribers great quilting tips and offer one-on-one assistance for members who email them questions. Some websites even feature regular interviews with quilting pros or offer video streams which show demonstrations of various quilting techniques!

Make a quilt yourself. Even if you’re not a quilter, making a quilt (or quilted wall hanging, throw, or even a potholder) will show your quilting friend that you recognize his or her love for quilting. Use your imagination and see what you can quilt. If you’re not a quilter, give yourself plenty of time for your first quilting project.

Give the gift of a quilted look in accessories for the home or office. Even if you yourself are not a quilter, there are plenty of uniqe Christmas gifts for quilters you can create yourself. Decoupage a picture frame to look like a quilt. Or, cover a frame, desk calendar and inexpensive business card holder in coordinating fabrics. A fabric printed or woven with a quilt pattern would be an extra nice touch!

Give a quilter’s gift basket. Search for a nice basket that will match your friend’s d?r. Include several quilting products in it. Good choices are various strengths of quilting thread, a rotary cutter and cutting surface, scissors, scraps or fabric remnants, and quilting needles (if your friend quilts by hand; machine needles if your friend quilts by machine). Don’t forget to add a copy of your favorite quilt pattern or a book full of patterns! If you’re giving the gift of a quilting web club membership, it would be nice to “wrap” your gift in a small gift basket.

If your quilting friend likes to craft with vintage fabrics, take a trip to your area thrift store to pick up a few samples. Keep an open mind. When shopping in thrift stores, you’ll rarely run across a bolt of fabric. Your vintage fabrics may be recycled old ties, old blouses, old socks or old t-shirts!

Any of these gifts would be appreciated and enjoyed by the quilter on your holiday gift giving list. Wrap them in fabric or tie a nice fabric bow on top of whichever gift you decide to give for a great finishing touch!

Penny Halgren http://www.TheQuiltingCoach.com Penny has been a quilter for more than 26 years. She enjoys exploring all aspects of quilting sharing her knowledge with all quilters. If you are looking for an Internet quilting club with a wide variety of resources for all level quilters, check out http://www.TheQuiltingCoach.com .

Article from articlesbase.com

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Handmade Patchwork Quilt
What Is A Handmade Patchwork Quilt?
A handmade patchwork quiltis commonly a bed covering made up of three layers: a quilt top, a layer of batting, along with a layer of fabric designed for backing. The layers are usually combined using the procedure of quilting. Quilting is the practice of using a needle and thread to join two or more layers of fabric. This step may be merely practical, or else more elaborate, for decoration and design.

A handmade patchwork quilt or even a quilt wall hanging might sell for hundreds of dollars along with hang up on museum walls, not only bed frames. Amish quilts from Pennsylvania as well as Ohio are in particular sought after, to the same extent are vintage and antique quilts. At present designing quilts has turned into an art form. Talented quilters are often called fabric designers instead of the out-of-date seamstress or quilter. Not just are bed quilts all the rage, but quilted outfits in addition to wall hangings are as well. Once upon a time a handmade patchwork quilt was made for basic needs.

If you are lucky enough to have inherited or bought such an heirloom, taking proper care of it will uphold and possibly add to its worth. A handmade patchwork quilt must never be stored inside plastic bags, cardboard boxes or wooden trunks. A handmade patchwork quilt ought to be aired at least twice a year, however not in direct sunlight. Extremely old quilts should be aired level to avert stressing the stitches. There is always a risk in washing old fabric. Spot test it firstly. If you are using a machine, wash in cold water using a mild detergent along with a gentle cycle. Dry the quilt lying on a flat surface. Using a fan and rotating it will speed up the drying process.

Quilts all the way through times past tell the stories of their period and makers. This is especially true during the depression as fabric was not easily available. A few historians even think secret messages and codes had been concealed in handmade quilts at different times right through times gone by. One such story relates to the Underground Railroad. A specific quilt pattern would suggest it was safe for escaping slaves to continue on their journey. Not all historians support this notion, in spite of this it is correct that signature quilts ended up being a popular method of raising funds both prior to and after the Civil War. Signatures ended up being added once a donation was made. These quilts are also known as friendship quilts.

While not all historians be of the same mind on this practice in the past, it is becoming increasingly general these days. To date a handmade patchwork quilt can still be used to raise funds at raffles along with charity events. Quilt guilds are being created and are developing at a rapid rate, preserving and passing on cherished designs and systems. Know-how has even made it possible to add photos to material. Memory quilts plus t-shirt quilts are widespread as well as being precious presents.

If you are a beginner, you can learn to quilt by means of simple quilt patterns that can easily be found to assist you in creating your own treasured heirloom to be. Quilts make great presents for the person who has the lot, they show how much you sincerely care not simply by what you’ve put on your handmade patchwork quilt but the time and effort you’ve taken to create it.
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Handmade Patchwork Quilt – Great Gift Idea

A handmade patchwork quiltmakes an awesome gift for someone you love. It is the kind of gift that can be given to someone who has pretty well everything. In times gone by, quilts have been made of scraps of material left over from clothing, linen and basically anything that can be cut up and applied to other pieces of material to form a pattern.

These days with digital photography being prominent and technology improving on a daily basis you can actually use photographs on your quilt. Hence you are then able to create a handmade patchwork quiltout of something other than scraps of material. This will alter the look of your quilt and it will appear to be a little more thought out than perhaps in previous times when scraps of material were the only things that could be used.

A handmade patchwork quiltmade from photographs can be made as personal or as artistic as you like. It may well be that you are going to use a compilation of family photographs when you make your quilt. This is a great idea for someone who is hard to buy for especially at Christmas time and around birthdays.

Another option when making a handmade patchwork quilt and using photographs is that you use photographs based on a theme. The photo’s do not have to involve people. The person you are making the quilt for could have at one stage loved a special location like a town, or a beach or even a country and the quilt can be created with that special location in mind. Colors of the quilt can be taken into consideration for this choice of design as well.

Think of a hobby that is of a main interest to the person you are creating your handmade patchwork quilt for. Do they like gardening, if they do, plants can be used as a design together with appropriate colourings. It may well be that they like cooking and you could include several recipes or pictures of their favorite meals they have created in the past.

Handmade Patchwork Quilt – If You Are Not A Quilter
If you want a handmade patchwork quilt and you are not the type of person to actually make one, you can find someone to craft it for you. There are a lot of people out there who love these beautiful crafted quilts but do not have the ability to design and create one themselves. If you “Google” “Handmade Patchwork Quilt – Forums” you should find many forums out there you can become a part of to find the right person to make a quilt specific to your needs.

If you are wanting to learn the art of quilting, a handmade patchwork quilt makes the perfect gift for your loved one as it is made out of love with love. And that does really mean a lot to the person you are giving your quilt to. A handmade patchwork quilt can be as simple or as complex as you want it to be.

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Learn To Quilt – Handmade Patchwork Quilt

If you are preparing to learn to quilt, or an advanced practitioner of quilting you are able to discover a lot of publications that will be able to assist improve your knowledge. Quilting books fall generally into several categories, and numerous titles proliferate within each. The different types of books are how-to, pattern encyclopedias, historical, books about the joy of quilting, as well as art books.

Each quilter needs at least one of these publications in their library, and more often than not will manage to collect a number of them. You’ll find it amazing how many times you want a ready reference when you are in the focal point of a quilting task. How-to books are possibly the most well-liked, and the initial stop for the individual who wants to learn to quilt. They extend from books which discuss the whole craft of quilting and offer step-by-step advice, to publications that will capture one feature of quilting then describe how to do it. The instructional publications start with such pre-requisites as cloth choice as well as which accessories you’ll require and proceed through instructions for assembling the blocks of the quilt top and the quilt itself, down to explanations of quilting, both hand and machine.

You must learn to quilt and have on hand an encyclopedia of patterns which include simple quilt patterns – great for the beginner. Every quilter will more than likely end up with one of these in their library as well. These publications collect numerous different quilt block patterns as well as explain the principles of their assemblies. Because their goal is to cover a lot of ground, these publications are beneficial beginning points but will not go into intimate detail. For that you have to turn to books which feature training on a particular pattern. With the wide category of quilting block patterns and techniques, you are able to picture that this category of quilting books is reasonably extensive and stocked with titles.

Since quilting has its roots in American times passed, quilts and the craft of quilting have been studied in detail, and a lot of historical quilting publications exist. Looking at these textbooks as well as seeing what our ancestors accomplished having a small percentage of the equipment and supplies existing nowadays can be a great source of inspiration to modern quilters. Along the similar lines are books that talk about the enjoyment to be derived from quilting, both in its community form (such as quilting bees) or as a private pursuit. Lastly, there is a full segment of quilters who have advanced the craft into art. These quilters often show their handiwork in galleries in addition to museums, for instance the quilt wall hanging. They print publications not only about their quilts, but the thoughts and techniques that went into making them. Sometimes collectors of quilts will bring out books, too. These art quilt books are as inspiring in their way as the historical quilting books.

Irrespective of whether you are choosing to produce a handmade patchwork quilt or a quilt wall hanging, even quilted outfits for that matter, you should make certain you have a book or 2 easy to hand to help you along the way. Part of the thrill of quilting is finding books on the subject, and fortunately for modern quilters, there is a mammoth array of titles to pick from. Learn to quilt is made quite simple with the right books!
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Looking For Simple Quilt Patterns for Projects?

Quilting is a skill that anyone can learn. It is smart to start with simple quilt patterns that are easy to understand and doesn’t take too much time to complete a project. These little quilting projects can be used as gifts for most all occasions because they are so beautiful.

if you are looking for some free patterns that are easy to make, you can do a straightforward search on google or any other search engine. Just type into the search bar something like’free quilt patterns’ and you’ll probably find something you can use. There are dozens of places to get free or cheap patterns that will be easy to start with.

Here are one or two ideas that little projects can be turned into something beautiful as well as helpful. Always use your imagination and you can come up with ideas of your own that you’ll be pleased with.

1. A Potholder is a helpful present

A potholder is a great gift when selecting a block from simple quilt patterns to use as the top. I love to use a 6 and a half in. to 7 and a half inch block for this project. You would just duvet and bind the potholder like a regular cover with one or two exceptions. Make efforts to use 100% cotton for your covering thread. If you use invisible thread, it’ll melt when handling hot pans. You may also want to use insulated batting.

two. Give a set of Place mats

I made a set of four place mats and 4 coasters for my parents last year and they loved them! You can use the easiest of simple quilt patterns for this one – a checkerboard. What is great about this idea is that you will get plenty of practice binding quilts.

3. Youngsters love Tote Bags

Make it a market tote and give it to folks who need to break themselves of using plastic bags at the corner store. A quilt block can be employed as decoration. If you make the bag out of novelty fabric such as Sponge Bob or Barbie, you can give it to your favourite pre-teen as a library bag.

once you start putting these ideas into projects using simple quilt patterns you will become a quilting pro in a brief short time with much pleasure and enjoyment.

four. A Cover for Recliner Headrests

I found out about this idea by mistake. I made my mom a mini duvet version of the larger quilt I had given her as a gift. She used it as a cover for her recliner’s headrest. It looks great. So much so that my dad wanted one for the next year. You will need to make a quilt approximately sixteen by nineteen inches. If the planned recipient has two recliners, be certain to make two.

five. A lovely table topper

Does anyone you know have those accent tables? Make them a table topper. Fab present. Just ensure that it matches the dcor of the room. You could also make a table runner with little cover blocks. Anyone would be proud to display such a nice table runner!

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now you have 5 great homemade present concepts where you can use your simple quilt patterns, why not start on your quilting project today?

For detailed information on simple quilt patterns and pre cut quilt kits visit our blog at: http://www.EasyQuiltPattern.org

Article from articlesbase.com

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Learn to Quilt: Discover Top Tools of the Quilter’s Trade

When I first started quilting I was just learning how to sew as well. It took a while to figure out which were the tools, also called notions, that I used the most. To help you on your journey to becoming a quilter I have created a list of the tools you will use the most:

1. Rotary Cutting Supplies. This includes a rotary cutter, acrylic rulers, and a cutting mat. These tools are made for precise cutting. Quilter’s worldwide wouldn’t think of starting a quilting project without them. You’ll find that the more accurately you cut your quilt pieces, the more accurately your quilt top is sewn together. Olfa is an excellent brand, and is the leader in the quilting community.

2. A Decent Steam Iron. You can’t start a quilting project without one. Now, you can buy the really expensive Rowenta professional iron, or, you can go to Walmart or Target and buy their steam iron. Both will get the job done. I’ve learned from experience that they both last about the same amount of time, will both do a decent job, but one is a lot less expensive to replace. I highly recommend using spring water in your irons—tap water can lead to hard water stains on your quilt top, and most manufactures say that you shouldn’t use distilled water.

3. A Good Seam Ripper. Most quilters have two or three of them on hand at any given time. Dritz makes a variety of excellent seam rippers. You’ll find they have everything from seam rippers with magnifying glasses to ergonomic seam rippers for those of us quilters who rip out stitches on a regular basis.

4. Spring Loaded Scissors and Shears. These scissors and shears are spring loaded to prevent hand fatigue while cutting repetitively. Quilting, and sewing for that matter, involves a lot of cutting. I have a pair of blunt tipped, which work really well for cutting threads, and a pair of sharp tip, which I like to use for cutting appliqué pieces. I don’t know many quilters who don’t own a pair of these. Fiskers, in this instance, is my brand of choice.

5. ¼ Inch Foot. A quarter inch foot for your sewing machine will get you going toward an accurate ¼ inch seam allowance. Almost all quilt patterns instruct you to use an accurate quarter inch. Many sewing machines come with these feet. However, if you bought a simple hobby machine, you’ll most likely need to purchase one. I would like to recommend a brand, but in this case, there are so many brands for different types of machines that you’ll want to check with your local machine dealership to buy the right one. Don’t worry, they aren’t expensive, but they’re definitely necessary. You may even find them at your local quilt shop.

You’ll discover quilting can be an adventure. Anyone with the proper directions can create an heirloom quilt that will stand the test of time.

Fortunately, with proper instruction, quilting is as simple as following a proven set of steps. Take the first step and learn how fun and easy creating heirloom keepsakes can really be. Go now to http://www.DiscoverHowToQuilt.com.

Erin is a nationally known quilt pattern designer and instructor. For more information, go to www.discoverhowtoquilt.com

Article from articlesbase.com


Machine Quilting Patterns- Tips about Quilting Themes and Shopping

The term machine quilting refers to the art of creating a quilt using a sewing machine. A sewer can either do the machine guided sewing or free motion sewing. The former technique results to straight or curvy stitches. The later makes beautiful quilting designs. If you love pattern quilting, you should buy one of the best free motion sewing machines. Using machine quilting patterns makes your task quick and accurate. It acts as a template for a quilt design you plan to make and it can be cut out, joined to a piece of fabric and used as a sewing guide. The quilting patterns are very important. They are sold in a range of designs, each featuring a unique theme. You can get a pattern that complements your sewing tastes and preferences. The various examples of quilting patterns include:

Holiday themes- if you want to buy patterns inspired by a certain season, you can easily find different ones. For example, you can buy Christmas, Easter, or any other famous holiday patterns.
School themes- you are likely to find many patterns featuring college themes
Animal/cartoon themes- when you are making children quilts; animal and cartoon patterns are the most preferable.
Sporty/classic patterns- you can find any sport or traditional theme you are interested in.
Gardening and landscaping patterns- you may want to make a quilt inspired by beautiful landscapes, countryside, or backyards.
Environmental themes- these include floral patterns.
Baby patterns- you have many baby themes to make an interesting quilt for your baby.

Think about your quilting project very seriously before you can spend any money. Once you draft the ideas you have in mind, the next shopping step is easy:

Go shopping for your quilting patterns

It is possible to find a range of machine quilting patterns in a variety of sewing and fabric stores near your home. However, in this day and age, many people prefer shopping online. You do not have to step outside your house if you have a home computer connected to the Internet. Some online sites are available that provide free patterns.

Most of the sites sell different types of quilting patterns though. This explains why you must know exactly what you are searching for. Some web stores only specialize in a given category of patterns. It is much wiser to save up money to buy an Ebook with many patterns. You can use it in the future, without doing any further research online, unless you want to find updated patterns.

Amazon is a major shopping store where you mainly find the Amish and patchwork quilting patterns. Perform a window-shopping exercise first if you plan to purchase the patterns offline. This will make your budgeting efforts much easier. Offline shopping does not compare to online shopping in terms of the ranges of patterns and suitable price deals you can get. All you have to do is to investigate every website you are keen on using. Legitimate online stores exist and you should take your time to find them. Buy from a vendor who gives you a range of machine quilting patterns at the most affordable rates.

G. Smitty is a writer who loves to discuss many topics ranging from sewing machines for quilting to professional basketball. Thanks for reading!

Article from articlesbase.com

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